World Architecture Festival has revealed the winners for this year’s categories, highlighting buildings and landscapes completed across the world between 2019 and 2021. Chosen from almost 500 shortlisted projects from 62 countries, the winning projects showcase exemplary contributions to the built environment reflecting this edition’s theme: ‘Resetting the City: Greening, Health and Urbanism’. In addition to the completed buildings categories, the annual award also announced Copenhill, designed by Bjarke Ingels Group, as the 2021 World Building, while SLA was awarded Landscape of the Year for its design of Al Fay Park.
Ms. Dalva's house in Vila Matilde has certainly helped put the four architects of Terra e Tuma, Danilo Terra, Pedro Tuma, Fernanda Sakano, and Juliana Terra, on the architectural spotlight worldwide. With simple and smart solutions, this project has already received six awards, both national and international. The office based in São Paulo, Brazil, has since managed to share their experiences by presenting a new way of designing good and affordable architecture for the underprivileged social classes. However, despite the great impact of this project, the office is not limited to just one type of client and solution, as can be seen in their extensive body of work developed over almost 15 years of practice.
Between rising water levels and global migration to cities, architects and designers need to critically reimagine the relationship between coastal landscapes and public space. Cities are facing entirely new risks and environmental conditions. Resiliency, infrastructure, and ecology are increasingly common terms, reflecting the growing demand to address the spatial and formal challenges faced by cities worldwide. Rethinking boundaries and edges, designers have unique opportunities to help shape public understanding of these conditions through waterfront parks.
Known for its expertise in glass, Sovet is now exploring a rich palette of additional materials such as ceramic, metals, fabrics and woods, with which to blend its primary material. Image Courtesy of Sovet
Glass specialists Sovet’s furniture pieces blend together an expansive palette of colours, materials and textures, combining ceramics, woods and metals with a trademark smooth glass finish.
Courtesy of KARL LAGERFELD, Sierra Blanca Estates and One Atelier
During the past couple of years, luxury and fashion brands began venturing into architecture. Some built museums, foundations, and cultural organizations while others shaped residential structures that translated their identity into space. Following this same concept, KARL LAGERFELD, along with Spanish Developer Sierra Blanca Estates and the Design and Branding Firm The One Atelier, have developed the fashion house’s first “luxury architectural project”, the Karl Lagerfeld Villas in Marbella, Spain. Designed by The One Atelier, of which Andrea Boschetti is Head of Design, the project has low carbon impact, aligned with the brand’s commitment to the Fashion Pact - a global sustainability initiative that seeks to transform the fashion industry through objectives in climate, biodiversity, and ocean protection.
Asking what is “luxury architecture” and questioning why fashion brands are expanding into architecture, ArchDaily met with Andrea Boschetti to further understand the architect and urban planner’s take on the subject.
Concrete and sustainability are two words that are often considered incompatible. Used as early as the Roman era, concrete has shaped much of our built environment, being the most widely used manufactured material in the planet thanks to its resistance, versatility, cost-effectiveness, and accessibility, among other inherent benefits. Its popular use in buildings and infrastructure forms the foundations of cities, connects communities, and will continue to play a vital role in providing solutions to the challenges of the future – especially as cities must respond to a growing global population. But with cement as its key ingredient, it also comes with several environmental costs, being responsible for at least 8% of the world’s carbon emissions in a climate-change context. However, it doesn’t necessarily have to be that way. With the rise of innovative technologies and products, there are many ways to make concrete greener.
Following years of federal review, the National Capital Planning Commission has finally approved Hiroshi Sugimoto’s Sculpture Garden renovation proposal. Sugimoto’s redesign, which was proposed in Spring of 2019, transforms the Hirshhorn Museum into an accessible and inviting structure welcoming more than 30 million annual visitors. The design features flexible venues to welcome large-scale sculptures and time-based performances, and includes work on long-overdue repairs in the infrastructure.
David Adjaye was announced as the lead designer of the Barbados Heritage District, dedicated to documenting and recounting the impact of slavery on Barbados as well as cultures and nations in the Western hemisphere. The project will comprise a memorial, a museum and a research institute, the latter in charge of presenting Barbados’s pivotal role within the slave trade history as the place of departure for millions of enslaved Africans towards the Americas. The Heritage District, whose announcement closely follows Barbados’ transition to a parliamentary republic, marks a cornerstone in the development of the country’s identity more than five decades after declaring its independence from Britain.
There are several reasons why Quintana Roo —a state located in the southeastern region of Mexico— has an important cultural wealth. One of them is because of world-class tourism which has led it to have one of the eight international airports in Mexico in addition to being praised by the World Tourism Organization.
"Under The Zhengyangmen". Image Courtesy of DRAWING ARCHITECTURE STUDIO
Architecture has never been limited to building and construction; some notable architects have contributed numerous fantastic works to the domains of fashion, furniture, jewelry, and other design. The names of young Chinese architects active in the construction industry appear in numerous fields. Crossover, extension, and exploration, young Chinese architects seek to work beyond the boundary of architecture.
The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects David Lee and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.
A variety of subjects are covered with honesty and humor: some episodes are interviews, while others are tips for fellow designers, reviews of buildings and other projects, or casual explorations of everyday life and design. The Second Studio is also available on iTunes, Spotify, and YouTube.
This week David and Marina are joined by Eric Johnson, Founder and Principal of EJA Lighting Design, to discuss the role and value of the lighting designer, common lighting flaws, working with architects, lighting different types and styles of architecture, lighting technologies, key qualities of a good lighting designer, and more.
Buildings around the world are getting taller. Since the year 2000, global skyscraper construction has increased by 402%. Cities like Dubai are home to nearly 1000 high-rise buildings, and New York’s vibrant luxury real estate market has shown no signs of slowing down, with more high-rise additions slated to be added to its already towering skyline. There’s good in this – high-rises create much-needed space in already dense cities and can reduce urban sprawl in city centres, allowing for better preservation of natural areas.
Winston Churchill once said: "We shape our buildings; thereafter they shape us." This quote almost seems written specifically for the architecture design firm Kwong von Glinow. Alison von Glinow and Lap Chi Kwong are married and partners in practice. For the last couple years, they’ve been designing and building their own live/work building in a northern neighborhood of Chicago called Edgewater. A model of the house lived in their dining room for months as they conceived of the house, making daily changes until it was constructed and they could move in. They shaped the design, now it shapes them. In this video, Kwong von Glinow takes us through this building — called the Ardmore House — and they explain how they designed it, what it’s like to live in, and how it has shaped their work since.
By definition, architecture and urban planning operate within a certain degree of indeterminacy, using present context to find viable answers for an unknown future. As a result, design is a constant search for a balance between prescribing and taking a step back to make room for alternate yet unforeseeable scenarios. Uncertainty is an inherent condition in present-day society, and recent rapid social, economic, and even environmental changes prompt a closer look at how architecture can incorporate indeterminacy. The following reviews some precedents and contemporary examples that programmatically operate with indeterminacy, highlighting several strategies for designing for uncertainty and change.
Bjarke Ingels Group and A-Lab have unveiled their design of Oslo Science City, a new innovation district in Norway's capital that aims to create a physical framework for Norway’s innovation environment of estimated 150,000 scientists, students, entrepreneurs, and contribute to the country’s transition to renewable energy. The district aims to be a net zero emission area that operates on renewable energy and circular economic principles, as well as zero emission solutions during development and operation.
In its new exhibition Peter Cook: City Landscapes, Louisiana Museum of Modern Art showcases drawings by the influential architect, best known for his architectural theories and visionary concepts. Curated by Kjeld Kjeldsen and Mette Marie Kallehauge, the event is part of the exhibition series Louisiana on Paper, which presented the work of various artists over the years and is now debuting its first show featuring drawings by an architect.
After launching virtual exhibitions about Parma (Italy), Pittsburgh and Milwaukee (United States), and Lagos (Nigeria), the online platform Google Arts & Culturehas opened the virtual exhibition Brasília: um Sonho Construído (Brasilia: a Built Dream), which presents an immersive tour of the Brazilian federal capital designed by Lúcio Costa.
Curated by the National Museum of the Republic, the exhibition had the collaboration of the Public Archives of the Federal District, the Institute of Architects of Brazil, the Chamber of Deputies Museum, the Federal Supreme Court, and other organizations based in Brasília. Through images from Google Street View, visitors travel through the corridors of six museums in the capital in 360° virtual tours, including the Museu de Valores (Museum of Currencies), the Square of the Three Powers, and also the Supreme Federal Court building.
https://www.archdaily.com/972550/google-arts-and-culture-opens-free-virtual-exhibition-about-brasiliaEquipe ArchDaily Brasil
Shortly after the millennium, Vanity Fair, a magazine that purports to follow every kind of cultural milestone, asked a select group of 52 “experts” to pick the five best buildings since 1980. The selections were bizarre; almost every building was by one of the chosen architects, which made up the vast majority of those asked for their picks. Few choices received more than five votes.
https://www.archdaily.com/972957/where-are-the-architectural-masterpiecesMark Alan Hewitt
Zaha Hadid Architects have presented "NFTism", a virtual art gallery at Art Basel Miami that explores architecture and social interaction in the metaverse. The gallery features spatial designs created by ZHA that focus on user experience, social interaction, and "dramaturgical" compositions, combined with MMO (massively multiplayer online game) and interaction technological services.
In downtown Kuala Lumpur, Merdeka 118 topped out at 678.9 metres tall and 118 storeys, becoming the second-tallest building in the world. Five years after construction started, the tower’s final silhouette is revealed with the completion of the spire, redefining the city’s skyline currently dominated by the Petronas Towers and the Kuala Lumpur Tower. Designed by Australian firm Fender Katsalidis, the project features a triangular faceted glass façade inspired by patterns found in Malaysian art and, together with the surrounding park designed by Sasaki, creates a new layer of the city’s identity.
MAIO is currently building a five-story building with 40 social housing units in the Sant Feliu de Llobregat district, Barcelona. The project design urban connectivity, social equity, and sustainability. As the winner of a two-phase competition, the building will house hierarchyless, generic, flexible spaces to fit the inhabitants' needs.
Shape Tomorrow, a new exhibition at AEDES Architecture Forum in Berlin, is a reaction to both staid, self-serious architecture shows and to the staid, self-serious architecture profession. Taking the form of a miniature city, it turns buildings into named characters, encourages visitors to populate structures with miniature people, and leaves space for them to fill the room with their ideas and criticism.
The exhibition, on view through January 13, is the brainchild of German architect Matthias Hollwich, founder of New York-based HWKN—a burgeoning firm known for both its research and its sense of whimsy. The show centers on nine, 16-foot-tall white plaster towers whose glowing bases take on the forms of some of the firm’s playful, kinetic projects from around the world. These include 25 Kent, a fractured office building in Williamsburg, and Die Macherei, a jutting and terraced mixed-use business district in Munich.
On November 17th, 2021, as a part of the second season of the Virtual World Tour, Architects, not Architecture had the honor to have as guest the 2013 Pritzker Prize Toyo Ito.
We all might be familiar with his works, but how much do we know about his biography and about the vicissitudes that shaped him?
ArchDaily Professionals is an initiative that focuses on all of the collaborators involved in architecture and construction, who participated and are credited in the projects we have carefully curated and published. This project aims to recognize and highlight the best collaborators responsible for delivering the best architecture, by delivering valuable knowledge related to the different disciplines within our community. Today, we are launching a series of video interviews between architects and collaborating professionals, to learn more about their work and to understand the importance of these relationships to deliver high-quality architectural projects.
For this first interview, ArchDaily’s Managing Editor, Christele Harrouk, met with lighting design firm L’Observatoire International’s founder, Hervé Descottes, and American architect Steven Holl. In this moderated talk, we had the chance to speak to Hervé and Steven about their collaboration in three cultural projects in the United States: the Institute for Contemporary Art at VCU, the Winter Visual Arts Building, and Nancy and Rich Kinder Museum. In this conversation, we learned more about what lighting in architecture means to them, how space and light should be conceived and why a close collaboration between architects and lighting designers is crucial to architecture projects.
.jpg?1635893302 "House Between Trees / AS Arquitectura. Image © David Cervera")
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