Jasper Architects has recently won a competition to design an immersive hotel experience within the desert landscape of Kuwait. Featuring a curved structure echoing the surrounding dunes, the project is intended to recreate an oasis where visitors can fully observe the natural environment. Through its colors, textures, use of wood, and rammed earth, the concept emulates the surrounding. Reiterating the local topography, a circular roof rises and touches the ground, creating an array of alternating interior and exterior spaces.
Capturing aerial photographs allows raising awareness of a project feature usually complex to capture using traditional methods. Based on the technological opportunities offered by small unmanned aerial vehicles (UAVs), commonly called drones, architecture photographers have begun to explore new ways of capturing a project in order to expose design decisions such as implantation, dialogue with the environment, or the relationship with nearby buildings.
Library of Muyinga. Image Courtesy of BC Architects
In his 1983 now-classic essay Towards a Critical Regionalism, Six Points of an Architecture of Resistance, Kenneth Frampton discussed an alternative approach to architecture, one defined by climate, topography and tectonics, as a form of resistance to the placeness of Modern Architecture and the gratuitous ornamentation of Postmodernism. An architectural attitude, Critical Regionalism proposed an architecture that would embrace global influences while firmly rooted in its context. The following explores the value and contribution of Frampton’s ideas for contemporary architecture.
Columbia University’s Manhattanville Campus expansion has ushered in a crystalline district of glass-clad buildings amid the masonry vernacular architecture of Harlem. The latest additions to the 17-acre, $6.3 billion campus, which was master-planned by SOM, are two buildings designed by Diller Scofidio + Renfro (DS+R) in collaboration with FXCollaborative that provide a new home for the Columbia Business School. Set to open in early 2022, Henry R. Kravis Hall and the East Building rise 11 and 8 stories, respectively, and provide 492,000 square feet of classrooms, public space, and faculty offices.
Displacement implies uncertainty, uprooting, and instability, in addition to the loss of community, privacy, and physical and emotional orientation. Addressing these needs through appropriate architectural responses can help displaced communities regain social, economic, and environmental well-being. In this context, community kitchens are designed to help generate a sense of belonging and "normality" in domestic lives.
https://www.archdaily.com/966201/community-kitchens-the-challenge-of-generating-roots-in-displaced-communitiesClara Ott
San Francisco is a city defined by its relationship to housing. Since the 90s it has faced an affordable housing shortage, and now, has some of the highest rents of any major US city. As planners and policy makers work to move beyond the city's past and find new paths forward, architects and designers are testing out diverse housing models. From dense residential towers to multi-unit developments, modern housing aims to strike a balance between economy and urbanity.
What’s in a name? Well, when it comes to building names, it can be a lot. While some monikers are fleeting and change with the most recent highest bidder, some names are indelible and leave a lasting mark on the public imagination. Client names, towns, corporations, and streets provide ample naming fodder, but some architects are more strategic. Architects like Peter Eisenman created a numbered series (House I, House II, etc.) , or MOS architects adopt a composer-like generic naming system (House with 10 trees, House with 2 Chimneys). For these architects, the name situates each building within a larger collection of projects. It ensures people will consider each act of building as part of a grand plan. Finally, sometimes, no matter how diligent a marketing team tries, a building will find a nickname it just can’t shake...Gherkin. This video considers all these as it explores how buildings get their names.
Bjarke Ingels Group has collaborated with NASA and ICON to create Mars Dune Alpha, a 3D-printed research habitat that will provide long duration habitation for astronauts on missions to Mars. The 1,700 sq.ft. structure, which is currently located at the Johnson Space Center in Houston, Texas, is designed by the award-winning architecture firm, 3D printed by construction developers ICON, and will soon be home to NASA's future crew.
Four years later, Chile's Ministry of Social Development has given the green light to the 33,000-square-meter (355,200-square-foot) project after reviewing the technical requirements, as local media reported on August 3.
Around the world, the COVID-19 pandemic exposed the fact that some of the poorest people were hit the hardest by not only the impacts the virus had on public health but also the social and economic shockwaves that came as a result. And now, as we emerge on the other side yet also enter the second wave of restrictions around the globe, urban planners and government officials are beginning to realize that the pandemic has pulled back the curtains on another inequitable feature of cities- the proximity to public parks and spaces.
With new advancements in software opportunities, Open BIM is tiding over the disconnects between different project sectors, making the workflow more efficient at both large and small scales. Open BIM extends the benefits of BIM (Building Information Modeling) by improving the accessibility, usability, management, and sustainability of digital data in the built asset industry. Open BIM processes can be defined as sharable project information that supports seamless collaboration for all project participants, removing the traditional problem of BIM data that is typically constrained by proprietary vendor data formats, by discipline, or by the phase of a project.
EXMURO arts publics and the Ville de Québec have inaugurated the the 8th annual PASSAGES INSOLITES art event, the annual Quebec City art walk that showcases over 20 unusual urban interventions by local and international artists. The event will run from June 26 to October 11, 2021, and will focus on reimagining the urban fabric and transforming how we see the city and its historic landmarks.
UK-based practise Alison Brooks Architects has recently won the competition to design the new Entrance Building and Children’s Literature Resource Centre for Homerton, the biggest college in Cambridge. Described by the architects as a “lantern”, the proposal is a three-storey mass-timber framed pavilion which will welcome visitors to the grounds while also providing additional study and exhibition space. Through its morphology and copper-clad facades of the upper floors, the new building establishes a dialogue with its context and provides a flexible space that can accommodate the College’s future spatial needs.
Both tea and alcohol in traditional China were similarly aestheticized, and both influenced the language of literature and art. People used to exchange alcohol as a gift in a way that they later would with tea. Today, more and more cities in China have embraced this drinking culture that passed down from generation to generation, and reinterpreted with a new contemporary fashion, which is constantly evolving in the urban cafes and bars.
In spite of the lull in the global construction industry over the last couple of years, megacity projects in Africa have continued unabated, as new developments are springing up in major cities all over the continent. Though we’re inspired by the growth of modern African cities and the opportunities offered to city residents, we shouldn’t ignore their shortcomings, the glaring disconnect between the utopian visions of local city officials and the economic and cultural realities of the local populations who live here. Many questions whether these new cities could be built in other ways, or if Africans will ever have an alternative to the current model of placemaking, hodgepodge urbanism foisted on it, largely by colonialists.
https://www.archdaily.com/966346/african-urbanism-preserving-cultural-heritage-in-the-age-of-megacitiesMathias Agbo, Jr.
Exactly a year ago, on August 4, 2020, the third-largest non-nuclear explosion ever-recorded destroyed almost half the city of Beirut, ripping through the port and the eastern part of the capital. One of the biggest urban tragedies of modern times, killed more than 200 people, wounded thousands, and left an estimated 300,000 people homeless, damaging over 80,000 commercial, residential and public spaces. Felt across neighboring countries, the blast stripped the city’s constructions of their cladding, framing, and glass elements, while completely tearing down other buildings, leaving around US$15 billion in property damage, in times of Covid, political and social unrest, and economic collapse.
One year later, so little has changed. One year later, it only became harder for the people of Beirut. One year later, everything in the city still reminds them of that day. Major questions remained unanswered, no rescue or action plans have been taken by governmental institutions, instead, civil society rose to take into their own hands, reconstruction efforts, in the total absence of the state.
UK-based architecture firm AL_A has collaborated with Canadian energy firm General Fusion to develop the world's first magnetized target fusion facility on the UK Atomic Energy Authority (UKAEA) campus in Culham, United Kingdom. The energy firm wanted to "transform how the world is energized by replicating the process that powers the sun and stars". AL_A's design proposes a first-of-its-kind facility with open spaces and see-through partitions that provides innovative carbon-free energy solutions.
Shenzhen Natural History Museum. Image Courtesy of 3XN
The latest news and reports on China’s construction sector redefine the country’s future architectural landscape. A Cultural Infrastructure Index reflecting the data from 2020 places China and, more specifically, Shenzen as the world leader in investments regarding cultural facilities. Last year saw the announcement of 10 new cultural projects, all designed by world-renowned architects. At the same time, the Chinese authorities announced last month that buildings taller than 500 metres would no longer be approved, marking the end of an era that made the country home to 10 of the tallest 20 buildings in the world.
"I felt like I was Nino Rota and Oscar Niemeyer was Fellini, it was like I was creating an important piece of music in that work of art." Renowned visual artist Athos Bulcão uses this comparison between the Italian composer and the film director to refer to the relationship between his work with ceramic tiles and architecture. This fusion between art and architecture marked an important period in the history of Brazil, shedding light on issues such as national identity, the massification of art, and architectural techniques aimed at the tropical climate.
Often, when people think of buildings, they default to imagining rectangular structures—or at the very least, structures with orthogonal floor plans and hard angles, certainly not buildings with circular plans. The rarity of the circular plan comes in part from the fact that poor design choices can lead to wasted space and awkward interior arrangements, especially if furniture and appliances are rectangular in shape. However, strongly designed circular planes can have a dramatic effect, generating extraordinary spatial configurations that meet a variety of aesthetic and functional needs, while challenging the material specification process. Below, we list 18 buildings with circular plans, considering their varying strategies of design.
https://www.archdaily.com/966202/how-to-properly-design-circular-plansLilly Cao
People have fundamental needs that must be met in order to survive, which include: oxygen, water, food, sleep, and shelter. They also have secondary requirements, one of which is daylight. When thinking about how buildings can keep people healthy, it is important to remember that daylighting is essential to wellness, in fact, human circadian rhythms are dependent on it.
For Design and the City's sixth episode - a podcast by reSITE on how to make cities more liveable, the team interviewed Christele Harrouk, Archdaily's Managing Editor and Salim Rouhana, Senior Urban Governance and Resilience Task Team Leader at the World Bank Group. The two Beirut natives talk about the devastating explosion in August last year and share their perspectives on what rebuilding the city could look like.
"We all have to change our way of thinking now. I want to change my architecture to be even more kind to nature," says Kengo Kuma in this Louisiana Channel interview, where he shares his thoughts on the pandemic's impact on architecture and the environment. The architect discusses the collective responsibility towards nature and the importance of designing buildings and cities that allow for and encourage outdoor activities.
