Haiti is suffering the consequences of a magnitude-7.2 earthquake that worsen a national crisis. News agencies have published photographs of collapsed buildings in Port-au-Prince recalling the destruction due to the 2010 earthquake.
As humanitarian aid is been deployed around the world to collaborate in rescue, shelter, health care, and food, questions arise: how does architecture help?
In a Design and the City episode - a podcast by reSITE on how to make cities more livable – architect and founder of Doula x Design and co-founder of SHoP Architects Kim Holden discusses how rethinking and redesigning the ways birth is approached can change the outcomes of labor and birth experiences, and improve the qualities of life for both the babies and women giving birth to them. The interview explores how it is crucial to investigate the spaces where generations come into this world, just as we have been planning and building better cities for them to work and live in.
The Royal Institute of British Architects (RIBA) and the Jencks Foundation announced renowned Indian architect Anupama Kundoo as the winner of this year's RIBA Charles Jencks Award. The accolade given in recognition of significant contributions to the theory and practice of architecture acknowledges Kundoo's holistic practice that marries theoretical investigations, material research and sustainable building methods.
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The automation of architectural design and rendering has been further accelerated by digital production tools. Tools such as 3D printers, assembly robots, and laser cutters, have all but perfected the design and construction process and have proven essential in optimizing resources, improving precision, and increasing control of the process.
In woodworking, the most frequently used digital production tools are milling machines or CNC (computer numerical control) routers. These tools facilitate the rendering of 2D vectoral drawings and 3D models, codifying them into instructions for the machine to follow and execute. Through this process, which starts with digital archives (typically created using design software widely known as AutoCad), milling machines and CNC routers can rapidly and precisely cut wood, producing ready to assemble pieces.
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The "Climate Emergency" continues to embody a renewed worldwide focus on tackling climate change. While there is no "one solution" to the multifaceted challenges brought about by this crisis, there is an onus on every citizen, in both a personal and professional capacity, to apply their skills and actions in addressing the profound pressures on the natural world.
For those involved in the design of buildings and cities, be they architects, urbanists, or citizens, there is a deep responsibility to be aware of, and design for, the impact of climate change. With 36% of global energy devoted to buildings and 8% of global emissions caused by cement alone, the architectural community is deeply entwined with the flows of materials, energy, and ideas that relate to climate change, both causes, and solutions.
Over the past couple of years, many designers have voiced their commitment to ethical and ecological sourcing, resorting to frugal designs through local materials, traditional techniques, and equitable architecture. Having this approach in mind, many found inspiration in their cultural heritage, reimagining ancient designs in contemporary contexts.
When thinking of recycled design trends, we can't overlook one of the most well-known and popular materials that was shared by nations all around the globe over the span of 100 years; on balconies, outdoor patios, gardens, and indoor living spaces: rattan. It is estimated that almost seven hundred million people worldwide use rattan, with many countries presenting it as an integral part of their cultures. In this article, we look at how architects and designers integrated rattan in their designs and found numerous ways to make the best out of Southeast Asia's popular local material.
A new report from the Intergovernmental Panel on Climate Change (IPCC) states that global warming of 1.5°C (2.7 °F) is essentially inevitable in coming decades. The question now is whether the world can prevent further, more destructive warming of 2°C (3.6°F), or, even worse, 3°C (5.4°F), which is what current policies put us on a trajectory to experience. Our economies can only put another 420 gigatons of greenhouse gas emissions into the atmosphere if we want a good chance of keeping a temperature increase to 1.5°C instead of 2°C. At our current pace, the world’s carbon budget will be used up before 2030. We need to phase out fossil-fuel use, build thousands of new clean power plants -- and swiftly move to power our homes, offices, schools, and transportation systems with clean energy.
Many practitioners and theorists of modern architecture favored large open plans, looming glass windows, and through both of these means, an unencumbered connection to nature. To do so, many iconic modernist buildings would use cantilevered roofs extending over glass curtainwalls, including Mies van der Rohe’s Farnsworth House and Pierre Koenig’s Case Study House #22. In the years since this trend was popularized, however, a seemingly niche yet cumbersome problem would present itself: the problem of continuous wood ceilings.
Construction is underway for Gehry Partners' Second Century Project, which will house the new headquarters of Warner Bros. After breaking ground in early 2020, the project now has its structural framework in place, and the façade is currently taking shape. Set for completion in 2023, in time for the production company's centennial, the design features a series of mid-rise, slanted office towers grouped within two distinct structures resembling "icebergs floating along the freeway".
The Chicago Architecture Biennial has revealed the calendar for this year’s program of events, lectures, workshops and performances exploring how architecture shapes communities and cities. Titled The Available City, this edition aims to highlight the potential of vacant urban areas as community spaces, with the event debuting on September 17 at 12 sites across Chicago featuring 16 interventions that activate unused plots. The projects are complemented by a series of outdoor programming, as well as digital events that kick off on August 17.
UNHCR, the UN Refugee Agency, estimates that global forced displacement surpassed 80 million in 2020, which is more than one percent of humanity. Five countries account for 67 percent of people displaced across borders: Syria, Venezuela, Afghanistan, South Sudan, and Myanmar. Reasons can vary from war conflicts to economic, political, or environmental conflicts and crises.
Although it is a global phenomenon based on geopolitical, legal, and social dimensions, there is also a subjective dimension to this type of displacement, mainly because people use the symbolic systems surrounding them to build their identities. In other words, besides facing the hardships of leaving their homeland, refugees must also deal with the subjective effects aggravated by the condition of being a "foreigner," which means that they become marginalized by the established system of symbolic-cultural representations.
According to data from CRED (Centre for Research on the Epidemiology of Disasters) and UNISDR (UN Office for Disaster Risk Reduction), in a report released in 2016, the number of disasters related to the climate change has duplicated in the last forty years. The need for temporary shelters for homeless people is, as well as an effect of the climate crisis, is also one of the consequences of the disorderly growth of cities, which leads to a significant part of the world population living in vulnerable conditions due to disasters.
Too often buildings end up as waste at the end of their lifecycle. How can the built environment move towards a circular economy, and in turn, reimagine how valuable materials are tracked and recycled? Looking to address this issue, material passports are one idea that involves rethinking how materials are recovered during renovation and demolition for reuse. The result is when a building is ready to be demolished, it becomes a storage bank for useful materials.
Examining the work of Tokyo architect Toyo Ito (b. 1941) – particularly his now seminal Sendai Mediatheque (1995-2001), Serpentine Gallery (London, 2002, with Cecil Balmond), TOD's Omotesando Building (Tokyo, 2004), Tama Art University Library (Tokyo, 2007), and National Taichung Theater (2009-16) – will immediately become apparent these buildings’ structural innovations and spatial, non-hierarchical organizations. Although these structures all seem to be quite diverse, there is one unifying theme – the architect’s consistent commitment to erasing fixed boundaries between inside and outside and relaxing spatial divisions between various programs within. There is continuity in how these buildings are explored. They are conceived as systems rather than objects and they never really end; one could imagine their formations and patterns to continue to evolve and expand pretty much endlessly.
The world's largest natural stone industry fair, Marble İzmir, seeks to transform the future of natural stone by combining sectoral changes and new business approaches. Join the Marble İzmir Fair, where thousands of varieties of Turkish natural stone are presented for investors, traders, and professional organizations to connect and appreciate their colors, textures, and patterns. The Fair will take place between August 25-28, 2021.
In order “to help architects and students to get to know the best International Master’s programs available”, the Best Architecture Masters (BAM) has established its annual list of top postgraduate architecture curriculums. Based on the QS Ranking by Subjects – Architecture / Built Environment, for the 2021 edition, 22 Universities were selected to be evaluated, by an Expert Committee, formed by 15 professors from all over the world.
In 2021, the Harvard Master in Architecture II continued to lead the ranking, and Colombia maintained second place with its Master of Science Degree in Advanced Architectural Design. TU Delft in the Netherlands took on the third position, becoming the best in Europe while Tsinghua University in China followed in the fourth position, becoming the best in Asia. The Master in Architecture of the Pontificia Universidad Católica in Chile occupied the 15th position and was named the best program in Latin America.
By now an architectural classic, Safdie’s Habitat ’67 represents a highly influential vision for a community-oriented, nature-infused urban housing model, and at the same time, a critical example of the possibilities of prefabrication. Fifty years after the design of Habitat ’67, Safdie is still exploring this vision of urban living, further developing the concept with projects such as Altair Residences, Qorner Tower and Habitat Qinhuangdao. Rooted in the architect’s motto - “for everyone a garden”, the new projects capitalise on outdoor terraces, natural light and ventilation, as well as communal spaces.
Wood is one of the most versatile materials used in construction nowadays and can be used for many different purposes, from beginning to end of the building process. Working with wood in a building requires specific skills that are very different from the skills of a bricklayer. Carpentry and joinery are the two main trades that handle wood in architecture and construction.
There is a fine line between the two, and people are often confused about which professional is the best suited for a particular job. This article will address the difference between the two practices to help you choose which one is best for your project.
This week's curated selection of Best Unbuilt Architecture highlights public spaces and buildings submitted by the ArchDaily Community. From bridges to squares, from parks to markets and train stations, this article explores the various kinds of public infrastructure that support the urban fabric, showcasing distinct approaches worldwide.
Featuring a bridge that doubles as a garden in China, the redevelopment of public spaces to meet contemporary needs in Montenegro and the Czech Republic, or a pier park in New York, the round-up spans various scales, from single architectural objects to urban strategies, to masterplans. The following projects reveal the ideas that shape public spaces and amenities in different contexts, illustrating diverse approaches towards what constitutes the backbone of the urban fabric.
In the world of design and urban planning, aesthetics and functionality seem to take the spotlight, especially in how large-scale housing projects are developed. While this can be a good thing that continuously pushes the modern boundary of what we consider to be a dwelling, in some aspects, it has shined a negative light on how we perceive and stigmatize “bad design” in public and affordable housing, the socioeconomic factors that have created the need for it, and the types of residents who benefit most from these types of housing policies.
The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects David Lee and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.
A variety of subjects are covered with honesty and humor: some episodes are interviews, while others are tips for fellow designers, reviews of buildings and other projects, or casual explorations of everyday life and design. The Second Studio is also available on iTunes, Spotify, and YouTube.
This week David and Marina are joined by Samantha Burton, Vice President at Young & Burton, a General Contractor company that focuses on custom residential projects.
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The Xiangshan campus of China Academy of Art was designed by the recipient of the 2012 Pritzker Architecture Prize, Shu Wang and Wenyu Lu from Amateur Architecture Studio. The studio was responsible for the overall project completion from master planning to architectural design and landscape design. On the north side of Xiangshan is the first phase of the campus. It was designed in 2001 and completed in 2004. It is a complex of ten buildings and two bridges, with a construction area of about 70,000 square meters. The second phase of the campus is located on the south side of Xiangshan, and it was designed in 2004 and completed in 2007. It consists of ten large buildings and two small buildings with a construction area of nearly 80,000 square meters.
The construction period of the two phases was 14 months each. A large number of craftmanship during the construction has produced many problems that could only be solved on-site, therefore the site was repeatedly touched and shaped by countless hands. In 2007, the photographer Iwan Baan recorded the campus after completion. In 2021, photographer Sai Zhao used the lens of original focal length to take pictures of the campus at the same location. Over the course of more than ten years, green plants have covered and sheltered the structure, and the building now has its own life.
The unbuilt design of a home for Josephine Baker by the architect Adolf Loos is perhaps one of the most analyzed unbuilt homes of Modernism. Its design and history touch on a number of complex social and political issues during the early 20th century. The design comes when Josephine Baker, an African American entertainer is beginning her rise to superstardom and represents a thoroughly modern and fresh artistic voice. Meanwhile, Adolf Loos was a physically ailing man on a steep moral and social decline. The house itself was never truly commissioned by Baker, rather it lives mostly as a fantasy concocted by the architect. This video presents the house through a 3D model and narrated walkthrough to discuss how and why the house was designed and allow you to explore this unique house for yourself.
MAD Architects has unveiled his design proposal for Hainan Science and Technology Museum Haikou City, Hainan, China. Scheduled to break ground in late August 2021 and to be completed and open by 2024, the Hainan Science and Technology Museum is the firm’s second major public project in Hainan, after the Cloudscape, inaugurated in April 2021. Merging nature and technology, the project located on the city’s west coast will become an “important science venue and a major tourist attraction for Hainan's free trade port”.
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.jpg?1626309236 "Abeer Seikaly’s Structural Fabric Shelters Weave Refugees’ Lives Back Together. Courtesy of Abeer Seikaly")
Nacasa___Partners.jpg?1629103408 "Tod's Omotesando Building_interior. Image © Nacasa & Partners")
Kai_Nakamura.jpg?1629103497 "'Minna no Mori' Gifu Media Cosmos. Image © Kai Nakamura")
