UNHCR, the UNRefugee Agency, estimates that global forced displacement surpassed 80 million in 2020, which is more than one percent of humanity. Five countries account for 67 percent of people displaced across borders: Syria, Venezuela, Afghanistan, South Sudan, and Myanmar. Reasons can vary from war conflicts to economic, political, or environmental conflicts and crises.
Although it is a global phenomenon based on geopolitical, legal, and social dimensions, there is also a subjective dimension to this type of displacement, mainly because people use the symbolic systems surrounding them to build their identities. In other words, besides facing the hardships of leaving their homeland, refugees must also deal with the subjective effects aggravated by the condition of being a "foreigner," which means that they become marginalized by the established system of symbolic-cultural representations.
According to data from CRED (Centre for Research on the Epidemiology of Disasters) and UNISDR (UN Office for Disaster Risk Reduction), in a report released in 2016, the number of disasters related to the climate change has duplicated in the last forty years. The need for temporary shelters for homeless people is, as well as an effect of the climate crisis, is also one of the consequences of the disorderly growth of cities, which leads to a significant part of the world population living in vulnerable conditions due to disasters.
Too often buildings end up as waste at the end of their lifecycle. How can the built environment move towards a circular economy, and in turn, reimagine how valuable materials are tracked and recycled? Looking to address this issue, material passports are one idea that involves rethinking how materials are recovered during renovation and demolition for reuse. The result is when a building is ready to be demolished, it becomes a storage bank for useful materials.
Serpentine Gallery Pavilion. Image Courtesy of Toyo Ito & Associates, Architects
Examining the work of Tokyo architect Toyo Ito (b. 1941) – particularly his now seminal Sendai Mediatheque (1995-2001), Serpentine Gallery (London, 2002, with Cecil Balmond), TOD's Omotesando Building (Tokyo, 2004), Tama Art University Library (Tokyo, 2007), and National Taichung Theater (2009-16) – will immediately become apparent these buildings’ structural innovations and spatial, non-hierarchical organizations. Although these structures all seem to be quite diverse, there is one unifying theme – the architect’s consistent commitment to erasing fixed boundaries between inside and outside and relaxing spatial divisions between various programs within. There is continuity in how these buildings are explored. They are conceived as systems rather than objects and they never really end; one could imagine their formations and patterns to continue to evolve and expand pretty much endlessly.
The world's largest natural stone industry fair, Marble İzmir, seeks to transform the future of natural stone by combining sectoral changes and new business approaches. Join the Marble İzmir Fair, where thousands of varieties of Turkish natural stone are presented for investors, traders, and professional organizations to connect and appreciate their colors, textures, and patterns. The Fair will take place between August 25-28, 2021.
Harvard University in Cambridge, Massachusetts, USA. Image via Shutterstock/ By Marcio Jose Bastos Silva
In order “to help architects and students to get to know the best International Master’s programs available”, the Best Architecture Masters (BAM) has established its annual list of top postgraduate architecture curriculums. Based on the QS Ranking by Subjects – Architecture / Built Environment, for the 2021 edition, 22 Universities were selected to be evaluated, by an Expert Committee, formed by 15 professors from all over the world.
In 2021, the Harvard Master in Architecture II continued to lead the ranking, and Colombia maintained second place with its Master of Science Degree in Advanced Architectural Design. TU Delft in the Netherlands took on the third position, becoming the best in Europe while Tsinghua University in China followed in the fourth position, becoming the best in Asia. The Master in Architecture of the Pontificia Universidad Católica in Chile occupied the 15th position and was named the best program in Latin America.
By now an architectural classic, Safdie’s Habitat ’67 represents a highly influential vision for a community-oriented, nature-infused urban housing model, and at the same time, a critical example of the possibilities of prefabrication. Fifty years after the design of Habitat ’67, Safdie is still exploring this vision of urban living, further developing the concept with projects such as Altair Residences, Qorner Tower and Habitat Qinhuangdao. Rooted in the architect’s motto - “for everyone a garden”, the new projects capitalise on outdoor terraces, natural light and ventilation, as well as communal spaces.
Wood is one of the most versatile materials used in construction nowadays and can be used for many different purposes, from beginning to end of the building process. Working with wood in a building requires specific skills that are very different from the skills of a bricklayer. Carpentry and joinery are the two main trades that handle wood in architecture and construction.
There is a fine line between the two, and people are often confused about which professional is the best suited for a particular job. This article will address the difference between the two practices to help you choose which one is best for your project.
The Graceful Dancer - New Yongxin Old City’s Entertainment District. Image Courtesy of Estúdio Leonardo Zanatta
This week's curated selection of Best Unbuilt Architecture highlights public spaces and buildings submitted by the ArchDaily Community. From bridges to squares, from parks to markets and train stations, this article explores the various kinds of public infrastructure that support the urban fabric, showcasing distinct approaches worldwide.
Featuring a bridge that doubles as a garden in China, the redevelopment of public spaces to meet contemporary needs in Montenegro and the Czech Republic, or a pier park in New York, the round-up spans various scales, from single architectural objects to urban strategies, to masterplans. The following projects reveal the ideas that shape public spaces and amenities in different contexts, illustrating diverse approaches towards what constitutes the backbone of the urban fabric.
In the world of design and urban planning, aesthetics and functionality seem to take the spotlight, especially in how large-scale housing projects are developed. While this can be a good thing that continuously pushes the modern boundary of what we consider to be a dwelling, in some aspects, it has shined a negative light on how we perceive and stigmatize “bad design” in public and affordable housing, the socioeconomic factors that have created the need for it, and the types of residents who benefit most from these types of housing policies.
The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects David Lee and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.
A variety of subjects are covered with honesty and humor: some episodes are interviews, while others are tips for fellow designers, reviews of buildings and other projects, or casual explorations of everyday life and design. The Second Studio is also available on iTunes, Spotify, and YouTube.
This week David and Marina are joined by Samantha Burton, Vice President atYoung & Burton, a General Contractor company that focuses on custom residential projects.
The Xiangshan campus of China Academy of Art was designed by the recipient of the 2012 Pritzker Architecture Prize, Shu Wang and Wenyu Lu from Amateur Architecture Studio. The studio was responsible for the overall project completion from master planning to architectural design and landscape design. On the north side of Xiangshan is the first phase of the campus. It was designed in 2001 and completed in 2004. It is a complex of ten buildings and two bridges, with a construction area of about 70,000 square meters. The second phase of the campus is located on the south side of Xiangshan, and it was designed in 2004 and completed in 2007. It consists of ten large buildings and two small buildings with a construction area of nearly 80,000 square meters.
The construction period of the two phases was 14 months each. A large number of craftmanship during the construction has produced many problems that could only be solved on-site, therefore the site was repeatedly touched and shaped by countless hands. In 2007, the photographer Iwan Baan recorded the campus after completion. In 2021, photographer Sai Zhao used the lens of original focal length to take pictures of the campus at the same location. Over the course of more than ten years, green plants have covered and sheltered the structure, and the building now has its own life.
The unbuilt design of a home for Josephine Baker by the architect Adolf Loos is perhaps one of the most analyzed unbuilt homes of Modernism. Its design and history touch on a number of complex social and political issues during the early 20th century. The design comes when Josephine Baker, an African American entertainer is beginning her rise to superstardom and represents a thoroughly modern and fresh artistic voice. Meanwhile, Adolf Loos was a physically ailing man on a steep moral and social decline. The house itself was never truly commissioned by Baker, rather it lives mostly as a fantasy concocted by the architect. This video presents the house through a 3D model and narrated walkthrough to discuss how and why the house was designed and allow you to explore this unique house for yourself.
MAD Architects has unveiled his design proposal for Hainan Science and Technology Museum Haikou City, Hainan, China. Scheduled to break ground in late August 2021 and to be completed and open by 2024, the Hainan Science and Technology Museum is the firm’s second major public project in Hainan, after the Cloudscape, inaugurated in April 2021. Merging nature and technology, the project located on the city’s west coast will become an “important science venue and a major tourist attraction for Hainan's free trade port”.
When we talk about vernacular architecture, we’re talking about an architectural style specific to a region – architecture that relies on the use of local knowledge and materials to construct buildings. It’s the Beehive Houses of Harran in Turkey, to the traditional Malay Houses found throughout southeast Asia. The vernacular architecture of various places continues to be a source of inspiration for contemporary architects, as they look to create sustainable architectural responses well-suited for their context.
After being postponed for one year, the 17th Venice Architecture Biennale opened its doors to the public on May 22nd, 2021, revealing a wide range of answers to Hashim Sarkis’ question of "How will we live together". With over 112 participants from 46 countries, the contributions are organized into five themes: Among Diverse Beings, As New Households, As Emerging Communities, Across Borders, and As One Planet. Due to travel restrictions, many curators were unable to be physically present at the inauguration of the event, resorting to digital platforms for interviews and presentations. ArchDaily had the chance to physically attend the exhibition and meet with some of the curators to further explore their pavilions. The following are 9 interviews from ArchDaily’s Youtube playlists that feature these exclusive interviews.
EFFEKT has won the competition to transform an urban block occupied by a decommissioned editorial office and printing press of the regional German newspaper Kieler Nachrichten. As digitalization has rendered many of the existing newspaper production facilities obsolete, the KielHöfe project aims to redefine the publication’s urban presence by incorporating various programs meant to drive the revitalization of Kiel’s city centre and shape a new cultural destination.
Naoshima, Teshima, and Inujima are the three main islands of an archipelago in Japan's Seto Inland Sea. What sets them apart from the many other Japanese islands is the large number of exceptional architectural works designed by some of the greatest architects and artists in the world. These projects are part of the Benesse Art Site Naoshima, an art complex idealized by billionaire businessman Soichiro Fukutake in the 1980s, composed of eighteen museums, galleries, and open-air installations.
Zero kilometer materials can be purchased locally, do not need to be transformed by large stages of industrial processing or toxic treatments and, at the end of their service life, they can be returned to the environment.
For example, wood from a nearby forest eliminates the need for long transfers, valuing local resources, and allowing architecture to lessen its environmental impact while committed to the landscape and context.
"For more than a generation, federally funded historic tax credits (HTCs) have been instrumental in incentivizing developers to revive and reuse historic buildings and keep them economically viable, rather than replace them with shiny new objects. These credits create jobs, promote responsible development, and leverage billions in private investment to enable income-generating buildings". Read the interview between Justin R. Wolf and Meghan Elliott, founding principal of New History, a firm specializing in adaptive reuse.
https://www.archdaily.com/966687/why-use-is-the-best-form-of-preservationJustin R. Wolf
ACF has released a new series of images demonstrating the recently completed TAG Art Museum, designed by Ateliers Jean Nouvel, as part of the Artists’ Garden project collaborated with Shandong International Coastal Cultural Industry. The museum is located in the West Sea Bay in Qingdao, China. Strung along a covered promenade that weaves through planted gardens and woodland, running along the coastline towards a new marina, the structures consist of 12 interconnected exhibition halls.
The new architecture of Belarus responds to an interplay of history and culture. Regional forces have defined the built environment and its evolution, and in turn, shaped the lives of the Belarusian people. Since the landlocked country attained its independence in 1991, it has had the most development in its cities, where two thirds of the population live. Over the last ten years, a range of new buildings have begun to paint a picture of its emerging design culture.
Construction is underway at Vestre's new facility designed by BIG, set to become the world's most sustainable furniture factory through carbon-neutral fabrication processes and the use of renewable energy. Called the Plus and placed within the Norwegian forest, the project will be an example of efficient manufacturing, using Industry 4.0 solutions, while also developing Magnor as a tourist destination through its attractive design.
Foster + Partners has recently completed the Edmond and Lily Safra Center for Brain Sciences, a new research facility within the Hebrew University of Jerusalem campus. The design features an array of flexible laboratories arranged in two parallel wings around an open central courtyard, which recreates the surrounding landscape through its citrus trees and water stream. The distinctive facade screen represents the neurological brain structure, as drawn by Spanish neuroscientist Santiago Ramon y Cajal at the beginning of the 20th century.
.jpg?1626309236 "Abeer Seikaly’s Structural Fabric Shelters Weave Refugees’ Lives Back Together. Courtesy of Abeer Seikaly")
Nacasa___Partners.jpg?1629103408 "Tod's Omotesando Building_interior. Image © Nacasa & Partners")
Kai_Nakamura.jpg?1629103497 "'Minna no Mori' Gifu Media Cosmos. Image © Kai Nakamura")
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