When development firm Blue Heron set out to create their one-of-kind residential showpiece, Vegas Modern 001, or VM001 for short, the goal was to stretch the boundaries of design and create an immersive experience that embraced both the natural and human-made worlds.
“We like to think about the home as being appropriate to our time and place, our culture and the technology that's available,” says Founder and CEO Tyler Jones. “And so there's an energy and spirit that comes from the city … so we're talking about digital media and this playful kind of vibe that we have in some big dramatic moments.”
Ma Yansong, principal partner of MAD Architects, have revealed his latest artwork "Flow" at the recently opened 8thEchigo-Tsumari Art Triennale. Taking place this summer in Japan, the installation reinvents part of the “Tunnel of Light” artwork that was completed back in 2018. Through a series of immersive platforms, the architects abstracted and captured the spirit of the Kiyotsu River, providing visitors with an immersive and dynamic spatial experience. The Triennale hopes to improve the local economy through art, and promote a more harmonious relationship between human and nature.
The 60th edition of the Salone del Mobile.Milano is taking place from 7th to 12th June 2022 at Rho Fiera Milano. This edition has been built collectively around fundamental trains of thought and work: the opportunities and responsibility of design, inclusion and environmental responsibility, demand for and the culture of design. It will serve as a showcase for the progress made by creatives, designers, brands, and companies.
"Indigenous technologies are not lost or forgotten, only hidden by the shadow of progress in the most remote places on Earth". In her book Lo-TEK: design by radical indigenism, Julia Watson proposes to revalue the techniques of construction, production, cultivation and extraction carried out by diverse remote populations who, generation after generation, have managed to keep alive ancestral cultural practices integrated with nature, with a low environmental cost and simple execution. While modern societies tried to conquer nature in the name of progress, these indigenous cultures worked in collaboration with nature, understanding ecosystems and species cycles to articulate their architecture into an integrated and symbiotically interconnected whole.
The jury's verdict for the competition for the new Museum of Fine Arts in the city of Vannes, Brittany, France, was recently revealed, and the winner of the first prize was the renowned Nieto Sobejano studio (based in Madrid and Berlin), with French architect Richard Faure as associate.
Upon becoming a sovereign country, free from British Rule, the people of India found themselves faced with questions they had never needed to answer before. Coming from different cultures and origins, the citizens began to wonder what post-independence India would stand for. The nation-builders now had the choice to carve out their own future, along with the responsibility to reclaim its identity - but what was India's identity? Was it the temples and huts of the indigenous folk, the lofty palaces of the Mughal era, or the debris of British rule? There began a search for a contemporary Indian sensibility that would carry the collective histories of citizens towards a future of hope.
Charles Darwin's theory of natural selection sought to explain the origin and survival of species on the planet. In short, it points out that the fittest organism survives and can reproduce itself, perpetuating useful variations for each species in a given place. Adaptation is, therefore, a characteristic that favors the survival of individuals in a context. In the construction world, we could draw some parallels. Could adaptation be an important quality to increase the useful life and efficiency of a building over time, considering the changes and demands of society, as well as technologies and lifestyles?
Architects have always been asked to breathe new life into ancient architectures inherited from the past or into historical – often monumental – artifacts that no longer respond to the customs and needs of contemporary society.
Nevertheless, ancient architecture tells our stories and therefore deserves to be restored with interventions that bring along a hint of modernity and show the trace of the design activity. YACademy's course in “Architecture for Heritage” has been created on these premises. Its aim is to train designers who will be able to understand and enhance the memory of historical architectures and take inspiration from them to carry out new interventions that both meet new needs and are enriched by the link to the past. In a close dialogue between the ancient and the modern, between existing architectures and new interventions, it is possible to comprehend what has been and what is now, redesigning – through architecture – a historical line bound to be continued by future generations.
Steven Holl Architects, in collaboration with Marcela Steinbachová and SKUPINA Studio, have won first place in the international competition of the Terezín Ghetto Museum in Czech Republic. Founded in 1780 as a military fortress, Terezín served as a Jewish Ghetto during World War II where an estimated 33,000 people died. The existing Terezín Ghetto Museum honors individuals who have lost their lives with a new design that is set to serve as a memorial of hope and light.
Friday, June 3, marks 100 days of war in Ukraine. One of the many devastating effects has been de destruction of urban and rural environments. Ukraine’s cultural and architectural heritage is under threat. As of 30 May, UNESCO has verified damage to 139 sites affected by the ongoing hostilities. The list includes 62 religious sites, 12 museums, 26 historic buildings, 17 buildings dedicated to cultural activities, 15 museums, and seven libraries. According to UNESCO, the most affected buildings included in the list are in Kyiv. Still, damages are also found in the regions of Chernihiv, Kharkiv, Zaporizhzhya, Zhytomyr, Donetsk, Lugansk, and Sumy. This represents a preliminary damage assessment for cultural properties done by cross-checking the reported incidents with multiple credible sources. The published data will be regularly updated.
If, on the one hand, bathrooms have a certain rigidity when we think about the layout and their spatial arrangement, it is in the floor and wall coverings that this logic is inverted. With the wide variety of models and patterns available on the market, ceramic tiles and porcelain tiles are often used to give quality and identity to space. At the same time, the ease of access to ceramic and porcelain tiles, as well as their ease of installation, end up conditioning our choices, making it difficult to think of other finishing possibilities for these areas.
Participatory design is a democratic process that aims to offer equal input for all stakeholders, with a particular focus on the users, not usually involved directly in the traditional method of spatial creation. The idea is based on the argument that engaging the user in the process of designing spaces can have a positive impact on the reception of those spaces. It eases the process of appropriation, helps create representative and valuable spaces, and thus creates resiliency within the urban and rural environment.
Besides thermal, acoustic and luminous comfort, colors are factors that influence the sensation we feel when in an environment and become a strong device to influence the user's behavior.
Far beyond aesthetic preferences, the use of certain colors can bring different meanings that cover other fields such as psychology or symbology. Therefore, it is known that a color does not depend only on light and environment, but also on the perception we have of it. The German Johann Wolfgang Von Goethe, who has deepened his study of the Theory of Colors, points out that the identification of tones is subjective, but the effects are universal. As an example, the warm colors (red, yellow and orange) are more dynamic and cause feelings of comfort and stimulus in people, while the cold colors (green, purple and blue) have a softer, soothing and static effect. Therefore, creating a color palette is a possibility to generate different sensations in the perception of space.
The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects David Lee and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.
A variety of subjects are covered with honesty and humor: some episodes are interviews, while others are tips for fellow designers, reviews of buildings and other projects, or casual explorations of everyday life and design. The Second Studio is also available on iTunes, Spotify, and YouTube.
This week David and Marina are joined by Stuart Graff, President and CEO of the Frank Lloyd Wright Foundation to discuss the foundation’s mission; the role cultural institutions play in supporting creative professions; preserving and furthering Wright’s legacy through programs and collaborations; intellectual property; Stewart becoming CEO of the foundation; running a successful non-profit; Frank Lloyd Wright’s principles; and more.
To wholly document a survey on the state of French forests, the wood industry, and forestry R&D, François Leclercq and Paul Laigle, from the architecture and urban planning practice Leclercq Associés, are in collaboration with architecture editor Michèle Leloup and photographer Cyrille Weiner.
The Wood That Makes Our Cities explores the environmental, economic, industrial, and technical challenges involved in the use of wood for large structures and urban architecture and assesses the future of wood construction. The book retraces the practice’s twenty years of experience with wood construction through five of its projects, featuring contributions by historians, researchers, manufacturers, timber producers, and forestry specialists.
Architecture, with all its practitioners, academics, and theorists, have long been exploring utopic ideas with hopes of turning them into something concrete for the sake of a better world. But as the world heads towards an even greater polarization than it currently has, the architecture practice found itself having to adapt to the current systems of the planet, constrained by its ever-growing conditions. Slowly, practitioners realized that utopia can not truly be seen as the ideal solution, and needed to be readapted or morphed with other concepts for it to actually work. DETAIL's latest monograph BIG. Architecture and Construction Details / BIG. Architektur und Baudetails, a rapport between BIG’s imaginative, unbuilt utopias and functional, built architecture, explores 20 projects from the firm's workshop.
The huge strides that have been made in technological and digital innovation in recent years mean we are becoming increasingly familiar with home automation and other systems that have the ability to improve our quality of life and the comfort and efficiency of our homes. In a way that would have been unthinkable just a few years ago outside of old sci-fi films, everything in a smart home–from the curtains, windows, alarm systems and heating to the household appliances, TVs and vacuum cleaners–can now be “robotised” and controlled remotely to manage our living spaces.
Studio Other Spaces, founded by artist Olafur Eliasson and architect Sebastian Behmann, has unveiled its wine tasting pavilion for California wine producer The Donum Estate. The design weaves together various elements of the site in what the designers describe as a vertical panorama, and essentializes a vertical cut through the landscape and the conditions that make for a thriving vineyard, proposing a holistic experience addressing all senses. The roof’s colored glass tiles represent an abstract calendar depicting the yearly averages of parameters such as wind intensity, temperature and humidity.
“Since I remember myself, I have wanted to be an architect… I could see the way that neighborhoods were organized. I could see the separation. I could see the frontier areas between the Palestinian community and the Jewish majority,” expresses Eyal Weizmanin conversation with Louisiana Channel, in regards to understanding the ‘political significance’ of architecture and the potential of the occupation as a critical tool for understanding the world.
Eyal Weizman was interviewed by Marc-Christoph Wagner at Forensic Architecture’s studio in London, in April 2022. As the head of Forensic Architecture, he is renowned for his part within the multidisciplinary research group, using a combination of architectural technologies and techniques to investigate instances of state violence and violations of human rights across the globe. Growing up in Haifa, Israel he developed an understanding of the political connotations within architecture from an early stage.
Being square sucks! At least, that's what the trends of 2022 tell us. The report carried out by Pinterest points out the curved design as the future of decoration, whether in objects or even from architecture. For that reason, we looked for Brazilian residential projects that trace curved walls in their designs. The reasons are the most varied and the results offer a unique composition: as an architectural party, to contrast with the orthogonality of other walls or to create unique spaces.
Western aesthetics is based on the mathematical analysis of an object's formal structure, using classical beauty laws such as balance, symmetry, and the golden mean. Eastern aesthetics differ in that, as it emphasizes intuitive experience, such as "white space" in traditional Chinese painting, through emotional communication with the "imagery" to produce a certain "Conception." The contrast between reality and emptiness allows the viewer's imagination and feelings to flourish, allowing them to realize "showing the breadth of heaven and earth even in a square inch place."
America’s housing crisis is a longstanding problem. But recent reports of private hedge funds buying up detached houses and townhouses is likely to make an already difficult situation even worse. When hedge funds purchase such properties, those homes are not likely to come back on the real estate market. They are gone for now—and probably for the long term.
https://www.archdaily.com/983096/how-private-equity-is-making-the-housing-crisis-even-worseR. John Anderson
After 3 weeks of voting, the results are finally in. The ArchDaily Architectural Visualization Award has just selected the winners of its second edition. Out of visualizations submitted from all over the world, 8 winning images were chosen, two for each of the following categories: Exterior, Interior, Conceptual and Real-Time Rendering