Is there only one way to inhabit the coast? The Pacific coast, the largest ocean on earth, is a vast territory with a great diversity of temperature, winds, and topography, among others. Consequently, it has a great variety of ecosystems, ranging from the freezing point near the poles, vast deserts and forests, to the hot tropical rainforest. Such majestic diversity is no stranger to architecture, responding to the different contexts in which it is placed. As a result, there is a great variety of architectural works, all of which share in framing the views of the sea.
The following list shows 30 residential projects along the Latin American Pacific coastline, revealing the diverse architectural approaches that exist along the coast.
Recycling and reusing in civil engineering is extremely important, especially when considering the amounts of waste production and energy consumption involved in the processes related to the construction site. Creating construction elements by re-designing the role of old objects or materials represents an objective approach to upcycling, as a path towards a more sustainable and responsible future.
Global management consultancy McKinsey & Company in 2016 noted that the construction industry was ripe for disruption. Considered one of the world’s largest sectors, the forced advancement and adoption of innovative technologies have allowed the engineering and construction (E&C) industry to persevere in the last two years. In fact, a more recent report, also from McKinsey, noted that the construction industry is more likely to emerge from the pandemic leaner, more digitised, and with a greater eye toward sustainability.
MVRDV has begun construction on Skanderbeg Building, officially known as Tirana’s Rock, a mixed-use project that is sculpted into the shape of Albania’s national hero. The building is wrapped in curved balconies that form the shape of Skanderbeg's head, serving as an iconic landmark at the Skanderbeg Square in the center of Tirana. Once complete, the project will be one the world’s largest buildings that doubles as a figurative sculpture, celebrating the country’s cultural history while giving the Albanian capital a unique identity.
ICLEI Circulars has launched a new practical Equitable Transitions Guidebook to help cities make sure that their urban development projects are equitable for all groups of citizens. The guidebook is based on multiple case studies from cities worldwide under the Urban Transitions Alliance project. The guide’s purpose is to provide insights, recommendations, and tools for city practitioners to understand better and unpack what social equity means at the local level. The publication is free to download.
Was there ever a time when architects felt properly valued? Probably not. Certainly not since the profession became dependent on the business of America, which is business. With economic growth as the country’s prime directive through the 20th century, architects—as members of the construction industry—played their part. How? By designing buildings of all kinds that were lighter, cheaper, and quicker to erect. Architects’ values might have been social, artistic, even cosmic, but their value to society has been primarily economic.
Concrete can be found in almost any type of construction around the world. But how is it made?
During manufacturing, once in contact with water, concrete’s main ingredient, cement, binds to any aggregates present and goes through a number of complex chemical reactions. That eventually turns it into concrete, a material that is very durable and easy to work with. Despite this reliable durability, concrete can go through a number of internal processes that can lead to serious structural concerns. One of these is alkali-silica reaction (ASR), which can cause cracks in concrete and even put structures in danger of collapse over time.
Architecture is born from materials. Between structure, light, movement, and comfort, materials profoundly shape our experiences. But materials also change over time, new ones are created, and a wide range of assemblies and construction techniques are introduced. Increasingly, architects and designers are looking into the possibilities of composite materials made with natural elements.
Atkins has revealed the final design of Nairobi’s new Central Railway Station and public realm. The project extends the historic station building, one of the city’s first stone structures, to raise its capacity to over 30,000 passengers per hour. The new additions take inspiration from the past, referencing the “Boma,” a community enclosure rooted in the heritage of central African culture. Built for flexibility and adaptability, the new station aims to become a key functional facility within the city, providing its citizens with amenities, landscape, and respite.
Convivir en la Amazonía en el Siglo XXI: Guía de Planificación y Diseño Urbano para las ciudades en la selva baja peruana. Image Cortesía de Belen Desmaison
Addressing the universe of the world's largest tropical forest, the book 'Living in the Amazon in the 21st Century: A Guide to Urban Planning and Design for Cities in the Peruvian lowland rainforest', has been selected as a finalist in the category of publications at the 12th Ibero-American Biennial of Architecture and Urbanism. The issue, published in 2019 as part of the PUCP Architecture Publications, in the framework of the CASA (Self-Sustainable Amazonian Cities) project of the Climate Resilient Cities initiative of IDRC, FFLA and CDKN, focuses its research on the department of Loreto, presenting itself as "a guide for architecture and urban design, for settlements in the Amazon forest, including the social processes to be considered".
As part of an initiative for Tequila José Cuervo, Rojkind Arquitectos presents its new and first project of the metaverse under the name "Metadestilería" (Metadistillery) which is based on a design exercise that responds to the function of objects with respect to human needs within specific contexts with the challenge of creating unique experiences through objects and architecture.
Never not en vogue: Philippe Starck’s Ghost chair by Kartell, the Snoopy lamp by Achille Castiglioni for Flos, Patricia Urquiola’s Husk Chair by B&B Italia, the iconic Zanotta Mezzadro stool by Castiglioni, Eero Saarinen’s Tulip table as part of the Pedestal Collection for Knoll International and Max Bill’s Ulmer stool, produced by wg form
Sustainability is on everyone's lips these days – but mostly with a view to the future and the question of how it is possible to use fewer resources, produce more sustainably and reduce waste. However, sustainability can also be lived with a view to the past or the present – namely with a domestic environment that consists of durable furniture designs that outlast trends and never go out of fashion. In the third part of our series on design icons, we put Philippe Starck, Eero Saarinen, Achille Castiglioni, Patricia Urquiola and Max Bill in the spotlight with their evergreen furniture icons, which can be found on architonic.com.
We say that with confidence knowing the city’s demographics (nearly 80 percent African-American and with one of the highest poverty rates in the United States) present unique challenges to providing economic opportunity. And we say that with certainty knowing that a pernicious history of redlining, loan discrimination, and other inequities has denied Detroit’s Black majority the kind of power and say-so in design and economic development that would produce more favorable outcomes.
As part of the DAAily Bar Live Talks, ArchDaily's Founder and Editor-in-Chief David Basulto had the chance to talk with Carlo Ratti, director of MIT's Senseable Lab and founder of innovation studio Carlo Ratti Associati about this multidisciplinary approach, the blurred boundaries of the profession and his recent projects.
Construction has begun at 126 East 57th street, a project designed by architecture office ODA, with interiors designed by Gambellini Sheppard. On 57th street, a copper mirrored gateway leads residents through the 6-story atrium and toward the 28-story residential tower. The site spans the width of a city block from 56th to 57th street and the proposed tower measures 175,000 square feet, complete with private outdoor terraces for every unit, as the pixelated cast-in-place concrete façade recesses at irregular intervals.
Biophilic design is capable of improving the well-being of those who use a space through reconnection with nature. When this practice is implemented in offices and workshops, this property translates into many benefits. After all, in addition to the emotional qualities that vegetation can bring, it has the ability to filter noise, lighting and allow for a milder climate, with results in team productivity and more optimized services.
Doreen Adengo, Ugandan architect and trailblazer, passed away on July the 22nd of this year, after battling a long-term illness. She founded Adengo Architecture, a studio based out of her home city of Kampala. A designer who studied in the United States, worked in firms in New York, Washington, and London, and was teaching at Uganda Martyrs University – her legacy is nothing short of extraordinary. It is a legacy that spans disciplines and geographies – but a legacy, too, that is deeply rooted in the context of Africa, Uganda, and Kampala.
In 1969, ‘The Architects' Resistance’, a collective of students from Yale University, Columbia University, and the Massachusetts Institute of Technology (MIT), published a manifesto titled ‘Architecture: whom does it serve?’
With this manifesto, the group sought to place the practice of architecture in a broader economic, social and environmental context than the one taught in their university lecture rooms. In just two and a half pages, we find a powerful call to reclaim a more social and ecologically conscious architecture. It unambiguously denounces the role architecture played during those years as a practice in service to those in power while adding that “the architect's submission to the system begins with the belief that they possess special skills and knowledge that are inaccessible to the general public.”
Wolf Point East Building / Pappageorge Haymes. Image Courtesy of Graphisoft
Considered the second most requested skill (behind field experience) in the industry and used by a growing number of design professionals, Building Information Modeling (BIM) has proved to be the present of architecture. But with constant new features and exciting improvements, it is also very much the future. For decades, the revolutionary software has established itself as a powerful tool with a long list of invaluable capabilities: detecting errors, reducing costs and material waste, mitigating risks, optimizing workflows and, above all, allowing for seamless, multi-disciplinary collaboration.
Muyiwa Oki has been elected as the next President of the Royal Institute of British Architects (RIBA), one of the highest positions in UK architecture. As RIBA's first Black President, Muyiwa Oki will take over the two-year presidential term from Simon Alfred starting on 1 September 2023.
The total energy demand from buildings has risen dramatically in recent years. Driven by improved access in developing countries, greater ownership of energy-consuming devices and increasing urban densities, today it accounts for over one-third of global energy consumption and nearly 15% of direct CO2 emissions. As the climate crisis aggravates and its consequences are more visible than ever, the architecture and construction industry must respond accordingly. It must take responsibility for its environmental impact and give priority to reducing energy consumption, whether through design decisions, construction techniques or innovative products. The key lies, however, in not sacrificing aesthetics and comfort in the process.
MAD Architects led by Ma Yansong, unveiled renderings of the MoLo, short for Mobility and Logistic hub, a new gateway situated along the western boundary of the Milano Innovation District (MIND). In collaboration with Architect Andrea Nonni, Open Project, and Progeca, the 28.5 meters high complex brings together several facilities across 68,700sqm of surfaces. Designed as an integration of nature and architecture, the MoLo “performs as a welcoming entrance and education space for issues related to mobility in which visitors can drop off their cars to explore the district on foot and see innovative transportation technology in person”.
Not a Hotel Ishigaki by Sou Fujimoto Architects. Image Courtesy of Sou Fujimoto Architects
Sou Fujimoto has unveiled a “Not a Hotel Ishigaki”, a new project in the southwest of Ishigaki Island in Okinawa, Japan. The unique tropical resort hotel sits on a circular base open in all directions toward the surrounding natural landscape. The main feature of the building is the undulating roof covered in vegetation. Its shape allows access from the building terraces, creating an inner landscape, complete with meadows, relaxation areas, and a water mirror that reflects the sky and the singular tree in its vicinity.
June is the month in which the day of Japanese immigration is celebrated in Brazil, a country that has the largest Japanese colony outside Japan, with more than 2 million people, Japanese or descendants. Since the 20th century, Japanese families immigrated to Brazilian rural regions, forming a solid colony in the interior of states like São Paulo, influencing many aspects of the local culture.
