The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects David Lee and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.
A variety of subjects are covered with honesty and humor: some episodes are interviews, while others are tips for fellow designers, reviews of buildings and other projects, or casual explorations of everyday life and design. The Second Studio is also available on iTunes, Spotify, and YouTube.
This week David and Marina are joined by Archie Lee Coates IV, a Co-Founder of the extremely multi-disciplinary design studio PLAYLAB. Archie discusses the evolution and future of PLAYLAB, naïveté in design and art, social equity in design practices and design, believing in humanity, design office as permeable amoeba, working with Virgil Abloh for the Louis Vuitton Show, and more.
The Media Architecture Awards are handed out to outstanding projects at the intersection of architecture, urban design and planning, media, art and interaction design. The winners will be announced at the Awards Ceremony on July 2 (15:00-16:15 (CEST). The award ceremony will be live-streamed. In the coming weeks, the three nominations for each of the five categories will be revealed here on ArchDaily.
The viability of 3D Printing in architecture – has, at the very least – seen a seismic shift over the past few years. Usually relegated to prototypes or conceptual models, 3D Printed building designs are increasingly being actualised as physical projects. In 2013, WinSun, a Chinese company – was able to print 10 houses in a 24-hour period, becoming one of the first companies to achieve this feat using 3D Printing technology. More recently, in 2018, a family in France became the first in the world to live in a 3D Printed house. The city of Dubai is also seeking to have a quarter of its buildings be 3D Printed by 2025. These examples display the upwards category of this technology, and how it is very likely, as the years go by, this automation of building fabrication is even more integrated into the construction process than it is right now.
The CANactions youth competition was launched in 2009 by the Dessau Institute of Architecture (DIA / Germany) and CANactions School. The competition has become a professional "path to Europe" for Ukrainian students and young professionals. Since its launch, more than 1,200 projects have been received, among which 129 finalist projects have been selected by members of the international jury. This year's winner was Dmytro Yahodin with a reconstruction proposal for the Rikhert brewery in Kyiv.
https://www.archdaily.com/963148/reconstruction-proposal-for-an-abandoned-brewery-wins-the-2021-canactions-youth-competitionArchDaily Team
The first house ever built in the United States made entirely out of only concrete and glass is no longer standing. It was demolished in 1999, but that doesn’t mean we can’t visit it virtually to witness what it would have been like to be inside. This video and link below focuses on a single house — the Lincoln House — designed by Mary Otis Stevens to resurrect and explore. It uses the program Enscape to walk through the building and resurrect the experience of what it would have been like to be inside. The video offers a timeline to contextualize the role of the house in the career of the architect and the evolution of Brutalism in Architecture, an analysis of the building, and initial reactions to walking through the building for the first time. What magic and other lessons are lurking in the design, hidden until we could experience it?
What does it take to build a smart city from nothing? Or maybe the better question is, what does it take to build a smart city from nothing and make it successful? For over a decade, architects and urban planners worked hand in hand to create Songdo, a brand new business district that sought to represent South Korean advancements in technology and infrastructure. Songdo was once a model for how we would live in cities of the future- but now, the reality of what this smart city quickly became has us rethinking how the combination of technology and community might have gone wrong.
Skidmore, Owings & Merrill (SOM) and TranSystems are redesigning one of Chicago busiest and oldest elevated rail networks. The Chicago State/Lake Station's new design offers improved accessibility, safety, and comfort to all passengers, and respects the surrounding historic fabric of the downtown area. The proposed design includes wider platforms, a hovering glass canopy, a new fly-over connection bridge, elevators, and street level enhancements.
With its Shenzen project, design firm Morphosis reimagines the skyscraper typology, maximizing the flexibility of the floor plan through a detached-core scheme that shifts circulation, services and amenities to the building's exterior. Using a pioneering structural system, the project's spatial configuration diversifies the interiors' functional possibilities while reshaping the circulation routes within the building, with glass sky-bridges and large-scale steel braces knitting the core to the tower's main body. Completed in 2018 with a gradual opening that continues into 2021, the 359.8-metre tower is currently the tallest detached-core building in the world.
Stefan Fuchs & Raphael Dillhof interview Adam Nathaniel Furman and discuss the role and importance of facades in today's urban fabric, "in the context of a broader range of social, economic, and political issues". Part of a more in-depth study examining the role of facades in the 21st century, this discussion also raises the question of why buildings always embody the values of their creators.
https://www.archdaily.com/963168/adam-nathaniel-furman-buildings-always-embody-the-values-of-their-creatorsRaphael Dillhof, Stefan Fuchs
Marlon Blackwell Architects has designed a series of eight live-work Quonset huts as part of a larger development project in Fort Worth, Texas. Working with landscape architect Julie Bargmann of D.I.R.T studio and Studio Outside, the team created the proposal for Prince Concepts. The project has broken ground, and will include 5,500 square feet of office space and three retail locations, as well as a public park.
Auckland in New Zealand has topped the ranking in the 2021 EIU's annual world's most liveable city survey. Classifying 140 cities across five categories including stability, healthcare, culture and environment, education, and infrastructure, this year’s edition of the review has been highly affected by the global pandemic. Australia, Japan, and New Zealand took leading positions, while European and Canadian cities fell down the ranking.
Aquariums are built to reshape expectation. Giving visitors a new vantage point to observe freshwater and marine life, these structures range in scale from simple exhibits to elaborate public aquaria. With a diversity of programming, they often include facilities for rehabilitation and conservation, as well as educational spaces to support learning and discovery. Today, modern aquariums offer glimpses into aquatic life both above water and below the surface.
As part of the Dogpatch mixed-use waterfront development, Foster + Partner'sPower Station extension has finally broken ground. The master plan will create multiple new residential, commercial, and recreational spaces, honoring its industrial past and reconnecting the community with the San Francisco Bay waterfront. The architecture firm's 2-building proposal provides the neighborhood with an ideal urban framework to help create a vibrant, healthy, and inclusive community.
With 38% of projects over budget and 35% behind schedule, according to the 42nd Annual Deltek Clarity Report, architecture firms are focusing on the fundamentals. This includes tracking metrics and adopting new technology to keep a closer pulse on performance and profitability. Many architecture firms have a ways to go as only 25% currently see their business as digitally mature, but 76% of firms envision firm digital sophistication in five years, according to the report.
Barcelona-based studio Barozzi Veiga has completed its first UK project, which will house Ravensbourne University’s Institute for Creativity and Technology. The building, whose interiors are designed by Brinkworth, is also the first to be completed within the Design District, London’s new purpose-built creative hub at the heart of the Greenwich Peninsula. Featuring a polished aluminium-clad façade that reflects the neighbouring buildings, the design engages with the surrounding context, while also referencing the area’s industrial past.
Natural or artificial, lighting is one of the most important elements in architecture, directly affecting our perception of spaces. It is capable of defining volumes, enhancing colors, textures, and therefore, contributing to the overall relationship between dimension, proportion, and contrasts. One of the many challenges of architecture is to shape spaces based on light and shade, and sometimes natural light is not enough, requiring additional light sources to be installed and controlled.
Although holograms have been a possibility for decades—the first hologram was developed in the early 1960’s following the development of laser technology—many might still associate them more with science fiction, the term conjuring up images of high-tech superhero gadgets and spaceships in the distant future. Yet as we inch closer to the reality of a hyper-technologized future, and a variety of industries—including architecture and construction— begin to embrace new forms of increasingly advanced technology, holography, too, has a chance of completely reshaping the way we conceptualize and experience architecture. While it is impossible to predict exactly how holographic technology will be used in the future, below, we list several examples of existing projects that use holograms and other types of holography to create atmospheric environments, fantastical scenes, and practical visualizations. These examples move beyond the use of holograms to visualize structures and sites during the design phase; they utilize holography to shape the completed architectural space itself, completely altering the sensory and spatial experience of their environment.
https://www.archdaily.com/963011/holography-how-it-could-change-architectural-spaceLilly Cao
In this week's piece by Metropolis, author Kelly Beamon explores in her original article "the patriotism associated with pitched roofs and shares how architects are reimagining this staple of suburban house styles". According to its definition, a gable roof is a classic roof shape, usually in cold or temperate climates, consisting of two roof sections sloping in opposite directions and placed such that the highest, horizontal edges meet to form the roof ridge. Emblematic of the US, this article discusses its return to the urban fabric.
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Basements and rooftops which may have previously been difficult to access can be opened up to all in multi-generational households. The only problem is getting grandma off the benchpress. Photographer: Erik Undéhn. Image Courtesy of Aritco
Platform lifts. Swedish manufacturer ARITCO shows how architects can integrate them into residential properties without them looking like an afterthought – but rather a serious design statement.
Located in the heart of Westminster, a short distance away from the Buckingham Palace, Henning Larsen are building a community hub that reimagines traditional office and commercial spaces. 105 Victoria Street will be the architecture firm's first ever project in London, providing visitors with an urban plaza that enables an active and social working environment both indoors and outdoors. The project is being developed by BentallGreenOak and is designed in collaboration with Adamson Associates Architects and KPF.
The 17th Venice Architecture Biennale invited architects to ponder the question “How will we live together”, eliciting a variety of answers, readings and interpretations. The International Exhibition unfolding in Giardini, the Arsenale and Forte Maghera presents 112 participants in the competition, coming from 46 countries, whose contributions are organized into five scales: Among Diverse Beings, As New Households, As Emerging Communities, Across Borders, and As One Planet. Answering “How will we live together as a community? “ is Chilean office ELEMENTAL and Archdaily met in Venice with Alejandro Aravena to discuss the idea behind the project KOYAÜWE, which creates a space that recovers the tradition of parleys, as a means to address the historical Chilean-Mapuche conflict.
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