Few cities have a growing design culture like Austin, Texas. Ranked as one of the best places to live in the United States, the city is experiencing a building boom in recent years. With a wide variety of residential styles, architects are continuing a legacy of modernist design. With an emphasis on craft and detailing, these new homes use simple geometry and forms as they open up to hills, lakes and the urban fabric.
Some years end up being cultural pivot points. 2021 was one such year, with COVID-19 as the first existential threat to our culture since World War II. Architecture will change as a result, and may evolve in public perception to value motivations as a criteria for understanding it, versus valuing outcomes as the validation of any particular aesthetic.
Today, drywall and gypsum-based systems are currently present in almost all architectural works. These allow you to coat buildings with products that combine, among other attributes, construction ease, fire safety and the possibility of recycling, both in historic structures or completely new constructions. Since 1998, Saint-Gobain - one of the largest distributors of these types of systems - has awarded the projects that best apply them in their solutions, dividing them into 6 categories (Ceilings, Plaster, Plasterboard, Innovation & Sustainability, Residential, and Non-Residential). The submitted projects are meant to demonstrate how the architects managed to ingeniously unite the company's products with innovative solutions to overcome each of the difficulties that the works or contexts impose.
In its 12th edition, participants came from 30 different countries and showcased 74 projects. See the 14 awardees below:
2021 was the year of a new reality, with humankind adapting to what is known as the second year of the pandemic. While some countries witnessed a return to alternative normality, opening up to the world through travel and events, others stayed in lockdown, expanding furthermore the inequality gaps. Nevertheless, this year also brought a lot of hope in all aspects, raising questions and building solutions for the near future. With a major focus on climate urgency, biomedical research as well as notions of hybridity, 2021 has triggered new understandings of the environment that surrounds us and of our place in this world.
Highlighting contextual topics, bringing both a local and global perspective, while shedding light on overlooked historical narratives, ArchDaily's diverse team of editors has been front and center, reacting to everything that has been happening. Always seeking "to empower everyone who makes architecture happen to create a better quality of life", the editorial content, generated across all sites, in our 4 languages, English, Spanish, Portuguese, and Chinese, provided tools, inspiration, and knowledge to widen horizons and help our users build a better future.
The popularity of pre-designed and pre-fabricated homes is growing, moving much of the construction process from the building site into factories. While countries like Singapore, Australia and the United Kingdom are increasingly adopting modular buildings to meet labor and housing shortages, Nordic countries like Sweden already build 90% of residential single-family houses in prefab wood. Despite the recent surge in interest, off-site building is by no means a new concept. In fact, the construction method has been present throughout history in many attempts to consolidate its use in construction: as far back as A.D 43, the Roman army brought with them prefabricated forts to Britain, while Japan has been building in wood off-site and moving parts in pre-assemblies for at least a thousand years.
Pantone has revealed its Color of the Year for 2022; 17-3938 Very Peri, a brand new color "whose courageous presence encourages personal inventiveness and creativity". The shade falls under the blue color family but with violet red undertones, illustrating the fusion of our modern times and how the digital world has morphed with our physical one. In architecture, shades of periwinkle blue and lavender have long been used in installations, commercial spaces, and lighting, instilling an overall calming, optimistic, and positive effect on the human mind.
Heatherick Studio has revealed the redevelopment plan for Nottingham city centre, a vision that establishes a new green core, reshapes the former shopping centre at the heart of the site, and highlights the area’s touristic potential. Centred around an ample new green area enabling citizens to connect with nature, the project proposes new social spaces, commercial, mixed-use and residential buildings while establishing street connections around the city centre. The initiative represents an expansive vision for redefining the city centre and its programming amidst the evolution of retail towards online shopping and in response to the impact of the pandemic.
For the Cosmos Foundation, environmental conscience, ecological conservation, and community focus form the foundations of land planning and landscape design within public infrastructure projects. We sat down with the foundation's project director, Felipe Correa, as well as foundation architects Valentina Schmidt and Consuelo Roldán, as they went in depth on the benefits, objectives, and motivations behind the Healing Gardens initiative.
From the content universe we made available in 2021, interviews are, without a doubt, among those in which we invested more time and research. Making room for the voice of architects and other professionals in the built environment is a great pleasure but also an enormous challenge, as it requires a lot of research and dedicated time from our team of editors. It is also rewarding as it puts us in contact with some of the most prominent talents in our discipline, who have been discussing issues such as cities, community, environment, democracy, sustainability, building technology and interiors.
What’s so great about the oldest continuously inhabited cities in the world? Probably the fact that their societies have been evolving in one unbroken series of eras, with ever-changing values and styles that have, among other things, given rise to architectural memories of their long histories. These cities aren’t like the archeological sites we visit to see how people lived thousands of years ago; they are the exact places people lived thousands of years ago, places where people are still living today, with their rich histories buried under layers of paint and concrete instead of earth.
With ancient cities found in regions around the world, the variety of architectural treasures that can be found in these cities is vast. To give you a taste of their diversity, here is a selection of 18 of the oldest continually inhabited cities from various regions of the world, ranging from youngest to oldest, with a small snippet of their various architectural puzzles.
Snøhetta won the competition to redesign the Eliel and Asema Square in Helsinki, a public space neighbouring the city’s historic railway station, into a vibrant central hub. Developed together with Finnish practices Davidsson Tarkela Oy and WSP, the proposal aims to contribute to Helsinki’s strategy to increase green mobility by reconnecting the urban fabric to the rail station and framing a “porous new city block” that would foster a more diverse array of indoor and outdoor activities.
How do we decide which buildings are worth saving and which ones aren’t with regards to a building’s design significance? This video tells the story of the Portland Building by Michael Graves, a building with a tumultuous history that was ultimately saved from the wrecking ball when the city raised nearly $200 million to renovate the aging structure. This was spurred, in part, by the building’s inclusion on the National Historic Places list. But, that is only part of the story. What does it mean to be an Historic Place or Landmark because of architectural design? Does this distinction help to save it from premature demolition? The answers to these questions might surprise you.
The Board of Directors and the Strategic Council of the American Institute of Architects (AIA) have awarded the 2022 Gold Medal to Angela Brooks, FAIA, and Lawrence Scarpa, FAIA, for their lasting influence on the theory and practice of architecture. The jurors have also selected MASS Design Group to win the 2022 AIA Architecture Firm Award, the highest honor the AIA bestows on an architecture practice.
The Royal Institute of British Architects (RIBA) announced that Indian architect Balkrishna Doshi will be the recipient of the 2022 Royal Gold Medal. The distinction, approved by Her Majesty The Queen and awarded each year since 1848, is given to architects or practices in recognition of a lifetime’s work and the impact on the evolution of the field and the built environment. With a career spanning over six decades, Balkrishna Doshi has had a paramount influence in shaping the architecture of India through a pioneering interplay of modernism and vernacular that translated into projects that celebrate local culture, context and craft.
On the 30th of November, we received news of the death of Oriol Bohigas Guardiola (Barcelona, 1925), architect, urbanist, and one of the main drivers of Catalan's modern transformation.
During his Fellowship at Civitella Ranieri / WOJR Architecture Prize, Alejandro Haiek unveiled images of "Industries of Nature", the award-winning artistic narrative that explores Civitella castle's context and environment and observes how nature and industry work in parallel to form the traditional Umbrian landscape. The intervention was presented not as an art object, but as a documentation of the dynamic exchange between narratives, topographies, and shared resources, overlapping the Civitella Ranieri artist community with local farmers, automobile robotics technicians, engineers and producers.
This article was originally published on Common Edge.
Most of the news coming out of the recently completed climate summit in Glasgow was disappointing. Previous summits had ended in similarly dispiriting ways, and COP26 was no exception. It acknowledged the severity of the problem and the urgency of the moment—the need to keep warming to under 1.5 degrees Celsius (some scientists believe it’s already too late to prevent this)—but put off making the hard commitments necessary to actually solve the problem. At the same time, this summit did feel different. There was a sense of urgency in the Glasgow streets, and the world’s attention was undeniably focused on climate change. How this focus eventually translates into action on the political front remains an open question.
But architect Edward Mazria, executive director of Architecture 2030, believes that despite the immense obstacles facing climate activists, the building sector is on the cusp of helping change the course of the planet. He sees genuine reasons for hope and renewed effort. In the wake of the seemingly grim news out of Glasgow, I spoke with him last week about the way forward, how we’ve reached an important inflection point, why energy use tied to buildings has begun to decline globally, and the steps required to fully decarbonize the built environment.
Outback architecture embraces the outdoors. From the world-famous Sydney Opera House to aboriginal desert huts, Australian architecture rises from the elements while learning from them. In terms of vernacular shelters, barns, sheds, and verandahs often became community centers or places to congregate. These humble beginnings would transform over the following centuries as people began to build for the “Australian dream.” Whether using traditional pisé construction or fabricating wildly new forms, architects began capitalizing upon historical building methods and reinterpreting them.
Kiribati has a population of around 110,000 people and its economy is centered on fishing and agriculture. Comprised of 33 islands in the Central Pacific, its highest point is only 81 meters above sea level, which makes it potentially the first country that could disappear completely due to global warming and the consequent rise in sea levels. The climate crisis has been a hotly debated topic in recent years and terms such as carbon footprint, greenhouse effect, atmospheric aerosols, and many others, are already staples in our vocabulary. Another widely spoken term is “net zero”, or net zero emission, used as a goal for buildings in different industries and countries. Basically, it means that the energy balance is zero.
Architectural photographer Paul Clemence has released a new photoseries of Riken Yamamoto's The Circle project, a mixed use development at the Zurich Airport. The design was a competition entry that asked architects to create a program that offers visitors: Swissness, Surprise, and Connections to the World. Yamamoto's winning design, with its inclined facade and combination of linear and curved outlines, linked the airport to the park physically and visually, creating an architecture that highlights the Swiss identity.
The RIBA House of the Year Award, which highlights the best new architect-designed house in the UK, was given this year to House on the Hill, designed by Alison Brooks Architects. Located in Gloucestershire, the house represents a contemporary extension to an 18th-century farmhouse that functions both as a home and repository of art. Over ten years in the making, the project creates a rich spatial experience while establishing a strong connection between the dwelling and the landscape. The jury commended the house for the “amalgam of architecture, landscape, inhabitation and art” that aptly manages to create a light and calm atmosphere.
Puerto Vallarta is a city located in the state of Jalisco, in the west region of the country facing the Pacific Ocean. It consists of 1,301 km² and, together with the Bahia de Banderas municipality of the Nayarit state, makes up the Metropolitan Zone of Puerto Vallarta, making it the second most populated of both states. Many are the reasons why Puerto Vallarta is one of the most important ports in Mexico, one of them being tourism at an international level, which has resulted in the city having one of the eight international airports in the country.
At the Four Seasons restaurant in New York, designed by Philip Johnson and Mies van der Rohe in the iconic Seagram Building, a rectangular pool played the leading role in the space, highlighted by four trees planted in pots at each of the vertices. The soft noise made by the water became consecrated. In addition to giving the hall some personality, it served to absorb the sounds of conversations (often secret) among tables. Just as the way that light enters a space, or how interior landscapes are perceived, sound is one more characteristic of an environment, though it is generally overlooked by architects. This goes beyond providing it with efficient acoustics, but creating a sound atmosphere for a space. This is the concept of soundscape.
.jpg?1636500979 "Malecón Puerto Vallarta / Trama Arquitectos. Image © Alejandro Cartagena")
