The Art Gallery of New South Wales expansion designed by SANAA is set to open to the public on December 3rd, 2022. The project, dubbed Sydney Modern Project and first revealed in 2019, is the most significant cultural development in the city in almost five decades since the opening of the Sydney Opera house. The new building designed by SANAA, together with Australian practice Architectus as executive architect, features a series of pavilions of various sizes and gallery volumes cascading towards the harbour. The structure that opens toward its surroundings is designed to provide a backdrop for 21st-century art.
El centro recreacional, de bienestar y vida estudiantil de la Universidad de Lima. Image Cortesía de Sasaki
Over the past few years, educational campuses around the world have been confronted with various trends and challenges of change, such as pandemic adaptation, climate crisis, the responsibility for sustainable design and online teaching. SasakiArchitecture, with offices in Boston, Denver and Shanghai, specialises in planning educational campuses around the world. With a broad portfolio of projects at various scales of intervention, recent projects in the United States, China, Mexico and Peru stand out.
As Antoine Picon describes in Architecture and the Virtual Towards a new Materiality? : "An architectural project is indeed a virtual object. It is all the more virtual that it anticipates not a single built realization but an entire range of them. …Whereas the architect used to manipulate static forms, he can now play with geometric flows. Surface and volumes topological deformations acquire a kind of evidence that traditional means of representation did not allow.”
One of the world's leading metropolises, Tokyo is home to extraordinary architecture that fascinates through its blend of traditional values and high-tech expression. The 1923 earthquake and the bombardments of World War II dramatically influenced the image of the city and its architecture, giving rise to modern urban environments with complex infrastructure.
The Japanese capital constitutes the most populated metropolitan area in the world, housing 33 million inhabitants. Divided into 23 wards and numerous neighbourhoods, the city features a diverse blend of atmospheres and urban fabrics that support an amalgamation of architectural typologies.
While Stephen Zacks’ new book, G.H. Hovagimyan: Situationist Funhouse, is ostensibly about the life and work of the artist, there’s an intriguing and seemingly topical subtext looming in the background: the role of art and culture on the development and redevelopment of cities. It’s a complicated and sometimes fraught issue, prone sometimes to simplistic, even binary thinking. Zacks, a friend and former colleague at Metropolis, has always had a more nuanced view of the issue. Last week I reached out to him to talk about the work of Hovagimyan, the historic lessons of 1970s New York, and why “gentrification” needs a new name.
After the first years of launching their architectural practice, Ben van Berkel and Caroline Bos renamed their practice to UNStudio. Short for United Network Studio, the change of name stands symbolic to the knowledge based, networked nature of the firm, which has grown to expand to 6 offices worldwide today.
They say you only really become aware of whether an architect has considered the acoustics of a space when she or he hasn't. Think archly Instagrammable, yet I-can't-hear-my-dining-partner-speak restaurant interiors.
Snøhetta was founded on the United Nations 1987 Brundtland Commission’s three main pillars of sustainable development: economic growth, environmental protection, and social equality. Their highly value and purpose-driven operations has since then expanded to 330 employees in 7 studios all over the world, from hometown Oslo to Adelaide, HongKong, Paris and Innsbrück, as well as their sister studios in New York and San Fransisco.
A collaborative design team led by Allies and Morrison and Asif Khan Studio has been selected to renew the famed Barbican Centre in London, United Kingdom. The winning design proposal preserves the building’s original architectural language and provides new opportunities for the center's diverse community of artists, audiences, and partners, boosting the building’s accessibility and performance quality.
San Diego is a city tied to the ocean. In turn, its architecture responds to a variety of cultural influences and natural conditions. Home to diverse and distinct architectural styles, San Diego has everything from Queen Anne Victorian homes and craftsman bungalows to Spanish colonial revival structures. Besides monumental works like the Salk Institute and Geisel Library, San Diego is also home to a range of contemporary cultural and residential projects.
Textures can calm us, bring warmth or even guide us. They elicit our sense of touch and also affect us visually. This is because lights and shadows tend to form in relation to the irregularities and shapes that are present in some textures, which can in turn clearly differentiate these types of materials from other surfaces. For many, the idea of a space surrounded with white, smooth walls can be disturbing and monotonous. Embellishments such as paints, the inclusion of natural coatings or other elements can easily transform a space, emphasizing certain parts or creating new and attractive visuals. In interior design projects, textured walls have always been a popular way to add prominence to a space, either via the constructive system of building - such as brick or exposed concrete walls - or through different types of coatings that can be added later on.
Since the beginning of the war, over 7.1 million people have been internally displaced within Ukraine. In response to this growing humanitarian crisis, Kyiv-based practice Balbek Bureau has developed a modular temporary housing system that aims to provide a dignified dwelling to internally displaced Ukrainians. RE:Ukraine is designed to adapt to different types of terrain and settlement density while being deployed in a short time frame. While the project was intended for areas of Ukraine that are not under fire, the framework can also accommodate refugees abroad.
El poder de la Data - Mirador. Image Cortesía de Online Lab of Architecture (OLA)
The Power of Data is an exhibition created in a virtual building, conceived by three-dimensional geometries based on various artificial intelligence algorithms. The project was created by the OLA (Online Lab of Architecture) team of research architects formed by Jennifer Durand (Peru), Daniel Escobar (Colombia), Claudia Garcia (Spain), Giovanna Pillaca (Peru) and Jose Luis Vintimilla (Ecuador).
How can Universal Design bridge the divides that have left many Americans stranded in their own communities? In its latest exhibition, Manhattan’s Center for Architecture calls for a “reset.” On view until September 3, Reset: Towards a New Commons, displays projects that “encourage new modes of living collaboratively” and “more holistic approaches to inclusion.”
The latest design from sustainable British lighting studio Tala is the indoor-outdoor lamp, Muse, conceived in partnership with eco-conscious paint brand Farrow & Ball, in three timeless colours. Image Courtesy of Tala
Sometimes in this business called design, you just need one smart idea to set you off. A light-bulb moment, if you will. A product that does something novel and timely, offering customers something they didn’t know they needed, but most definitely now want. This, however, is just the start of a journey. Once the noise dies down, how does your hit item evolve into a rounded, sustainable business with impact beyond its initial revolution?
In 2021, CRA-Carlo Ratti Associati’s proposal to create sustainable alternatives for urban heating networks was selected as one of four winners of the global Helsinki Energy Challenge. The project entitled Hot Heart proposed “island-like, floating seawater reservoirs to heat the city of Helsinki in a green way”. Using Twinmotion, Epic Games’ real-time visualization platform for the architecture industry to design the intervention, the large scale infrastructural project needed a digital representation tool to possibly put scale into perspective, offer a real immersive experience to engage the client, and exhibit instant changes related to natural factors such as daylight. Come SpaceForm, a data-driven virtual presentation and design tool. Created to facilitate remote cooperation, the technology allows clients or stakeholders to be more immersed in the story of the design.
Since the early 2000s, it has been widely reported that the construction industry accounts for nearly 40% of the planet’s CO2 emissions. The role of interiors in that percentage has been historically underestimated, with common statistics suggesting that a project’s furniture, fixtures and equipment are only responsible for about 7 to 10% of its overall carbon footprint. However, new research notably indicates the contrary: in a building’s average life span, the carbon footprint of its interiors will equal – if not exceed – that of the structure and envelope. Interior design, to the surprise of many, has actually been doing great harm.
Pelli Clarke & Partners' A District tower, a 330-meter mixed-use high-rise in central Tokyo, has finally topped out to become the tallest building in the country. The tower is part of the Tora Asa urban village, which aims to "forge a city within the city" and revitalize Tokyo's city center. A District Tower will feature large-scale office spaces, residences, a school, a medical center, and retail facilities, along with vast green spaces on the ground floor.
UN-Habitat and blue tech firm OCEANIX unveiled the design of the world’s first prototype for a sustainable floating city, to be hosted by Busan. The project is intended to provide a scalable framework of development for coastal cities facing land shortages and rising sea levels. With a population of 3.4 million people, Busan is the second-largest city in the Republic of Korea and, at the same time, one of the most important maritime cities, making it a suitable environment for deploying the floating city prototype.
Architecture uses drawings as a form of communication. Whether to represent ideas, communicate spaces and their ambiences or even technically understand constructive issues, there are many types of drawings and tools used to make them. It is up to the architects to find, within their knowledge, preferences and goals, the best way to communicate. If, on the one hand, the work drawings are more technical, rigid and standardized, so that they can be used for constructive execution, those used to understand the project by the client are usually freer and have greater visual appeal. It is within this aesthetic freedom that we question: how far can we go with these representations without confusing people?
Storytelling is undoubtedly one of the oldest informative tools; a universal language that has transcended generations and cultures, and has been adapted into different media such as video games, theater, and film. Regardless of how old the narratives are, the success of these adaptations relies heavily on production - the visual and audible elements - and their ability to allow viewers to fully immerse themselves in the storyline. In this article, we explore the magical and captivating world of Marvel Cinematic Universe, and how architecture played an important role in contributing to the movies’ notorious storylines.
As the second-largest architecture firm in the world, Perkins&Will, has a responsibility to put people at the center of their design practice as they impact millions of hours of human experience. The focus on sustainability, health and justice are a shared goal for design professionals.
BUGA Pavilhão de Fibra / ICD/ITKE Universidade de Stuttgart. Image Cortesia de ICD/ITKE University of Stuttgart
Let us return to the first architecture class on structures and the classification of structural efforts. In most structures, whether natural or man-made, compression forces are the primary actors. These are efforts undertaken with equal and opposing loads, applied in the interior of the structure, which tend towards the shortening of the piece in one direction - or compressing it, as the name indicates. It is not difficult to find examples of this: for example, a stone wall or a wooden log can resist the weight of a covering through internal compression efforts that are inherent to each material. Tension efforts, on the other hand, tend to lengthen components in the direction of the applied force of action. Steel, for example, is a material with good tensile strength. It is used in reinforced concrete precisely in the parts where the piece is in traction. But it is also possible for a structure to only have tensile parts, as is the case of membrane, tensioned, or tension structures, which consist of surfaces pulled by the action of cables or ropes in which the masts absorb compression efforts.
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.jpg?1651131882 "Royal Festival Hall by Allies and Morrison. Image © Allies and Morrison")
.jpg?1651131879 "Southbank Centre by Allies and Morrison. Image © Allies and Morrison")
.jpg?1651131774 "Expo 2020 Dubai Portals by Asif Khan Studio. Image © Asif Khan Studio")
.jpg?1650972194 "La Borda - Cooperative Housing by Lacol / Spain. Image © Lluc Miralles")
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