Once upon a time, long, long ago, I was lucky enough to get a summer job with Robert A.M. Stern while I was in graduate school. Stern’s new memoir, Between Memory and Invention: My Journey in Architecture (MonacelliPress, 2022), has prompted my own mini-memoir, with some relevant details not included in the book.
I arrived at the office in the early summer, not long after the dissolution of Stern & Hagmann and then Bob’s divorce. I found two young architects-to-be, a sweet but disorganized secretary-receptionist-bookkeeper, and Bob. The office grew during the summer and beyond—and today there are over 200 in the office, including 16 partners in Robert A.M. Stern Architects (aka RAMSA).
Inflatable Architecture has enabled the imaginations of environmental dreamers of all types. From figures like Buckminster Fuller to Ant Farm, inflatables promise to liberate people from the harsh conditions of nature or the tyranny of architecture. Originally developed by the US Military for radar enclosures on the arctic, inflatables were picked up by NASA before their secrets were bestowed upon the public who deployed them to solve all sorts of problems, from enclosing pools to stadiums.
New York's residential design culture extends far beyond the Big Apple. The Hudson Valley is a region that stretches along the Hudson River from Westchester County to Albany. Known for its vineyards, orchards and farms, the river valley includes a series of small towns and remote homes. Today, these rural residences are being designed to explore the connections between people, nature and place.
Artificial lighting plays an essential role in spatial quality. Badly thought-out lights can disrupt an architecture project and even bring harmful effects to occupants' health; while a well-balanced luminotechnic project can highlight positive aspects of the surroundings and make it much more enjoyable. Generally, however, projects tend to be too rigid and not in-tune with the flexibility of contemporary spaces. In addition, a badly made lighting decision can be complex and expensive to rectify. For example, electrical points in slabs, linings or walls are not easily modified if the distribution of a space is changed. At most, when this is resolved with hanging or free-standing lamps, we end up having to deal with bothersome electrical wires throughout the space.
Büro Ole Scheeren has won an international design competition to build the 350-meter Nanjing Jiangbei New Financial Center Tower in China. The octagonal-silhouette skyscraper merges local tradition and culture within a mixed-use structure, aiming to become an iconic symbol of Nanjing’s new urban identity.
The climate crisis has accentuated changes in the amount of rainfall, causing droughts or storms with large volumes of water, which result in floods that can cause great damage to urban infrastructure. To combat this, the sponge city is a solution that has a green infrastructure to operate the infiltration, absorption, storage and even purification of these surface waters.
There’s the iconic Cenotaph for Newton drawing, the evocative monochrome illustration by Etienne-Louis Boullée. There are the experimental drawings of Lebbeus Woods, evocative urban visions of a distant future. There are also the well-known drawings of Le Corbusier’s utopian Ville Radieuse. Drawing, and in turn architectural visualizations, have always been a useful medium with which to contemplate architectural concepts of the future. It is fascinating to look back at the architectural visualizations of the future done in the past.
The chance to reimagine a four-and-a-half-acre site containing both historic buildings to be preserved and lots slated for development in a major American city is rare. For the team behind 5M, a project on a nodal site in downtown San Francisco, this prospect came with exciting potential to engage with all aspects of community building and place making. Completed by SITELAB, KPF, and a host of other firms, 5M reveals a transformed, multi-use downtown site following a decade-long process.
Whether to mark a change of direction, to highlight its first steps or its own presence in a room, stairs that combine two or more materials tend to draw attention by establishing dialogs between particular characteristics of each material. Concrete, steel and wood are some of the most common choices to compose the structure of stairs due to their high strength and versatility. But, when combined, these different materials expand their individual possibilities and reveal how the design can be tailored to their peculiarities and connections.
The combination of textures, colors, and finishes among materials can provide a number of creative solutions for these elements used for vertical circulation, as shown in LÂM’s Home, by AD+studio and House 9A, by 23o5Studio, characterized by stairs with a sturdy and rough base that meets a light and sleek structure of steps. The opposite composition order, a lighter base that meets a robust set of steps, thrives ingeniously in Luis Carbonell's Casa Chulavista and messina | rivas' Angatuba House, where the light wooden stairs' base is followed by raw concrete steps.
Big data and hybrid working models are the future of the Architecture, Engineering, and Construction (AEC) industry, according to Álvaro González. Álvaro is a Global Master in Real Estate Development student and cofounder of Infinity Dimensions, a startup looking to accelerate digitalization in the sector.
Embodying IE University’s learning by doing philosophy, we spoke to him about how running a startup while earning a graduate degree is possible—with the right amount of entrepreneurial spirit.
Circular Dimensions x Microscape by Cris Cichocki. Photo by Lance Gerber. Image Courtesy of Coachella Valley Music & Arts Festvial
The Coachella Valley Music and Arts Festival 2022, an annual festival held in the Colorado Desert in Indio, California, has opened to the public on Friday April 15th with immersive installations by 11 international architects, artists, and designers. Through explorations of scale, light, sound, and colors, the contextual installations explore global themes such as connectedness, environmental sustainability, immigration, social behavior and architecture, pop culture, and the community, and will be on display on April 15-17 and April 22-24, 2022.
Danish architecture practice Schmidt Hammer Lassen revealed the winning design of an international competition for the world’s tallest residential timber building. Located in the Swiss city of Winterthur, the 100-metre tall Rocket&Tigerli tower developed in close corporation with the local Swiss architecture studio Cometti Truffer Hodel echoes the 19th-century industrial architecture of the surrounding area through its facades of dark red and yellow terracotta bricks. The project proposes a variety of residential typologies and amenities that are set to create a vibrant neighbourhood.
Metaverse is the name used to name an immersive, collective and hyper-realistic virtual environment, where people will be able to live together using 3D customized avatars.
It was coined by writer Neal Stephenson in his science fiction book “Snow Crash”, published in 1992. The work tells the story of “Hiro Protagonist”, a character who in real life is a pizza delivery boy, but in the virtual world – called metaverse in the story – is a samurai.
Beyond hyper-realistic renders and accurate depictions of what projects look like once completed, visualizations have become tools to communicate atmospheres and emotions portrayed by architects. The use of mixed media, combined with architectural compositions, art, lighting, and oftentimes music, have generated a new genre of architectural storytelling, one that combines reality with imagination. And as the world immerses in NFT's and experimenting with cutting-edge technologies to create digital environments, visualizations might soon become "the new reality".
ArchDaily had the opportunity to talk to Visual Artist Ceren Arslan about branching out from the architecture practice, how she describes her creative process, her latest project EXIT, and what the future holds for architectural visualizations.
Model and Photograph. Image Courtesy of Duo Dickinson
We deal with buildings every day. We sleep in them, work in them, live our lives using their accommodation. But like a song or a painting, a person usually helps create them, with those who use and build them, then the world receives that work. But before they are built, buildings are just ideas.
A couple of years ago, MVRDV pioneered a system to involve the residents of Hamburg in an urban rejuvenation plan. The Grasbrook Maker was envisioned as an interactive, multi-user platform to democratize design. Architects set up the design framework within which participants could place public buildings.
Collecting inputs from multiple stakeholders is fundamental to architecture. In fact, architecture is one of the most collaborative disciplines in the world. Every project, from a residence to an urban masterplan, involves a team of clients, architects, engineers, contractors, financiers, and many more.
What is the purpose of strategic planning? Why should we care as practice owners and what is the function of this effort? Perhaps we can begin to answer this question by defining strategy. Put simply, strategy is a set of goal-directed actions a company can take to gain and sustain a competitive advantage. A competitive advantage, however, is always relative. It defines the best way for a firm to create value for its internal and external stakeholders. Relativity is important. In the practice, profession, and business of Architecture, there are no absolute advantages. To paraphrase Simon Sinek: “Business is an infinite game in which the competitive landscape is always in flux.”
The European Centre for Architecture Art Design and Urban Studies and The Chicago Athenaeum: Museum of Architecture and Design have announced the winners of the "Europe 40 under 40" program for 2021-2022. The selection gathers emerging architectural and design talents spread across Europe from Albania, Austria, France, Greece, Ireland, Italy, Poland, Portugal, Russia, Spain, The Netherlands, and Turkey.
“During these challenging times, it is crucial to keep insightful visions alive. Presenting Europe’s most hopeful personalities in the fields of architecture and design is what gives us hope for a better tomorrow”, explains the official brief. Providing an insight into the architectural scene in Europe, the program initiated by The European Centre highlights the next generation of young architects, landscape architects, urban planners, and industrial designers currently under the age of 40, who will impact future living and working environments, cities, and rural areas.
Diriyah Biennale Foundation recently revealed the curatorial team of Saudi Arabia's inaugural Islamic Arts Biennale, highlighting the past and present art of the Islamic culture. Among the curators is Sumayya Vally, co-founder of Johannesburg-based practice Counterspace, responsible for designing the 2021 Serpentine Pavilion. Taking place in Jeddah in early 2023, the Islamic Arts Biennale will foster artistic exchanges and further establish Saudi Arabia's status within the art scene.
Torre Taikoo Green Ribbon / ARUP. Image Cortesia de ARUP
Discussing carbon neutrality in architecture should not only be based on local materials and new technologies, since there are many aspects that impact the construction production chain. From design to construction, without losing sight of the context and economic system of our society, the construction industry is responsible for a considerable part of the energy consumed worldwide. In order to interfere in this reality, it is necessary to expand the fronts of action, questioning the place of construction in our society.
The International Contemporary Furniture Fair (ICFF) and WantedDesign Manhattan will take place at the Jacob K. Javits Convention Center in New York from 15 to 17 May, 2022. Image Courtesy of ICFF
In the early days of the pandemic, MOMA curator Paola Antonelli and London-based design commentator Alice Rawsthorn started an Instagram Live series called Design Emergency. It documented the more phenomenal design solutions emerging from the Covid crisis – those tackling pressing health and societal needs with unprecedented focus, clarity and speed, often in a very local way. May sees the launch of the book that evolved from the conversations they had with the problem-solving protagonists and moves those conversations on to the next focus for the design world: how to build on the experience and be the agent of change. It’s apt then, as New York’s design shows, the International Contemporary Furniture Fair (ICFF) and WantedDesign Manhattan return to their regular springtime slot from 15 to 17 May, at the Jacob K. Javits Convention Center, that Antonelli’s is a voice we will hear in the key talk 'Design Emergency: Building a Better Future'.
Responding to the global challenges of dense cities and the inability to cater to the world’s 7.8 billion population living and working in congested urban areas, architects have been exploring the skyscraper typology for decades now, integrating commercial spaces and public amenities within residential buildings to offer tenants an all-inclusive experience.
Every year, the Council on Tall Buildings and Urban Habitat - CTBUH ranks the world's tallest buildings, ranging from completed projects to under construction, and proposed. Read on to discover the 25 tallest buildings in the world currently under construction as well as their expected completion date.
‘’In the background there is still invisible Japanese tradition’’, expresses Kisho Kurokawa, in an excerpt from the film ‘Kochuu’. He puts an emphasis on Japanese tradition, an architectural tradition that rejects symmetry despite the utilization of high-tech. He contemplates the Nakagin capsule tower (1972) a mixed-use residential and office tower located in Tokyo, Japan. The first of capsule architecture built for practical and permanent use.
Jesper Wachtmeister’s‘Kochuu’ is based upon the influence and origins of Modernist Japanese architecture. Through visions of the future, tradition and nature, it amplifies elements of Japanese tradition and its impact on Nordic design. The narrative tells us of how contemporary Japanese architects strive to unite the ways of modern man with old philosophies to create anew.
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.jpg?1650442892 "Circular Dimensions x Microscape by Cris Cichocki. Photo by Lance Gerber. Image Courtesy of Coachella Valley Music & Arts Festvial")
.jpg?1650443789 "The Playground by Architensions, photo by Lance Gerber. Image Courtesy of Coachella Valley Music & Arts Festvial")
.jpg?1650443636 "Mutts by Oana Stănescu, photo by Lance Gerber. Image Courtesy of Coachella Valley Music & Arts Festvial")
_by_Mart%C3%ADn_Huberman__photo_by_Lance_Gerber__courtesy_of_Coachella_Valley_Music___Arts_Festvial_(2).jpg?1650443369 "Cocoon (BKF + H300) by Martín Huberman, photo by Lance Gerber. Image Courtesy of Coachella Valley Music & Arts Festvial")
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aedas.jpg?1650060506 "Tianshan Gate of the World Plots 27 and 28. Image Courtesy of Aedas")
asgg.jpg?1650060228 "Chengdu Greenland Tower. Image © Adrian Smith + Gordon Gill Architecture / CTBUH")
