The construction industry has experienced severe changes in recent decades. Historically, it counted on abundant labor and a false notion that natural resources were infinite, but nowadays the sector has struggled to find innovations that will allow it to become more sustainable, especially considering its enormous impact and importance in the world. In addition, the recent Covid-19 pandemic changed several factors and dynamics, demanding creativity from designers to overcome challenges. In some cases, the design process itself became subject to changes. The S'Winter Station project, developed by students and teachers of Ryerson University's Department of Architectural Science, is one of these examples which relied on existing visualization and manufacturing technology for its completion.
OMA / Reinier de Graaf and Squint/Opera have released a new video of the "Al Daayan Health District", a low-rise hospital prototype which responds to the medical field's rapid change through the potential of modularity, prefabrication, and automation. The project features prefabricated modular units, local farms for food and medicine, and high-tech facilities across gardens and water features.
Oolite Arts revealed the design of its new Miami headquarters designed by Spanish architecture practice Barozzi Veiga, making it the studio’s first built project in the United States. The design’s morphology echoes the idea of a village for artists through a collection of rooms and a rhythm of vertical structures. The structure incorporates rich vegetation and strives to balance public and private, thus prioritizing both artists and community needs. The project, created in collaboration with local firm Charles H. Benson & Associates, is set for completion in 2024.
Since the beginning of the 20th century, automobiles have been shaping cities and architecture, demanding specific spaces to move and be stored.Cars and motorcycles dictated the organization of spaces and the consequent urban and rural landscape of entire countries. However, with the climate crisis and the recognition of the problems that this development model brings to cities and to the planet, every day more initiatives are perceived that seek to eliminate individual and motorized cars powered by fossil fuels, while at the same time we also perceive the need to give new meanings to spaces that were previously dedicated to cars. In addition to the streets and public spaces, this transformation is also felt in the houses and residential buildings that are beginning to see garages as a more dynamic space.
The annual QS- Quacquarelli Symonds World University Rankings has announced the 2022 top universities. Covering 51 different subjects, the index rates universities across the globe according to academic reputation, employer reputation, and research impact. With few changes to the top 10 in the 2022 Architecture/ Built Environment category, MIT remained in the first position, for the third consecutive year, also topping the charts for the general QS World University Rankings.
Delft University of Technology in the Netherlands took the second place while UCL, in the United Kingdom, came third. ETH Zurich, Harvard, and the National University of Singapore (NUS) maintained fourth, fifth, and sixth place. The Manchester School of Architecture was upgraded to seventh position this year, moving the University of California, Berkeley (UCB) to eighth place and the Tsinghua University in Beijing, China to the ninth. Politecnico di Milano, in Italy, remains a non-mover at 10.
The stage is set in one of the most iconic “end of the world” movie scenes: Citizens of New York City are scrambling on top of taxis, quickly attempting to escape the slow-moving giant tsunami heading their way. In the rear-view mirror of a bus, a giant wave can be seen rushing up the narrow city grid. Searching for higher ground, the main characters, Sam and Laura, run up the famed stairs into the famed New York Public Library, and just as the revolving doors shut behind them, the pressure of the water smashes the windows, and water begins to rise. Without seeing it, we know that New York City and its iconic architecture will soon be destroyed.
After being granted planning permission for UK’s Holocaust Memorial and Learning Centre designed by Adjaye Associates, together with Ron Arad Architects and Gustafson Porter + Bowman, the UK court has decided to halt the project following a legal dispute. The decision comes after an appeal made by the former archbishop of Canterbury Rowan Williams, local community groups, Jewish leaders, and Holocaust survivors, who all argued the project is being built in the wrong location.
At a time when biophilia is highly valued in architecture, natural pools become another element capable of increasing the connection with nature, enabling the creation of a recreational and contemplative space at the same time. Also known as ecological or biological pools, they reproduce an ecosystem composed of plants, rocks and even some species of fish.
Sou Fujimoto Architects has unveiled its design for the Hida Furukawa Station Eastern Development, a regional community-based center that aims to enrich the life, leisure, and culture of the residents of Hida City, in Gifu Prefecture. The Center will include a university research base, student accommodation, an all-weather playing field, and commercial facilities, all interconnected to form one harmonious community.
Presidio Tunnel Tops is San Francisco’s upcoming national park destination, set to welcome visitors starting July 17th. The project reconnects the park formerly split in two by the Doyle Drive by creating new landscaped land over the highway now moved underground. Designed by James Corner Field Operations, the firm behind New York’s High Line, the project brings 5.6 hectares (14 acres) of new parkland to the Bay Area, featuring trails, picnic areas, and scenic views over the city as well as a nature play area for kids.
Map design and the significance of built environments continue to be inherently integral to gameplay within the realm of virtual worlds and video games, specifically in the genre of first-person shooters, and Riot Games’ VALORANT is no exception to this. Defying former expectations of its predecessors within the tactical shooter genre, Riot continually endeavors to make fundamental changes to decades of old formulas that have been implemented in practice all these years.
It’s a ubiquitous architectural form. An architectural typology that spans centuries and borders, a staple across cultures. The tent. In its simplest form – it’s a shelter, with material draped over a frame of poles. It’s an architectural language that is intrinsically linked to nomadic living. Yurts, for instance, functions as an easily portable dwelling for the Kazakh and Kyrgyz peoples. At the same time, tents have proved a popular stylistic precedent for architects, the lightweight structures of German architect Frei Paul Otto being a case in point. The tent is a complicated architectural language – one that straddles the line between temporary and permanent, and one that also functions as a symbol of wealth and a symbol of scarcity.
It is nearly impossible nowadays not to present accompanying renders when proposing a new project. No matter the method, software or style that is used, it is a valuable reference that bares more practical weight than one might think. Not only can it be one of the closest possible representations of the architect's vision, if approved, it can also become a promise to clients, investors, and the general public.
When it comes to works from renowned architects, the render becomes a critical reference to the project participants and to the expectant community. A lot of details can be developed and considered when creating the images. In most cases, special attention is brought to the lighting, materials, and context in order to make the most accurate representation possible.
Art Deco or Arts Décoratifs originated in the 1920's, following the Exposition Internationale des Arts Décoratifs et Industriels Modernes held in Paris (1925). However, it wasn’t until the 1930’s that the movement gained momentum across both Europe and the US, broadening Art Deco to cover all elements of decorative art including furniture, interior design, jewelry and architecture. Its popularity stems from its unique origins. Rather than a design movement driven by political or philosophical forces, it was created for the desire of glamorous and alluring change, a reflection of the golden age in Hollywood and a widespread economic boom.
Characterized by its decadence, rich application of color, and geometrical shapes, the movement is dramatically influenced by the discovery of the artifacts of ancient civilizations, and the introduction and admiration of the automobile. A movement heavily influenced by aspects in vogue it sought to create a form of luxury modernism, a step away from a more traditional architecture. It put an emphasis on handcrafted and individually designed elements, rarely to be mass produced.
Over the past two decades, urban highways' social and economic ramifications have been brought into focus as a large part of this mid-century infrastructure comes to the end of its lifespan, prompting conversations over its role in contemporary urban planning. Freeway removal entails the replacement of the transport infrastructure with new urban developments, green amenities and alternative street grids to promote a healthier urban environment and smart growth. In some cases, the idea of removing highways is met with concern over the potential increase in traffic and gentrification of the areas adjacent to the road, but the pandemic has further exacerbated the need for quality public spaces and brought once again into question the hegemony of the car. The following highlights various highway removal projects, discussing how these interventions restore the urban fabric, reknit communities and recover urban spaces for city dwellers.
Snøhetta and Dartmouth have unveiled images of their upcoming expansion and redesign of the Hopkins Center for the Arts (the Hop) in Hanover, New Hampshire. The project aims to modernize the existing arts center and create a renewed gateway to the campus’s Arts District. The new architecture will feature new practice and performance spaces, increased connections to surrounding arts buildings, as well as upgraded accessibility and mobility throughout the master plan.
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Château La Coste inaugurates a pavilion designed by Oscar Niemeyer, representing the last project drawn by the renowned architect before he passed away in 2012. Set amongst a vineyard, the curved structure features a glazed gallery space, accompanied by an 80-seat auditorium placed within a cylindrical volume. Emphasizing the pavilion's connection with the surrounding landscape is a shallow pool that brings a new dimension to the project through the interplay of light and reflections.
Seen as one of the great promises for the future of construction, carbon concrete mixes strength, lightness and flexibility. In addition, at a time marked by a serious environmental crisis that puts the construction methods of the industry in check, carbon concrete emerges as an alternative that approaches the guidelines of sustainability.
With an increasing amount of architectural visualizations being published on social media, it’s easy to get overwhelmed. Adding this to how the famous algorithm works, we end up always being exposed to social media publications that are, in many ways, similar to each other. But for us as architects, designers, and students, social media is not only a platform for networking and sharing our works. It also serves as a source of inspiration. If the algorithm isn’t helping us to discover new and different ideas, then it’s up to us to go out of our way and look for them.
This article was originally published on Common Edge.
There’s a famous quote—it’s usually attributed to Winston Churchill—that goes, “History is written by the victors.” This cynical and largely erroneous belief could only be true if history was fixed, settled, static. It never is, and that’s precisely why we have historians. It might be more accurately said that history’s first draft is written by the victors. But first drafts, as any writer will tell you, are famously unreliable. So it is with architectural history. Women have played significant roles in the field since the start of the profession, but that is not how history has recorded it. A new book, The Women Who Changed Architecture (Princeton Architectural Press), a collection of more than 100 mini-biographies of important women architects, covering more than a century, hopes to take a step toward correcting that oversight. Recently, I spoke to Jan Cigliano Hartman, the editor of the volume, about creating the book, important and overlooked figures, and why this isn’t a definitive list.
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Well managed firm finances can be a raise to glory but if you fail at keeping them under control they quickly turn into a silent assassin. Why? Because, since as architects we don’t get much business education in school one of the common downfalls prove to be mismanaged finances.
Planetariums are designed for discovery and exploration. Created around immersive experiences, these projects draw our imaginations to new worlds. As theaters for education and entertainment, they also bring people together. Today, architects and designers are reimagining what the modem planetarium can be, and in turn, are inspiring new investigations into the universe and the vast ocean above us.
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