People living in dense cities are among the least happy. Their rates of depression are 40 percent higher than other populations, and their rates of anxiety are 20 percent higher. Why? Because the built environment is directly linked with happiness and well-being, and too often urban environments fail to put people at ease.
While bamboo holds incredible potential as a building material, efforts to build durable bamboo structures often fall short with errors made in both the design and building process. Bamboo structures are often criticized for their lack of durability, and before treatment technology was discovered, this was one of the pitfalls to building with bamboo, nowadays however, architecture firms like IBUKU have proven that if designed well, treated right, and maintained a bamboo structure can last a lifetime.
Besides poor treatment, there are other errors made when building with bamboo and these are often overlooked, but they hold equal weight in ensuring the longevity of a bamboo structure. There are plenty of great guides that explain how to build with bamboo, however information falls short when addressing what not to do. In this article, we will share how to avoid the most common mistakes when building with bamboo.
Translucent polycarbonate panels boast unique and striking aesthetics while simultaneously maintaining efficient functionality. They can add depth and color to a façade and may adapt to meet a wide range of performance requirements, from temperature resistance to impact resistance to UV protection and more. Rodeca, a leading company in the polycarbonate panel industry, offers high-quality products with high customizability vis-à-vis colors, transparency levels, treatments, profiles, sizes, joint systems, and more. Below is a detailed list of these many options, accompanied by diagrams and installation steps. We also discuss several case studies where polycarbonate facades have been used to great success, taking full advantage of the options available alongside the intrinsic aesthetic qualities of the translucent panels to complement and elevate their designs.
The Royal Institute of British Architects has announced the 13 regional winning projects of the 2021 South Awards. The projects ranged from complex civic buildings to refined residential extensions and context-integrated interventions, with an emphasis on landscaping and craftsmanship. The winning architects will now be considered for a highly-coveted RIBA National Award in recognition of their architectural excellence, which will be announced later this year.
The Intergovernmental Panel on Climate Change, the UN's body for assessing the science related to climate change, has recently published a comprehensive report documenting the extent of global warming. The paper provides new time estimates for crossing the 1.5 degrees Celsius threshold, urging immediate and large-scale action to reduce greenhouse gas emissions. Following the publication of the report, UK Architects Declare has issued a statement inviting decision makers to a dialogue on how to collectively address the climate crisis while at the same time calling for the design professionals to re-evaluate their practice to support meaningful change.
Burnout syndrome is an occupational phenomenon resulting from chronic workplace stress and emotional tension and has been affecting more and more professionals every day. It is directly associated with each person's daily work life, not only with the operational aspects of the job but also the physical environment.
We spend on average 1/3 of our day in workspaces, so it's no wonder they considerably affect our mental health. Following a period of intense home office activity during the year 2020, now people are returning to collaborative workplaces. These spaces offer a great alternative to escape the domestic environment and create separate places for each function of our lives, a much-needed change after a year of isolation.
“We need a new spatial contract." This is the call of Hashim Sarkis, curator of the Venice Biennale 2021, as an invitation for architects to imagine new spaces in which we can live together. Between a move towards urban flight and global housing crises, the growth of more low-rise, dense developments may provide an answer in the countryside. Turning away from single family homes in rural areas and suburbs, modern housing projects are exploring new models of shared living in nature.
In a recent interview with Louisiana Channel, graphic designer-turned-architect Bruce Mau explains how design is a mindset "of optimism and action". The designer talks about how architecture and design can influence and give form to the world we are sharing, and explains how we are the ones who design the outcomes of life, leaving no room for cynicism.
Jasper Architects has recently won a competition to design an immersive hotel experience within the desert landscape of Kuwait. Featuring a curved structure echoing the surrounding dunes, the project is intended to recreate an oasis where visitors can fully observe the natural environment. Through its colors, textures, use of wood, and rammed earth, the concept emulates the surrounding. Reiterating the local topography, a circular roof rises and touches the ground, creating an array of alternating interior and exterior spaces.
Capturing aerial photographs allows raising awareness of a project feature usually complex to capture using traditional methods. Based on the technological opportunities offered by small unmanned aerial vehicles (UAVs), commonly called drones, architecture photographers have begun to explore new ways of capturing a project in order to expose design decisions such as implantation, dialogue with the environment, or the relationship with nearby buildings.
In his 1983 now-classic essay Towards a Critical Regionalism, Six Points of an Architecture of Resistance, Kenneth Frampton discussed an alternative approach to architecture, one defined by climate, topography and tectonics, as a form of resistance to the placeness of Modern Architecture and the gratuitous ornamentation of Postmodernism. An architectural attitude, Critical Regionalism proposed an architecture that would embrace global influences while firmly rooted in its context. The following explores the value and contribution of Frampton’s ideas for contemporary architecture.
Columbia University’s Manhattanville Campus expansion has ushered in a crystalline district of glass-clad buildings amid the masonry vernacular architecture of Harlem. The latest additions to the 17-acre, $6.3 billion campus, which was master-planned by SOM, are two buildings designed by Diller Scofidio + Renfro (DS+R) in collaboration with FXCollaborative that provide a new home for the Columbia Business School. Set to open in early 2022, Henry R. Kravis Hall and the East Building rise 11 and 8 stories, respectively, and provide 492,000 square feet of classrooms, public space, and faculty offices.
Displacement implies uncertainty, uprooting, and instability, in addition to the loss of community, privacy, and physical and emotional orientation. Addressing these needs through appropriate architectural responses can help displaced communities regain social, economic, and environmental well-being. In this context, community kitchens are designed to help generate a sense of belonging and "normality" in domestic lives.
San Francisco is a city defined by its relationship to housing. Since the 90s it has faced an affordable housing shortage, and now, has some of the highest rents of any major US city. As planners and policy makers work to move beyond the city's past and find new paths forward, architects and designers are testing out diverse housing models. From dense residential towers to multi-unit developments, modern housing aims to strike a balance between economy and urbanity.
What’s in a name? Well, when it comes to building names, it can be a lot. While some monikers are fleeting and change with the most recent highest bidder, some names are indelible and leave a lasting mark on the public imagination. Client names, towns, corporations, and streets provide ample naming fodder, but some architects are more strategic. Architects like Peter Eisenman created a numbered series (House I, House II, etc.) , or MOS architects adopt a composer-like generic naming system (House with 10 trees, House with 2 Chimneys). For these architects, the name situates each building within a larger collection of projects. It ensures people will consider each act of building as part of a grand plan. Finally, sometimes, no matter how diligent a marketing team tries, a building will find a nickname it just can’t shake...Gherkin. This video considers all these as it explores how buildings get their names.
Bjarke Ingels Group has collaborated with NASA and ICON to create Mars Dune Alpha, a 3D-printed research habitat that will provide long duration habitation for astronauts on missions to Mars. The 1,700 sq.ft. structure, which is currently located at the Johnson Space Center in Houston, Texas, is designed by the award-winning architecture firm, 3D printed by construction developers ICON, and will soon be home to NASA's future crew.
In 2017 the team led by Chilean architects Alberto Moletto, Cristóbal Tirado, Sebastián Hernández, and Danilo Lagos was selected as the winners of the International Antarctic Center (CAI) design competition, a unique landmark planned for Punta Arenas, a city at the deep south of Chile.
Four years later, Chile's Ministry of Social Development has given the green light to the 33,000-square-meter (355,200-square-foot) project after reviewing the technical requirements, as local media reported on August 3.
Around the world, the COVID-19 pandemic exposed the fact that some of the poorest people were hit the hardest by not only the impacts the virus had on public health but also the social and economic shockwaves that came as a result. And now, as we emerge on the other side yet also enter the second wave of restrictions around the globe, urban planners and government officials are beginning to realize that the pandemic has pulled back the curtains on another inequitable feature of cities- the proximity to public parks and spaces.
With new advancements in software opportunities, Open BIM is tiding over the disconnects between different project sectors, making the workflow more efficient at both large and small scales. Open BIM extends the benefits of BIM (Building Information Modeling) by improving the accessibility, usability, management, and sustainability of digital data in the built asset industry. Open BIM processes can be defined as sharable project information that supports seamless collaboration for all project participants, removing the traditional problem of BIM data that is typically constrained by proprietary vendor data formats, by discipline, or by the phase of a project.
EXMURO arts publics and the Ville de Québec have inaugurated the the 8th annual PASSAGES INSOLITES art event, the annual Quebec City art walk that showcases over 20 unusual urban interventions by local and international artists. The event will run from June 26 to October 11, 2021, and will focus on reimagining the urban fabric and transforming how we see the city and its historic landmarks.
UK-based practise Alison Brooks Architects has recently won the competition to design the new Entrance Building and Children’s Literature Resource Centre for Homerton, the biggest college in Cambridge. Described by the architects as a “lantern”, the proposal is a three-storey mass-timber framed pavilion which will welcome visitors to the grounds while also providing additional study and exhibition space. Through its morphology and copper-clad facades of the upper floors, the new building establishes a dialogue with its context and provides a flexible space that can accommodate the College’s future spatial needs.
Both tea and alcohol in traditional China were similarly aestheticized, and both influenced the language of literature and art. People used to exchange alcohol as a gift in a way that they later would with tea. Today, more and more cities in China have embraced this drinking culture that passed down from generation to generation, and reinterpreted with a new contemporary fashion, which is constantly evolving in the urban cafes and bars.
This article was originally published on Common Edge.
In spite of the lull in the global construction industry over the last couple of years, megacity projects in Africa have continued unabated, as new developments are springing up in major cities all over the continent. Though we’re inspired by the growth of modern African cities and the opportunities offered to city residents, we shouldn’t ignore their shortcomings, the glaring disconnect between the utopian visions of local city officials and the economic and cultural realities of the local populations who live here. Many questions whether these new cities could be built in other ways, or if Africans will ever have an alternative to the current model of placemaking, hodgepodge urbanism foisted on it, largely by colonialists.
Exactly a year ago, on August 4, 2020, the third-largest non-nuclear explosion ever-recorded destroyed almost half the city of Beirut, ripping through the port and the eastern part of the capital. One of the biggest urban tragedies of modern times, killed more than 200 people, wounded thousands, and left an estimated 300,000 people homeless, damaging over 80,000 commercial, residential and public spaces. Felt across neighboring countries, the blast stripped the city’s constructions of their cladding, framing, and glass elements, while completely tearing down other buildings, leaving around US$15 billion in property damage, in times of Covid, political and social unrest, and economic collapse.
One year later, so little has changed. One year later, it only became harder for the people of Beirut. One year later, everything in the city still reminds them of that day. Major questions remained unanswered, no rescue or action plans have been taken by governmental institutions, instead, civil society rose to take into their own hands, reconstruction efforts, in the total absence of the state.
