The ColombiaPavilion at Expo 2020 Dubai is thought of as an artefact with the ability to tell the past, present and future stories of the country's culture through its music. Supported by its geography and its cities, the pavilion designed by Pacheco Estudio de Arquitectura intersperses dense vegetation with water, representing the great biodiversity of its plant and animal world, and is composed of a reticular structure in three dimensions symbolising the urban centres that are constantly growing.
By proposing a route from the vegetable and aquatic floor to the open ceiling, the artefact is quickly identifiable from a distance and seeks to remain in the memory of those who visit it as a fresh, open space that reveals itself to all and finds itself in constant development.
The built environment we inhabit can be hostile, both on an individual architectural scale and in a wider urban context. Homeless people, for instance, are dissuaded from resting on public benches by the menacing presence of spikes and other forms of exclusionary design. From a global lens, we see the impact that borders have amidst anti-immigration hostility, imposingly exemplified by the Melilla border fence on the Morocco-Spain border. This “hostility” can be found in a large number of settlements around the world, settlements that have been formed as a result of organic migration or settlements predicated on control – like company towns.
The growing consumer demand for transparency—especially around sustainability and environmental practices—has implications for industries from apparel to healthcare products. Mars Inc. recently released a cocoa sourcing map to tackle deforestation and increase accountability, and the Fashion Transparency Index pushes apparel companies to be more forthcoming about their social and environmental efforts.
Now it’s time for the building industry, characterized by a lack of information around the materials and practices used in construction and throughout a building’s lifecycle, to catch up. The cost of inaction is too high to ignore. That’s because buildings account for 39 percent of total global carbon emissions. Traditionally, most carbon reduction efforts in the building sector focus on operational carbon—a building’s everyday energy use, which accounts for roughly 28 percent of emissions. The remaining 11 percent comes from what is often ignored: embodied carbon.
https://www.archdaily.com/976015/strategies-to-reduce-embodied-carbon-in-the-built-environmentPeter Alspach, Margaret Montgomery
Digital spaces and fabrication technology have become as prominent as ever within the current state of our post-pandemic society, becoming increasingly more accessible and enabling quick and spontaneous acts of iteration and evolution. These technologies have resulted in the ability to mass-produce non-standard, highly differentiated building components within the same facility as their standardized counterpart, transforming how buildings and their respective components are conceived, designed, and represented, and how they are manufactured, assembled, and produced.
The beauty of digital fabrication is its ability to blend aspects of mass and artisanal production to the point where costs nearly disappear. Technology’s capacity to fabricate so simply and almost seamlessly raise the issues for its potential to significantly alter our current perception of architecture, thus producing the question: has the influence of mass production in architecture resulted in a loss of intentional design?
All buildings move — of course, some more than others. There are a host of design considerations that architects keep in mind that allow for, or even promote movement in almost every building. But some architects fall back on their training as broad-based thinkers and problem solvers to devise solutions that literally roam the earth. From tiny homes on wheels, to train-based educational institutions, to design programs in a truck, sometimes buildings and architecture need to travel to the people it serves or to other environments. This video features a few examples on this spectrum, beginning with how architects typically deal with movement in structures and foundations, to Cedric Price’s Potteries Thinkbelt, and finally Chicago Mobile Makers, a traveling maker workshop for children founded by Maya Bird Murphy.
While research seems intrinsic to the design process, architectural research is a professional path in itself, whose purpose is to highlight scientific evidence and explore alternatives outside of pre-established norms or empirical considerations. Its purpose is to create a framework of knowledge that can inform the design to reach objectively better outcomes. The following discusses the role and state of research in architecture, some prominent areas of inquiry, and the architects or institutions that dedicate their work to these subjects.
Ennead Architects has been selected to design the new headquarters of electronics designer and manufacturer Xiaomi in Shenzhen. The winning design, which was a competition entry held in celebration of the company’s 10th anniversary, reflects the relationship between technology and daily life by integrating a digital interface into the fabric of the building. The structure resembles a Rubik's cube with a 360-degree LED screen surrounding the building’s podium, representing Xiaomi’s success and aspirations for the future.
The Royal Institute of British Architects (RIBA) has announced the winners of the 2021 President's Medal and Awards for Research, highlighting the best research concerning architecture and the built environment. The President's Medal was awarded to John Lin and Sony Devabhaktuni from the University of Hong Kong for their research project As Found Houses, which explores vernacular practices in rural China. Two more awards were granted to the development of an ethics guide for architectural practitioners and a study of thin-tile vaulting in Cuba.
90Grados specialises in creating high-quality architectural renderings - and this time they present the virtual construction of a skyscraper that was left unfinished in New York after the Great Depression of 1929: the Metropolitan Life North Building.
https://www.archdaily.com/975817/what-would-the-unfinished-metlife-north-building-in-new-york-have-looked-likeArchDaily Team
In 2014, a home reconstruction program called "Dream home" was launched in China, inviting architects and interior designers to redesign some old houses that have problems. Some of these homes are oddly shaped, some are tiny, and yet others have extremely inadequate lighting. The design concepts conveyed by the designers together in this program are respect for people, understanding human relationships, and the definition of home. These renovations or reconstructions are not just home updates for clients, but a reinterpretation of "home" that gives them a new life with dignity.
In terms of Covid, 2022 is more likely to be like 1920 than like 2020 or 2021. “Change or die” is a cliché, but often a true one. The past two years under the pandemic have forced many kinds of changes across society that may have helped prevent a lot of deaths. But many other aspects of our culture had already been changing in ways that predated the pandemic, gradual shifts that, once Covid hit, became instant and ubiquitous: remote work, remote learning, the dominance of online shopping and the death of brick-and-mortar retail, the obsessive focus on health and well-being. All of this, and more, is now a fundamental aspect of our daily lives.
Whether or not architecture is an art, buildings and spaces shape daily life. Pushing the boundaries of architecture and the categorization of art, contemporary investigations between disciplines are rethinking tradition. As transformations grounded in human experience, these installations and structures share qualities of purpose, function and creative expression. At the same time, they reorient the limitations and possibilities of each profession.
Bloomberg Philanthropies has announced the 15 winning innovations of its 2021-2022 Global Mayors Challenge. Hailing from six continents, the chosen projects "seek improvements in the areas of economic recovery and inclusive growth, health and well-being, climate and environment, and gender and equality". The winning cities include Istanbul, Rotterdam, Butuan, and Wellington, and will all receive $1 million and external support to develop their programs.
Earlier this month, a series of cities worldwide have revealed various initiatives that would help them better understand the effects of climate change and shape a more environmentally conscious environment. From several American cities creating digital twins to help curb carbon emissions to the city of Brighton mandating bee bricks to foster biodiversity and Central Park becoming a laboratory for studying climate change adaptation in urban parks, cities take on a multidisciplinary and multi-scalar approach to environmental issues.
Designing houses in tropical climates, as is the case in Brazil, means paying special attention to openings, both in relation to the functioning and conviviality of the house, as well as in relation to issues of environmental comfort. In this article we bring you 16 Brazilian homes that take advantage of their strategic openings to create cozy, stunning, well-lit and ventilated environments.
The United States Artists Fellowship Award is an annual grant that recognizes the "most compelling artists working and living in the United States, in all disciplines, at every stage of their career". Every year, individual artists are anonymously nominated to apply by a diverse group of scholars, critics, producers, and other arts professionals. Among the 63 recipients of 2022, 5 were selected from the fields of architecture and design with the aim of strengthening and enriching the industry and their communities.
The bathrooms that we usually have in our homes are legacies of European colonization around the world. Its current form, however, dates back millennia and would not have been possible without investments and the evolution of basic sanitation.
The health of a population is directly related to the physical environment it inhabits, as stated by Hippocrates in his text “Ares, waters and places”, written during the 5th century BC, in which the Greek thinker known as the 'father of medicine', states that in order to properly investigate health and the cause of disease it is necessary to observe and understand the inhabited environment from the seasons, the wind, the water, its geographical position, the land and the landscape and also the habits of the people who live there. Each civilization has developed a way of dealing with what we understand by sanitation today, depending on its time and also on its geographical, cultural, political and economic context.
Michael Beneville opened his studio in the Flatiron district of New York City a decade ago. The renovated two-floor office has 20-foot-high ceilings, custom furniture, and a wall of arched windows that look out onto 19th Street. Beneville and his team haven’t been inside the studio together on a regular basis for months—at least not physically. The employees of the small creative studio, known for its design work on immersive experiences like Las Vegas’s mega–entertainment complex AREA15, are scattered across the country due to the pandemic, but they regularly gather in a virtual replica of the studio for meetings, sitting around a digital table, their avatars carrying digital cups of coffee.
Focused on 3 main titles, "the European city: a model for the sustainable smart city", "defining common European culture while reflecting the diversity of expression" and "an architecture that has social impact and transmits a cultural message", we have grouped the selected projects, nominated by a jury formed by Tatiana Bilbao, Francesca Ferguson, Mia Hägg, Triin Ojari, Georg Pendl, Spiros Pengas and Marcel Smets to give a better understanding of the selection criteria and the architectural situation in Europe.
As we continue to navigate the ongoing pandemic, the future of offices and workspaces has been widely debated. However, some immediate effects are clear: the rigid, primarily in-office model has been quickly replaced by hybrid work, with adaptability and comfort becoming the top priorities. Therefore, even as long-term consequences might be unclear, businesses will certainly have to strive for the right balance between traditional and remote methods in order to promote efficiency and employee well-being. From a design and architecture perspective, demand will focus on flexible working environments that foster creativity, productivity, and comfort – as well as addressing the associated technological, economic, and sustainability challenges.
Continuing its long-lasting collaboration with Prada, OMA’S research and design branch AMO created a cinematic scenography for the brand’s 2022 Fall Winter Menswear show. Yellow carpeting envelops the hall of Deposito at Fondazione Prada, reimagined as a theatrical setting with olive-green theatre chairs and stage lighting. In juxtaposition, sci-fi looking metal-clad tunnels bathed in neon lights emphasize “the uncanny relationship between the theatrical and technological atmospheres”.
Although they are not considered long-stay areas in a home, kitchens and bathrooms are spaces where functionality is essential for the daily lives of residents and visitors. Of all the elements in wet areas, the ones that need special attention are the worktops. In this text we will point out some tips for designing functional wet area countertops, easy to maintain and appropriate for their uses.
The Royal Institute of British Architects (RIBA) has named Friendship Hospital in Bangladesh, designed by Kashef Chowdhury/URBANA as the winner of the 2021 RIBA International Prize, the biennial award highlighting worldwide projects that "demonstrate design excellence and social impact". The remote community hospital set within a riverine landscape translates the site's conditions prone to flooding into the central theme of the design, crafting a serene environment around the water element. The jury commended the project's thoughtful and innovative design within a modest budget, its use of local craftsmanship, and its climate-resilient response.
Rivers have long been considered as Earth’s arteries, serving as the essence of urban communities as human settlements developed their shelters and crop beds around them. Centuries later, riverside architecture remained vital as these areas expanded beyond residential typologies, and harnessed dynamic mixed-use developments and public functions. As valuable as they may seem though, these landscapes come with the risk of unexpected floods, increased water levels, or complete droughts, which has forced architects to design built environments that are able to respond to these abrupt changes. So how were these settlements built in the past, and how has today’s urban densification and technological advancements influence the way they are built?