An inflatable and soft body—a silver balloon—scatters towards the sidewalk in the heart of Santiago, Chile. People walk by touching the strange artifact, curiously looking at the object moving over the public space. Behind the pillow, the Gabriela Mistral Gallery disappears.
The style and atmosphere of an interior literally rest on one product more than any other: the floor. When selecting the perfect flooring or carpet to suit a project, specifiers need to consider a range of questions for the room. Various colors, patterns, and styles are available across all materials, so requirements like coverage, traffic, maintenance, and durability —rather than aesthetic— really dictate the answer to which flooring type is right for your project.
Bangladesh has built a new wave of cultural architecture over the last decade. Tied to design influences from across the Bengal region and the broader Indian subcontinent, the country's modern buildings stand alongside monuments dating back thousands of years. With an architecture rooted in religion, history and culture, contemporary projects build upon the past to imagine a new future for Bangladesh and its cities.
The new headquarters of the building materials manufacturer HeidelbergCement consists of three interconnected building sections of different heights. The atrium of each building section provides plenty of light and luminance. The building was opened in June 2020 and provides up to 1,000 employees with a state-of-the-art work environment. The architectural firm AS+P Albert Speer + Partner based in Frankfurt was responsible for the project as a general planner, and carried out the design in collaboration with W+Architektur, with the latter providing the consulting office for the client’s project manager.
PERI, one of the leading formwork and scaffolding manufacturers worldwide - and the building materials manufacturer HeidelbergCement - combined their architectural and concrete expertise for the execution of this project. In doing so, the existing limits of PERI’s concrete construction offerings were pushed. The architectural highlights of the project were successfully realized using special PERI formwork elements.
Like any other art form, architectural visualization has the power to move your audience, whether it be the design client, potential customers or future tenants. When they can actually experience the design, they’re more likely to interact, collaborate, and comment long before the final version, giving them a sense of contribution to the whole—all while providing you with confidence that the design is really what they want.
The Royal Institute of British Architects (RIBA) awarded the 2021 Stephen Lawrence Prize to Tonkin Liu’s Water Tower, an adaptive reuse project which converts a disused industrial structure in the countryside into a residential space. The design has a strong attitude towards material recycling, retaining much of the original structure while creating adaptable interiors. The utilitarian aesthetic blends with a creative re-engineering of the project, showcasing an architectural approach in tune with contemporary sustainability values.
We talk a lot about sound treatment for architecture but normally for new projects. In projects that are already built, either a rented apartment or small commercial space, we often have to deal with noises that we can't control, affecting our physical and mental health. In this article, we explore practical tips on how to manage and reduce these noises and improve the quality and atmosphere of these environments.
A team competing to fill Site K, a vacant full-block plot of land directly across from the Jacob K. Javits Center in Manhattan between West 35th and West 36th Streets, has unveiled a scheme for a tower that, if built, would be Adjaye Associates’ tallest to date.
Only 18 months ago, everyone around the globe had their life upended by the COVID-19 pandemic. Almost immediately, architects and designers began to speculate on how they could design for a better world that would be flexible, functional, and healthy. While the pandemic is far from over, with many scientific advancements and public health policies still needed to truly allow us to live out our “new normal”, perhaps its time to reflect on our predictions and examine what aspects of the pandemic were short-term reactions, and which aspects of life might be permanently reflected in how we think about the built environment.
The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects David Lee and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.
A variety of subjects are covered with honesty and humor: some episodes are interviews, while others are tips for fellow designers, reviews of buildings and other projects, or casual explorations of everyday life and design. The Second Studio is also available on iTunes, Spotify, and YouTube.
This week David and Marina are joined by Randy Collins S.E., Founder and Principal of FTF Engineering, Inc., to discuss the role and responsibilities of the structural engineer, designing structures to withstand earthquakes, the limitations of the buildings code’s structural requirements, hiring an engineer, working with architects, creating value for clients, and more.
Chilean architect Smiljan Radic has designed and installed a perfectly transparent dome for Alexander McQueen's Spring / Summer 2022 fashion show earlier this week in London.
Architecture can be funny. Of course, it often makes for a well-disposed butt of the joke, like when Frank Gehry is satirized on the Simpsons, but buildings themselves can be funny as well. Philosophers like Kant believed humor was in the incongruity between what is expected and what is experienced. There are all sorts of expectations placed on buildings and an infinite number of ways that incongruity might grow between those expectations and what a building actually delivers. This video explores some of the most interesting of these humorous buildings through history, from Giulio Romano’s Mannerism, to SITE Architects BEST stores, and many more. Finally, it points to some contemporary practices that deploy humor to achieve more than just a chuckle.
The office building typology has been evolving towards more fluid, spatially diverse and flexible designs in order to accommodate the needs of new generations of workers and business models. This week's curated selection of Unbuilt Architecture focuses on office projects, commercial and administrative buildings submitted by the ArchDaily Community, showcasing how architects worldwide envision working environments and their contribution to the urban environment.
From the retrofit of an outdated office building in London to a commercial and administrative project shaped like an architectural promenade in Iran or an interplay of mass and void within an office building in Turkey, the following projects showcase some of the ideas shaping the office typology. These preoccupations include the necessity to update the existing building stock, an increased indoor-outdoor connection, or a move away from the generic office floor plan.
Considering our present time, the COVID-19 pandemic will likely have a lasting influence on the next era of building and design, shaping how we build at every phase, including design, materials, and building protocols. We may see architects and engineers continue to work remotely, reviewing designs and specifications virtually. Manufacturers may have to space production areas farther apart or even rely on more automation.
Architectural photographer Paul Clemence has released a new photoseries of the newly-opened Kunsthaus Zürich Museum Extension designed by David Chipperfield Architects. The extension is a freestanding addition to the existing Kunsthaus museum, and houses a collection of classic modernist artwork, the Bührle collection, and temporary exhibitions. The architectural identity takes inspiration from traditional stone façades found on the existing Kunsthaus as well as other significant public buildings in the Swiss city, and combines tradition and innovation through slender vertical fins crafted from local Jurassic limestone.
The Royal Institute of British Architects (RIBA) announced Kingston University London Town House designed by Grafton Architects as the 2021 RIBA Stirling Prize winner. The distinction recognizes the projects’ progressive approach to the educational program, crafting a democratic, open space that fosters appropriation and social cohesion. The design resulting from a 2013 RIBA Competition is the Pritzker laureates Yvonne Farrell and Shelley McNamara’s first project in the UK.
The Garage Museum of Contemporary Art has announced the winning design for the 2022 summer cinema. Selected from 118 applications, the proposal created by Moscow-based practice LIPMAN ARCHITECTS (Dmitry Limpan, Angelina Yashkevich, Maria Oganian) features gabion walls filled with plastic water bottles, inviting conversation around topics such as material recycling and the environmental impact of temporary architecture.
Creative agency Accept & Proceed has designed a new basketball court for Nike using 20,000 recycled sneakers in New Belgrade, Serbia. Inspired by the ‘Move to Zero’ ethos, the design features the court, children’s playground, bleacher benches, chain link fence, outdoor gym, collection bins, in-store campaign presence and restoration of existing elements. The renewal aims to re-energize the local neighborhood while providing a space for play and for sport among kids and adults alike.
After a year delay due to the worldwide pandemic, October 1st saw the inauguration of one of the most anticipated events of the year; the Expo 2020 in Dubai. The event, which is being held for the first time in the Middle East, focuses on architecture, culture, and innovation, with over 191 national participants. The pavilions on display are divided into three districts: Mobility, Sustainability, and Opportunity, each showcasing how their country has contributed and will contribute to its respective theme. In addition to the national pavilions, each district has its own thematic pavilion: the Sustainability Pavilion “Terra” by Grimshaw, the Mobility Pavilion “Alif” by Foster + Partners, and the Opportunity Pavilion “Mission Possible” by AGi Architects.
Read on to discover 6 must-see national pavilions of each district that explored their designated theme in a unique and captivating way.
China is undergoing a rapid urbanization process, and in South China’s Greater Bay Area (GBA), it takes the form of a comprehensive development strategy. The region, comprising the cities of Hong Kong, Macau as well as other nine fast-developing municipalities in Guangdong Province, is being transformed into a city-cluster of world importance and architecture practice. Ronald Lu & Partners contributes to this vision through high-density urban developments shaped around principles of sustainability and human-centric design.
Formerly known as the Bibliotheque du Roi, the Richelieu site of the National Library of France near the Palais-Royal has finally completed construction after almost 10 years of renovations. The transformation of the 300-year-old site included facade restorations, installation of an interior garden, and facilities maintenances, promoting innovation, modernity, and openness to a wider public. The project, which is both a library and a museum, will continue to house a massive campus for the history of the arts and heritage, and provide visitors with a place for walking, discovery, and exchange. The site is expected to be open to the public in summer of 2022.
Aedas revealed its design for a mixed-use development in Shanghai, a mid-rise high-density scheme comprising several blocks of offices, retail spaces and a hotel linked by an extensive network of public spaces. A central circulation spine running across the site connects the various programs and, together with a series of green spaces, recreates the atmosphere of the organic urban fabric.
During his explorations of abandoned places across Europe, award-winning French photographer Romain Veillon has stumbled upon enchanting architectures that have been left to decay for decades. In his latest book Green Urbex: The World Without Us, Veillon explored what the world would look like if the human race disappeared and nature took its course without any human interference.
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