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The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects David Lee and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.

A variety of subjects are covered with honesty and humor: some episodes are interviews, while others are tips for fellow designers, reviews of buildings and other projects, or casual explorations of everyday life and design. The Second Studio is also available on iTunes, Spotify, and YouTube.

This week David and Marina of FAME Architecture & Design are joined by James Corner, Founding Partner of Field Operations to discuss his background; early interests; education in landscape architecture and urban design; the value of urban design; the difference between architecture and landscape architecture; design competitions; Field Operations' practice structure; the Highline Project; and more.

SCI-Arc’s Master of Science in Synthetic Landscapes (M.S. Synthetic Landscapes) program offers an innovative and interdisciplinary approach to landscape architecture, blending ecological thinking with advanced design technologies. This one-year postgraduate program prepares students to address complex environmental challenges through creative and sustainable design solutions, helping students to develop the curiosity critical for creativity. It offers a culture of advanced design scholarship that questions traditional models of research and practice. Here's a detailed look at the program's curriculum: 

Kohn Pedersen Fox (KPF) has announced an expansive project to redevelop and refurbish the Foster + Partners designed 8 Canada Square building, also known as HSBC Tower, in Canary Wharf, London. Following an international competition, the remodeling plans include removing large parts of the 42-story building to introduce terraces and additional functions. According to Canary Wharf Group and the Qatar Investment Authority, this represents the largest transformation of an office tower into a sustainable mixed-use building. The project is set to begin in 2027, after the expiry of the HSBC lease.

M+ Museum in Hong Kong has unveiled the first full-scale retrospective of the renowned Chinese-American architect leoh Ming Pei (1917-2019), widely known as I. M. Pei. Located in the West Kowloon Cultural District at Asia’s first global museum of contemporary visual culture, the exhibition will be open to the public from June 29, 2024 - January 5, 2025. “I. M. Pei: Life is Architecture” showcases Pei’s career, spanning seven decades across the globe.

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This article was originally published on Common Edge.

The relentless drumbeat of climate disasters in the headlines—scorching heat waves, raging wildfires, historic floods, crippling droughts—are no longer a series of anomalies. As a grim new reality across much of the globe, these extreme weather events, driven by human-induced climate change, are becoming more frequent and severe. In short, they are clearly symptomatic of a broader and more pervasive environmental crisis.

Awards and prizes are vital to professional ecosystems in supporting talent and new ideas; for the design industry, competitions encourage creative minds to leap beyond the bounds of practicality to imagine the future, solve problems and build new communities. Expanding impact with international breadth and egalitarian opportunities, competitions often provide space for emerging talents and students, providing support, mentorship and experience to develop their careers and process.

For Polish ceramics manufacturer Ceramika Paradyż, hosting the Paradyż Designers Competition brings together all of these values, alongside an innovative way to challenge how its products can function. This year, the third edition challenged architects and designers to craft imaginative digital designs using a new series of sintered stones, TRI-D. The natural product, a baked composite of quartz, feldspars, clays or kaolins, performs as an alternative to natural stone; extraordinarily durable, tiles retain their aesthetic from the surface to the cross section, making them ideal for worktops, windowsills and fireplaces, yet in fact, the possibilities are endless.

Tencent is developing its new headquarters campus on five parcels spanning over 80 hectares east of Da Chan Bay Island in Qianhai, Bao'an District, Shenzhen. MAD Architects, led by Ma Yansong, has designed LOT 04 East of Tencent's new headquarters, envisioning two biomorphic office towers, three interconnected buildings, and a raindrop-shaped building. This project covers approximately 72,000 square meters with a Gross Floor Area of 412,000 square meters. Currently under construction, Lot 04 East of the headquarters is expected to be completed and open for users in 2025. Other projects announced for the campus include Büro Ole Scheeren’s swirling design for the Tencent Helix, and MVRDV’s residential complex named Tencent P5.

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As part of Canada’s Indo-Pacific Strategy, which has been in effect since 2021, the country has released its design for Expo Osaka 2025 in Kinsai, Japan. According to Canadian Architect, the pavilion's design team includes Rayside Labossière architects and architect Guillaume Pelletier. Additionally, it aims to showcase Canadian innovation, resources, investment, and education to the broader Indo-Pacific region. Centered around regeneration, the design is in line with the broader theme at the Expo: “Designing the Future Society for Our Lives.”

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The Living Places - Simon Architecture Prize is an initiative of Simon—curated by the Fundació Mies van der Rohe since the prize’s inception—which aims to distinguish those architectural projects (including interiors, public, domestic, and landscape spaces) whose excellence provide comfort to their inhabitants and improve people’s quality of life on a daily basis; while working, learning, sharing, enjoying...in short, architecture to be lived!

With the 2024 Olympic Games opening ceremony fast approaching, Paris has captured global attention. In addition to the venues being prepared for the Olympics, the city offers a wide range of architectural projects that showcase its efforts to improve the urban environment and promote a greener and more inclusive city. Among these, the new Clichy Batignolles Eco-District in the 17th arrondissement of Paris is a 54-hectare development that set out to transform the former SNCF rail yard into a new neighborhood. The initiative features contributions from internationally recognized architects including MAD Architects, Architect Périphériques, and RPBW, among others. Read on to discover the urban development through the lens of architecture photographer Paul Clemence.

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Snøhetta has unveiled a vacation home design nestled within the landscape of Hokkaido Island for the Japanese hospitality group NOT A HOTEL. Situated atop the renowned Rusutsu Resort, the project centers itself around Mount Yotei and provides framed views. The 1200 sqm building’s design aims to be minimal, influenced by the surrounding terrain and defined site boundaries.

Inside is the sister festival of the World Architecture Festival (WAF), the world’s biggest live architectural awards programme, celebrating the very best in interior design. Both Inside and WAF finalists will present their projects to a panel of judges live at the international festival in Singapore.

The 2024 Inside Shortlist represents over 80 interior projects from across the globe, in cities including: New York City, Dubai, Beijing, Osaka, São Paolo, Phuket, Delhi, Auckland, Mexico City, Lisbon, and London. Leading design firms to feature in this year’s shortlist include Foster + Partners, Broadway Malyan, Nikken Sekkei and Office AIO. Many emerging design firms will also be on stage, live pitching against the big names.

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World War II was pivotal in human history, leaving a profound political and social impact. Its conclusion marked a significant turning point, leading to post-war suburbanization and the baby boom. These phenomena resulted in rapid urban growth and a surge in housing construction, which peaked in the 1960s and continued to flourish throughout the following decades, gradually slowing down until the present day. Currently, we are facing a very different scenario in which a backlog of affordable housing, combined with a challenging economic outlook and a climate agenda, have led to the need for a transformation of the built environment into a cleaner and more resource-efficient one, in line with the Paris Agreement.

Thus, with the ever-increasing demand for housing, combined with policy initiatives such as the European Green Deal, the post-war model of hyper-production is becoming unsustainable. Consequently, refurbishing derelict or redundant buildings has emerged as a viable alternative. Unlike the scheme of demolition and new construction, this approach offers opportunities for energetic retrofitting, which helps mitigate environmental obsolescence, extend the lifespan of buildings, and revitalize the existing and dilapidated stock—including postwar housing—while improving people's quality of life.

This article was originally published on Common Edge.

The format for Blair Kamin’ latest book, Who Is the City For? is slightly different from typical compilations. Kamin groups his columns thematically (all 55 appeared in the Chicago Tribune, when he served as architecture critic), and then, more often than not, adds a postscript updating or reframing the story for our fraught new normal. One of the recurring themes, both in the stories and in the postscripts, is the issue of design equity. As income inequality, systemic racism, and climate change became central to the cultural and political debates, equity became the critical lens for much design criticism. In our recent conversation, Kamin advocated for a broader definition of the term.