Cortesia de Saint-Gobain's Architecture Student Contest
The 17th edition of the "Architecture Student Contest" has come to an end, with the participation of over 220 universities from 32 countries. This year, the challenge was to transform a district located in Warsaw, Poland in order to revitalize an area located next to Warszawa Wschodnia (Warsaw East). The contest involved the design of a new student residence and housing, as well as a meeting and entertainment center in an old factory building that is classified as a historical heritage site. With the requirement of addressing the space's performance as well as its architectural, environmental and social aspects, the contestants were tasked with a project that positively impacts its users and the planet, with low carbon emissions throughout its life cycle.
Vero Beach Museum of Art. Image Courtesy of Vero Beach Museum of Art
The Vero Beach Museum of Art (VBMA) in Florida has announced the appointment of Allied Works Architecture to lead the expansion and renovation project. The selection process took over nine months and it entailed a line-up of 13 national architectural firms and an eventual short-list. The winning design team will be led by Allied Works founder Brad Cloepfil and Principals Chelsea Grassinger and Gabe Smith. The expansion and renovation process is expected to be completed by 2026.
As one of the first steps in the elaboration of an architectural project, the study of the current legislation on the ground is of paramount importance for the success of the proposal. Through calculations and restrictions, zoning laws present limits to be considered in projects that, consequently, instigate architects to think of intelligent solutions, dealing with such limitations in a practical and creative way.
These parameters are dictated by the government and aim to stop, maintain or accelerate urban growth in certain portions of cities. These are norms that establish guidelines for land occupation, delimiting the percentage of built-up area, setbacks, distances, permeability, among others.
The luxury hotel, as an architectural typology, is distinctive. In effect, it's a self-contained community, a building that immerses the well-off visitor into their local context. Self-contained communities they might be, but these hotels are also vessels of the wider socioeconomic character of a place, where luxury living is often next door to informal settlements in the most extreme examples of social inequality.
Wallpapers can be quite controversial. They can be typical of old-fashioned and antiquated homes, but at the same time, they can also add personality to otherwise dull spaces. One of the best parts of using these elements is that they can be quickly installed, and with relatively low costs. This also means that they aren't very long-lasting, and can therefore be quickly discarded and replaced, making them transient decoration items. As Joanna Banham—a researcher on wallpapers—states, “Wallpaper is often regarded as the Cinderella of the Decorative Arts – the most ephemeral and least precious of the decorations produced for the home. Yet, the history of wallpaper is a long and fascinating subject that dates back to the 16th century and encompasses a huge range of beautiful patterns created both by anonymous hands and by some of the best-known designers of the 19th and 20th centuries.” Today we are seeing another wallpaper resurgence, with numerous options of materials, patterns, and colors, and several examples of architects who have used them creatively in their projects. In this article, we go through the history of wallpapers and some of the current alternatives on the market, by diving into the Architonic catalog.
Ennead Architects and Kahler Slater have unveiled the design of a new 200,000 square-foot museum building in Milwaukee, Wisconsin. Set on a 2.4 acre site in the Haymarket neighborhood, the design is based on four core principles: community, nature, education, and the preservation of the museum’s vast collections. The project is expected to break ground in late 2023 and open to the public in 2026.
The New York City Senate and Assembly have passed the SIGH act, prohibiting the construction of new schools near major roadways. The act, named The Schools Impact by Gross Highways Act, aims to protect school-age children from air pollution. Under this law, the commissioner of education for the city will not be able to approve the plans for the construction of any new schoolhouse within 500 feet (150 meters) of a controlled-access highway unless the commissioner determines that space limitations are so severe that there is no other site to erect such new schoolhouse.
Earlier this year, I witnessed an intriguing situation. I followed, via an architect friend, the negotiation for the contracting of an architectural project for a single family home. The land owner, a public school teacher, sought professional help to build her dream home, estimated at about 60 square meters. It was a challenging terrain, with specific cutouts and a very steep topography that was compensated by the view of the city. The limited budget and the owner's history indicated that this would be the seaside version of the famous Vila Matilde House by Terra e Tuma.
Few other materials can convey architectural atmosphere as well as the glass. A to-go choice for the modernists, due to its transparent nature, glass still holds a solid place within the material palette for architects around the globe. Such unique element is the subject of Archiving Flux / Stasis, a photographic exhibition by Erieta Attali hosted by the Greek Ministry of Culture in Casa Romana, Kos Island, Greece, set to open its doors in July 21st.
With all of the strange residential interior design trends that are making a comeback, conversation pits are probably one that you wouldn’t expect. This well-known 1970s design feature feels both very retro and modern, providing a comfortable place to lounge and a complete escape from the distractions of television and cinema. Instead of a design that supports and enhances a digital connection, having a large area to sit, and quite literally conversate, might be the space that we all need.
Finnish architect Juhani Pallasmaa once said that "architecture is essentially an extension of nature into the man-made realm, providing the ground for perception and the horizon of experiencing and understanding the world."
In the constant hustle and bustle of the modern surroundings, it is more than needed to take a step back and listen to the sounds of something as calmly powerful as nature. Moreover, listening to the beautiful harmonies created by birds chirping and sound waves can make our inner voice louder as well.
Following five years of construction, Portuguese architecture firm Aires Mateus has completed its awaited mudac: museum of Contemporary Design and Applied Arts in Lausanne, Switzerland. The sculptural building is part of a new cultural district and urban regeneration plan promoted by the Canton of Vaud, the City of Lausanne, and the CFF (Swiss Federal Railways), which features three art museums that translate the memory of the site, echoing its former industrial status with prismatic geometric forms, concrete surfaces, and sharp lines.
During his latest esplanade in Switzerland, architectural photographer Paul Clemence captured the newly inaugurated museum, highlighting its unique concrete geometry, play of shadow and light, and how the architecture complements its surroundings.
Powerhouse Company, in collaboration with landscape architecture office DELVA, has unveiled the design for a new visitor center for the Koekamp, which will play an essential role as a gateway to the new Hollandse Duinen national park. This intervention will open part of Koekamp, a green expanse near The Hague’s Central Station, to the public. The visitor center, commissioned by the Dutch forestry commission, is expected to be completed in 2024.
The threshold is a constructive element of the floor that serves to finish when there is a notable change in material or level. Much more prominent in the past, the piece today has a more discreet presence in architecture.
The thresholds and transition strips are applied directly to the floor and are responsible for making the transition when there is any change in the built space, whether it is in level, in the type of floor, or even when there is a door or passage.
Tying the Knot - Atlanta Legacy Makers by OBJ. Image Courtesy of OBJ
One of the central responsibilities of urban planners and designers is to create places within the city for gatherings, demonstrations, leisure, and relaxation. The following list of unbuilt public spaces presents projects that expand these spaces beyond the shores or riverfronts, return misused spaces back to the local communities and seek to optimize otherwise overlooked areas. These types of interventions are essential in improving the quality of life of the citizens and in making cities more enjoyable to live in.
This week's curated selection of Best Unbuilt Architecture highlights projects submitted by the ArchDaily community. Located near a UNESCO heritage site in Italy, on top of an illegal dumping site in Dallas, Texas, or in a medieval city in northern Spain, this round-up of unbuilt projects showcases how architects and urban planners recognize the potential of urban places.
The bricks, showing a range of clay minerals and colors. . Image Courtesy of Lola Ben-Alon
The use of earth-based materials appears in two practices throughout history: in the construction of buildings and – far less commonly known or conclusively understood – in certain dietary consumption patterns. To put it simply – soil, the most important nutrient collector on earth, can be used for both building and for eating.
Liam Young is a speculative architect, product designer, and director who operates in the spaces between design, fiction, and futures. Young specializes in designing environments for the film and television industry, harboring the belief that creating imaginary worlds grants us the ability to connect emotionally to the ideas and challenges of our future.
Following the centuries of colonization, globalization, and never-ending economic extraction and expansionism, humans have remade the world from the scale of the cell to the tectonic plate. Young suggests in a TED Talk, “What if we radically reversed this planetary sprawl? What if we, as humans, reached a global consensus to retreat from our vast network of cities and entangled supply chains into one hyper-dense metropolis housing the entirety of the earth’s population?"
Few architectural typologies have the power to invoke a sense of being dual-natured quite as the modernist swimming pool can. The design of pools themselves implies that there are moments of activity both above and below the water. Above, and in the more obvious and visible sense, pools act as a space for leisure and athletic training. But underneath the surface, swimming pools have a long-standing history of acting as symbols of surveillance, death, and social conditions associated with an economic class.
Historic art movements and their visual characteristics have considerably paved the way for modern day architecture. For years, architects have been borrowing techniques and stylistic approaches to create their own architectural compositions, merging both disciplines together. Cubism, one of the most influential styles of the twentieth century, and heavily criticized for its experimentation with its non-representational art approach, is perhaps the most significant architecture inspiration. Just as the radical art movement rejected the then-rooted concept that art should mimic nature, architects found themselves following suit and designing structures that borrow Cubism’s avant-gardist features, creating buildings that, to this day, stand as iconic landmarks of the practice.
The 23rd Triennale Milano International Exhibition has officially opened its doors to the public today. Titled Unknown Unknowns. An Introduction to Mysteries, the Triennale is displaying a selection of artwork and installations designed by 400 international architects and designers, questioning "what we don’t know we don’t know". Celebrating 100 years since its foundation, this year's exhibition presents a new way of looking at the mysteries of the world, seeing it as an opportunity to investigate subjects such as the furthest universe to dark matter and the origin of our conscience.
The Grimshaw Foundation is a charitable organization aiming to bring access to creative learning tools to a diverse range of young people. The organization was established by Sir Nicholas Grimshaw, in partnership with the partners of international architecture practice Grimshaw. The central purpose is to bring together a globally linked educational community of artists, architects, and designers to support and empower young people. It hopes to reach them at the stage of navigating their career options and help them discover the varied options and opportunities that the creative industry can offer. The Foundation officially launched on 6 July 2022 at the Royal Academy of Arts in London.
The current architectural production faces several paradigms and one of them is aesthetic. In a scenario of constant uncertainty, buildings with projections, holograms, or completely automatic ones that science fiction has shown so much, seem more and more distant from reality. Nowadays, the search for greater identification with the built space has been amplified instead of idealizing the new for the new. Therefore, looking at the past has presented different perspectives and it is in this scope that perhaps we can imagine a new futuristic aesthetic.
