A circular economy is an economic system aimed at eliminating waste and the continual use of resources. Looking beyond the current take-make-waste extractive industrial model, a circular economy aims to redefine growth, focusing on positive society-wide benefits. It entails gradually decoupling economic activity from the consumption of finite resources and designing waste out of the system. Underpinned by a transition to renewable energy sources, the circular model builds economic, natural, and social capital.
Zaha Hadid Architects is collaborating with Hyperloop Italia to co-design the next phase of works of the transport vehicles, marking a turning point for the future of transportation. The collaboration aims to merge transformative architecture, engineering, and urban planning with the most efficient and sustainable transport network to improve accessibility, connectivity, and well-being in cities.
After completing One Vanderbilt, the tallest office building in New York, Kohn Pedersen Fox Associates has unveiled plans for a new skyscraper in Midtown Manhattan. The 320-metre high office tower at 343 Madison Avenue makes the most out of its relatively small plot and the silhouette mandated by the New York City zoning laws, featuring a series of receding volumes that leave a way to gardens and terraces at different levels. When completed, the project will also create an important new transit entrance to the Long Island Rail Road and the Grand Central Complex.
Historically, "cyclopean" referred to a building technique that superimposed large stone blocks together without any mortar. This allowed for a diverse array of structures across various civilizations, including defensive walls, talayots, navetas, nuraghes, temples, tombs, and forts. Nowadays, the term applies to any ancient structure consisting of large stones superimposed to form a polygonal shape.
Vladimir Belogolovsky speaks with Antoine Predock about the soon-to-be-built Bahías, a community of 13 houses in Costa Rica, inspired by a vision of manmade foliage.
Architecture and automation are two concepts that in the modern era of design and technological advancements go hand in hand- or do they? On one end, there’s a slight fear that “robots will replace designers”, making the profession more automated, and less creative. On the other, technology has made the practice of architecture more efficient in terms of process and cost. How far will technology take us, and will your job ever be lost to technology? The short answer is, probably not.
To answer the Biennale's question of "How Will We Live Together", curators of the national pavilions explored what the future would look like in an architectural, cultural, and environmental context. Many saw the future as an entirely virtual environment whereas other highlighted the cruciality of physical coexistence with neighbors. ArchDaily met with Ippolito Pestellini Laparelli, curator of the Russian Pavilion, to discuss how the idea of the pavilion came together throughout the year as a virtual platform for interdisciplinary creative thinkers, the role of cultural institutions across physical and digital spaces, and how digitalization is always part of the conversation.
Construction work began for Herzog & de Meuron’s transformation of a former power plant building in San Fransico into a mixed-use project. Designed in collaboration with California-based practice Adamson Associates, the adaptive reuse of iconic Station A is part of the Portrero Power Station project, the redevelopment of a 29-acre industrial site into an extension of the Dogpatch neighbourhood. Herzog & de Meuron’s design retains and repurposes various features of the industrial building while adding a lightweight, steel-framed structure on top, thus giving new life to one of San Francisco’s landmarks.
Industrial architecture usually requires fast installation, low-maintenance components, and flexible spaces that can be used for different purposes. Therefore, modular solutions are very common in this type of construction, also adding a powerful visual language to the building.
https://www.archdaily.com/962662/modular-components-in-industrial-architectureEquipe ArchDaily Brasil
The 17th Venice Architecture Biennale is currently unfolding, revealing a wide range of answers to the question "How will we live together". With 60 national pavilions, numerous contributions of invited architects from all around the world and several collateral events, this year's edition restates the Biennale's role as a platform for inquiry, exploration, and disruptive thinking in architecture. Curator Hashim Sarkis' original statement called upon architects "to imagine spaces in which we can generously live together." Recent circumstances have made the question even more relevant, prompting a holistic re-evaluation of how the world as a collective can face changes and challenges of an unprecedented scale from the disrupting role of technology, to inequality, mass migration and climate change. The following national contributions reflect on "how will we live together" amidst climate change, exploring ideas for a more sustainable future.
Three years after OMA was selected by the Jersey City Redevelopment Agency (JCRA) to design a new museum in Journal Square, the city’s downtown hub, it was revealed this morning that the building would be home to none other than the Pompidou Center’s first North American satellite: The Centre Pompidou × Jersey City.
The Coronavirus pandemic demanded new needs and significant changes in our lives: in relationships, at work, in consumption habits, in increasing inequality. Indeed, the theme of workspaces came up in a historical moment when people saw their own freedoms limited for the first time in the postmodern era.
Most people were forced to work from home, and since the beginning of quarantine, reflection on the future of workspaces has become inevitable. Some interesting data show that the Coronavirus only boosted a practice that had been consolidating for years in some countries. According to the Global Workplace Analytics e FlexJobs, between 2005 and 2015, the number of professionals in the United States who do at least 50% of their work from home or elsewhere outside their offices grew by 115%, and today that number reaches 4.7 million, 3.4% of the strength of the job.
Talking to the Louisiana Channel, iconic Japanese architect Kengo Kuma discusses the many influences that have shaped his work - and also delves into the impact that the ongoing pandemic has had on the architectural field. In the interview, Kuma describes how influential his early upbringing was to his architectural career. Growing up in a small wooden house in the 1950s - originally built in 1942, would go on to guide his architectural perchance of using wood in his projects. Kuma also mentions Japanese architect Kenzu Tange as a key inspiration and cites Tange's Yoyogi National Gymnasium - constructed for the 1964 Summer Olympics in Tokyo - as a project that would influence him towards an architectural career.
Fire is an important consideration in the design of buildings. From material assemblies, to room layouts, to egress, and fire suppression systems, fire is a powerful force shaping the spaces we inhabit. This video talks about some of those factors while the host, Stewart Hicks, builds a campfire at a cabin in Northern Michigan. Over the course of choosing logs, building, lighting, and enjoying the fire, he breaks down how the construction of buildings relates to principles of constructing a good campfire. He covers theories by Gottfried Sempter, the evolution of fire in the home, considerations in wood frame construction, Bernoulli’s Principle, fire suppression systems, and much more. Grab a seat, bring ingredients for making s’mores, and enjoy some fun fire facts.
Ever since the period of the Renaissance in Europe, the indivisible relationship between art and architecture has long been heatedly discussed and vividly reflected in numerous classical books and buildings. With the deep connection that unites art and architecture together, designers, artists, and architects have been actively collaborating and came up with solutions on how we can house and exhibit art in the form of changing spaces.
"When we enter the restroom, we are never alone. Instead, we are entangled in a network of bodies, infrastructures, ecosystems, cultural norms, and regulations". Although restrooms are often overlooked facilities that cater to the needs of individuals, they are, however, spaces where gender, religion, race, hygiene, health, and the economy are defined and expressed. For the 17th International Architecture Exhibition at La Biennale di Venezia, Matilde Cassani, Ignacio G. Galán, Iván L. Munuera, and Joel Sanders designed two pavilions that exhibit how restrooms are political architectures, serving as battlegrounds for the world's disputes.
Cobe’s winning design for the new library of the University of Gothenburg proposes a light, clean volume, whose slightly curved facades are a nod to the pages of an open book. The Danish architecture studio translates the concept of knowledge as the heart of a library into the interior spatial configuration of the project, while the architectural image evokes the idea of a lighthouse. Featuring a transparent and open ground floor, the new repository of knowledge creates a strong connection with the surrounding park, becoming a mediator between the city and the university.
When designing community spaces, the architectural concept can easily clash with the user's experience. Therefore, engaging the community and future users in the project development and design process is a way of adding different perspectives to the architect's vision towards a more intelligent architecture.
In a Design and the City episode - a podcast by reSITE on how to make cities more liveable – Mexican architect Michel Rojkind talks about running, coming from a musical background, and the responsibility of architects to create buildings that can “give something relevant” back to the community. The interview delves into Rojkind’s philosophy of making sure that architectural conversations are not insular, but instead conversations that take place within a multi-disciplinary context.
In this week's Common Edge piece, Duo Dickinson explores his personal journey from teaching to practice to teaching again, and the differences he perceived. Stating that "no one today believes that school can fully prepare students for what architecture will become in 10 years", the author explains how architectural education has been evolving and questions what could be the best ways to ensure that education remains relevant.
A few weeks ago the photographer Aldo Amoretti launched an unusual call inviting his and ArchDaily's followers to share their favorite places so that he could later photograph them, in a sense of a collective perspective and with the objective of discovering places. Last week we showed the finalists and today Amoretti has already chosen the places that he will go to document, which will be published on ArchDaily in the coming weeks.
Courtesy of ZGF Architects, Wexford Science & Technology
ZGF Architects, Wexford Science & Technology, and The University of Pittsburgh have revealed new details of the Ford Motor Assembly Plant adaptive reuse in Pittsburgh. Called The Assembly, the project aspires to become a hub of university research, entrepreneurial activity, and innovation programming. The six-story crane shed was used to hoist parts unloaded from the Pennsylvania Railroad tracks for assembly.
Penthouses embody how form is following finance. As their own sector of the luxury real estate market, these spaces are often reserved for the richest clients and investors. From heiress Marjorie Merriweather Post's iconic 54-room mansion in the sky, to top-floor units in mid-rise developments, penthouse designs have been continuously reimagined to take architecture and interior design to new heights.
The ceiling – commonly referred to as "the fifth wall," – has the potential to transform an interior space from average into extraordinary. When it comes to design, the ceiling is often forgotten, and there are many missed opportunities to create moments of visual interest and delight.
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