UNStudio revealed a mixed-use high-rise building design in Dusseldorf integrated within the new Belsenpark masterplan. The tower, designed in collaboration with OKRA Landscape Architects, results from an international architecture competition held by private developer Pandion and features a diverse ground floor programme tied together by a pocket park. The project integrates prefabrication and modular design, thus reducing the building's environmental impact.
Nowadays everything is “painted” green. It's green packaging, green technologies, green materials, green cars and, of course, green architecture. A “green wave”, stimulated by the environmental and energy crisis we are facing, with emphasis on climate change and all the consequences linked to global warming. This calamitous situation is confirmed by the second part of the report entitled Climate Change 2022: Impacts, Adaptation and Vulnerability prepared by the Intergovernmental Panel on Climate Change (IPCC) and presented in recent weeks. It reveals that, although adaptation efforts are being observed in all sectors, the progress implemented so far is very low, as the actions taken are not enough.
A carbon neutral building is achieved when the amount of CO2 emissions is balanced by climate-positive initiatives so that the net carbon footprint over time is zero. Considering their unmatched ability to absorb CO2, planting trees is often viewed as the best carbon offsetting solution. But as cities become denser and the amount of available horizontal space for green areas drastically reduces, architects have been forced to explore other approaches. Therefore, to address these climatic challenges and connect people to nature, exterior green walls have become a rising trend in increasingly vertical cities. Even if there is research to claim that these can positively impact the environment, many question if they can actually contribute to a carbon neutral architecture. Although the answer may be quite complex, there seems to be a consensus: green walls can be effective, but only through good design.
On the heels of the Eames Office’s 80th anniversary marked by an exhibition and a Ray-inspired sneaker, director Eames Demetrios spoke to Metropolis about the matriarch who continues to inspire design.
Despite being the smallest rooms of houses, bathrooms have always been one of the most challenging and critical to design, which often left them fairly simplified. The past few years, however, saw these spaces undergo significant change; what was once only limited to functionality, ease of maintenance, and privacy, is now being given a strong character with pops of color, classic fixtures, and patterned surfaces. Similarly for public bathrooms, where "functionality" and "ease of maintenance" are now complimented with aesthetics, technology, and high quality finishing. In this interior focus, we explore the three main bathroom typologies used in residential projects, and look at how architects have employed them through 12 examples.
Architecture firm HKS and landscape designer Hood Design Studio have been selected by global entertainment and media company CMNTY Culture to design a new creative campus in the heart of Hollywood. Dubbed CMNTY Culture Campus, the project will feature production spaces, offices, performance venues, bringing together creative industries in a 500,000-square-foot development.
The upcoming exhibition in The Architect's Studio series hosted by the Louisiana Museum of Modern Art presents the work of Forensic Architecture, a multidisciplinary research group operating at the intersection of architecture and investigative journalism. Led by architect Eyal Weizman, the collective of architects, artists, software developers, journalists, lawyers, and animators investigates and documents human rights violations across a wide range of global conflicts.The practice constructs models and virtual spaces to share a new perspective on specific events.
Over the years, interior design has evolved according to the needs that arise, but above all according to the experiences we seek to provoke in the user. In the last two years, we witnessed a radical change and a particular interest in this subject because the pandemic forced us to pay specific attention to the configuration of the places we inhabit. This brought about much more holistic designs that cater to the wellbeing of the user, combining colours, sensory experiences, technology and natural elements that promote health.
For centuries and centuries we’ve built – and the diversity in our global built environment is a testament to that. The many different cultures around the globe have had different ways of building throughout history, adapting locally found materials to construct their structures. Today, in our globalized present, building materials are transported across the globe far from their origins, a situation that means two buildings on completely opposites sides of the world can be more or less identical.
Tragedy, protest, insurrection, and political turmoil have led to a renewed awareness of racial injustice and democratic instability. These issues create new challenges for users and designers of public spaces in America. Cultural spasms have resulted in contested public spaces — sites of killings, protests in streets and parks, and forgotten burial grounds. These spaces need a new form of environmental justice.
Comfortable outdoor spaces are more desirable than ever. Over the past couple of years, people have been spending more time at home, connecting with nature from the relative comfort of covered balconies, patios, and pergolas. But even with pleasant views, cooling breezes, and the warmth of the sun, covered outdoor spaces can be uncomfortable. Temperature variations, glare, rain, and wind quickly create an unpleasant experience. In warmer climates, insects can be an additional a nightmare.
Clay walls have a high thermal inertia. This means that they act as a climate buffer that creates a thermal delay in the flow of heat from the outside to the inside, absorbing it during the day and releasing it overnight. The material is especially suitable for hot and dry climates, such as that of Gando, where Francis Kéré built his first school. After years of studying abroad, Kéré returned to his home community with the intention of building this school with the same materials historically used by locals, which many originally viewed as strange, as he said in this lecture. Despite the initial prejudice, it was the combination of local materials and techniques with Kéré’s acquired knowledge that ultimately gave strength to the project.
Under the latest round of NYC's Department of Design and Construction (DDC) Project Excellence Program, Commissioner Thomas Foley has announced that the agency has selected 20 firms to provide architectural design services for New York City’s future public buildings project. 10 of the selected firms are certified Minority- and Women-Owned Business Enterprises (M/WBEs), meeting the city’s ambitious goals of supporting M/WBEs and increasing its ability to generate culturally competent designs.
On February 24th, 2022, Russia launched the invasion of Ukraine, triggering the largest and most rapidly unfolding refugee crisis in modern-day Europe. According to the United Nations Office for the Coordination of Humanitarian Affairs (UNOCHA), nearly 6.5 million people were displaced within Ukraine, and 3.4 million fled across international borders into neighboring countries since the onset of the war. The humanitarian crisis united the world in protest against the military violence targeting civilians and triggered an unprecedented global response in support of the aid efforts. The architecture community has also rallied in support of Ukraine, condemning the war, halting work in Russia, and supporting Ukrainian creative professionals by hiring their services.
Paris has been making headlines for years with its aggressive steps to anti-car, pro-pedestrian urban improvements. Faced with increasing issues around air pollution and an attempt to reclaim streets for alternate modes of transit, as outlined in their proposed plan for a 15-minute city, the French capital is seen as a leader in future-forward urbanist strategies. Recently, their department of transportation set a deadline for their lofty goals of eliminating traffic from its roads. In just two years from now, in time for the French capital to host the Olympics, Paris plans to ban non-essential traffic from its city center, effectively eliminating around 50% of vehicular mobility. What does this plan look like? And how might other cities use this strategy to eliminate their own urban issues?
Last Tuesday, March 15, Francis Kéré became the first African architect to win the Pritzker Prize, the most important award in the architecture discipline.
The election of Kéré is not only symbolic in a time of identity demands, where the institutions that make up the mainstream are required to more faithfully represent the social, cultural, and sexual realities that make up our societies, but it also confirms the recent approach of the Pritzker Prize jury.
In recent years, there has been an increased focus on indoor lighting, especially in the context of the growing numbers of open-plan offices. In large parts of the world—and especially in Nordic countries—people can spend up to 80-90% of their time indoors. The light we are surrounded by affects both our circadian rhythm and hormones, making our indoor environment and its light an important factor of our well-being. Opinions on the optimal indoor lighting solution—and if one exists at all—are numerous and divided. To gain some more insight into this, the Danish lighting manufacturer Louis Poulsen set out to test the effects of various artificial lighting conditions in their own head office in Copenhagen.
The 60th edition of Salone del Mobile.Milano 2022, which will take place from the 7th till the 12th of June 2022 at the Fiera Milano Rho, is reflecting on the ongoing ecological transition of the design world, with a mission to "demonstrate that it is both possible and crucial to start embedding sustainability and environmental awareness into furniture production". More than 2,000 exhibitors, including over 600 young designers under the age of 35, will express their own identities and creative freedom, using the exhibition space as both an architectural and communication element with sustainability and ecology as main criteria.
Aedes Architecture Forum recently inaugurated the "Jinyun Quarries – The Quarry as Stage" exhibition, which showcases the transformation of abandoned stone quarries in the Zhejiang Province, China, into a platform for cultural and social activities. Beijing architect Xu Tiantian and the team of DnA_Design and Architecture were tasked with developing a new public infrastructure inside nine of the mines in Jinyun County, thus opening up new economic perspectives for the local people. Running until May 5th, the exhibition highlights the extraordinary spatiality of the stone quarries while communicating the complexity of the structures through a series of models, plans and photographs of the interventions.
Based in São Paulo, Atelier Marko Brajovic was founded in 2006 by architect Marko Brajovic. With a multidisciplinary practice, the idea of the hybrid manifests itself as the conceptual north of the office that operates on several fronts: architecture, scenography, expography, creative direction, interior and product design. With a vast language that explores different areas, formats and aesthetics, its projects are, above all, recognized for breaking with the modern canon and seeking solutions in nature.
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Balconies provide residents with great views while literally and figuratively looking down on the neighbors, but they also offer numerous other advantages.
With the magnitude and urgency of the immediate Covid-19 crisis worldwide, efforts have been concentrated on saving lives, rather than focusing on concerns related to the road to Net-zero carbon. Net Zero carbon in regards to construction is defined as when the amount of carbon emissions associated with the construction of a building and its completion is zero. A zero-energy building will have an overall zero net energy consumption; the total amount of energy used by the building annually is equal to the amount of renewable energy generated on-site.
As the climate emergency presents itself as a severe and existential threat, it is crucial that the road to net-zero carbon is resumed large-scale in both an architectural and commercial sense. Around the globe, efforts have been renewed in an attempt to tackle the almost inconceivable. According to the 2019 global status report for buildings and construction, the buildings and construction sector accounted for 36% of final energy use and process-related carbon emissions in 2018. Although carbon emissions were temporarily reduced during the peak of the pandemic, they are set to swiftly return to previous figures.
.jpg?1647823485 "Gando Primary School Extension / Kéré Architecture. Image © Erik Jan Ouwerkerk")
.jpg?1647822667 "Serpentine Pavilion / Kéré Architecture. Image Courtesy of Kéré Architecture")
.jpg?1647822697 "Startup Lions Campus / Kéré Architecture. Image Courtesy of Kéré Architecture")
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