With the recent Metaverse hype, let's address the elephant in the room! As more and more people dance around the subject of weather or not it is harmful for sustainably-conscious architecture designers to utilize the Metaverse, I decided to interview Oliver Lowrie, a Director at Ackroyd Lowrie, an award-winning London-based architecture practice dedicated to building the cities of the future, who is already using this technology to enhance Ackroyd Lowrie’s low-energy designs.

Whether blending in or standing out, embodying transparency or solidity, expressing coarseness or softness, a façade is the medium through which we engage with architecture. It tells a story and can often set the tone for the rest of the interior. But apart from defining a purely visual experience, a building’s envelope must also be practical, durable and have the ability to properly manage natural lighting and ventilation needs. After all, by being the point of contact with the outside, it is responsible for mitigating sounds and providing protection from climatic conditions, such as wind, rain, heat and humidity. Therefore, when designing a facade, it is important to consider a balance between performance and a beautiful aesthetic. Of course, many materials successfully meet these criteria. But when it comes to creating a comforting, light-filled ambiance while ensuring resistance, ease of installation and versatility, the properties of translucent polycarbonate panels seem to be unparalleled.

Heatherwick Studio has been selected to design a tropical opera house for the island province of Hainan at the southernmost point of China, the studio's first opera house or music venue project. The design features three performance spaces: an opera house, a concert hall, and a theatre, that come together under a sweeping canopy referencing to the island’s unique geology.

Russia’s invasion of Ukraine unleashed a major humanitarian and refugee crisis, with 4.2 million people fleeing into neighbouring countries and 6.5 displaced internally. According to the United Nations Office for the Coordination of Humanitarian Affairs (UNOCHA), 18 million people are projected to become affected in the near future with the current scale and direction of the ongoing military violence. In addition to the threat to human lives, Ukraine’s culture is also at risk, as cities and historic buildings are being destroyed. In March, the United Nations Educational, Scientific, and Cultural Organization (UNESCO) has expressed concern over the damage caused to historic landmarks in Ukraine and called for the protection of its cultural heritage. The following are some of Ukraine’s most prominent architectural landmarks, which are now in danger of being destroyed amid the conflict.

PVC, as the synthetic material Polyvinyl Chloride is called, or Polyvinyl Chloride, is one of the most produced plastics in the world, reaching 40 million tons per year. Its application is quite varied and in construction it has found different branches, serving both as an input for infrastructure and for finishing.

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15-minute cities are a trending urban planning topic that has long been discussed academically and is now slowly being implemented across existing cities in Europe. But now, the first 15-minute city is being designed and built from scratch in Utah. Dubbed “The Point”, the new 600-acre city will be located just outside Salt Lake City, and will be a redeveloped former state prison site where new jobs, housing, public spaces, amenities, and transportation will serve almost 15,000 people in an attempt to explore a prototype for how innovative urban planning concepts can improve the public health and wellness.

Daniel Libeskind (b. 1946, Lodz, Poland) studied architecture at Cooper Union in New York, graduating in 1970, and received his post-graduate degree from Essex University in England in 1972. While pursuing a teaching career he won the 1989 international competition to design the Jewish Museum in Berlin before ever realizing a single building. He then moved his family there to establish a practice with his wife Nina and devoted the next decade to the completion of the museum that opened in 2001. The project led to a series of other museum commissions that explored such notions as memory and history in architecture.

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Following months of uncertainties and preservation attempts, Kisho Kurokawa's iconic Nakagin Capsule Tower will be demolished on April 12th of this year. Tatsuyuki Maeda, one of the current owners of the tower, explained that a team will try to preserve some of the capsules, and regenerate them as accommodation units and museum installations across the world.

The Eames Institute of Infinite Curiosity is a new non-profit organization that aims to bring forward the design processes and problem-solving approaches of the two renowned designers with the purpose of equipping a new generation of creatives with the tools for tackling today's challenges. Through archival exhibitions, storytelling, and other programming, the institution will demonstrate the Eameses' iterative process and highlight the lessons to be passed on from their methodology, making a vast collection of objects, prototypes, and personal archives available to the public.

A call that comes from the cradle, creativity, the act of transforming ideas into materials, are some of the words to introduce Nitsche Arquitetos, which in its practice remains in a constant reinvention from the questions that are posed about space and life. Daughter and sons of artists Marcello Nitsche and Carmela Gross, siblings Lua Nitsche, Pedro Nitsche and João Nitsche founded the office that works on two fronts: architectural projects – headed by Lua and Pedro, architects trained at FAUUSP in 1996 and 2000, respectively – and works of art and visual communication – led by João, a visual artist who graduated from FAAP in 2002.

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In January 2022, the world of architecture lost one of its greatest influences of modern times, the Catalan architect Ricardo Bofill. However, just two months before his departure, Bofill left us with a new vision: an independent villa inspired by a classical temple that sits on a single plot within the Palmares Ocean Living & Golf complex. Today, a new opportunity presents itself to bring one of his final designs to life.

As the world spins deeper into the third year of a global pandemic with no sign of abating, a new space race is forming over our heads. Entry is open to all, and the tickets are literal. The Architect's Newspaper's Jonathan Hilburg explores how the world's richest men are charting new paths for the human species, and how the public are reacting to the future of private space tourism. 

The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects David Lee and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.

A variety of subjects are covered with honesty and humor: some episodes are interviews, while others are tips for fellow designers, reviews of buildings and other projects, or casual explorations of everyday life and design. The Second Studio is also available on iTunes, Spotify, and YouTube.

This week David and Marina answer the question, “Should I go to architecture school?” The two cover the relevancy of college/university, the architecture school experience, if studying architecture is needed to practice architecture, if having a degree helps with getting a job, preparing for architecture school, choosing the right degree, the cost of architecture school, and more.

Pricing architectural project work is a complex issue that is not usually addressed during one's formative school years, and it usually takes time for professionals to develop a good system that works for them and their clients. Issues such as scope of work, hours worked, project area and project complexity will influence the final cost of a job. In addition, another thing that can keep project professionals awake at night is how to charge clients in a way that is sustainable for the business and comfortable for future users of the designed space.

PLP Architecture has unveiled plans for Tokyo Cross Park, an upcoming redevelopment of an entire district set to become the largest development site in the metropolitan area of Tokyo. The new 230-hectare "green heart of the city" will include four towers, two of which to be designed by PLP, a 31-metre-tall podium with an elevated green public realm, and a 2-hectare public plaza.

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New images have been released by Studio Gang showcasing the construction progress of the firm's American Museum of Natural History Expansion in New York. Dubbed as the Richard Gilder Center for Science, Education, and Innovation, the project will link together 10 museum buildings, improving circulation and creating one monumental campus of exhibition galleries, state-of-the-art classrooms, an immersive digital theater, and a redesigned library.

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One of the first elements used by humans to build shelters, wood is a versatile material that, along with technological advances, remains a protagonist in the construction industry, being used in different ways and moments in a work.

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The immensity of China leads to the diversity of customs and climatic conditions. Each area has its own unique materials, construction methods, and climate adaptation measures. The regional characteristics of Chinese architecture are generally preserved in rural buildings. But we cannot overlook how contemporary technology may considerably improve the living and use conditions of rural buildings. What is the best way to create a balance between classic or inherent technology and new ones? How would the construction of rural architecture provide inspiration for the development of Chinese architectural cultural symbols?

2022 Pritzker Architecture Prize winner Diébédo Francis Kéré reported the great solutions of Burkina Faso. Kéré insists to build comfortable buildings at a reasonable price; to make users happy and inspire them to dream of a better life. The pride of the local culture is reinforced by the use of local materials and traditional techniques. And then Kéré‘s works in other countries show cultural emblems of Burkina Faso, which are the consequence of his own cultural accumulation.

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