Architecture has long been a profession in aesthetic apartheid. The profession’s favored aesthetic, Modernism, has relegated all other “styles” to marginalized insignificance in laud, teaching and publication. The last generation has seen those following an aesthetic deemed “traditional” create an entirely separate system of schools, awards and publication.

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In a way, classic furniture is like a mixture between a work of art and a gold bar: it is a safe investment and can often even increase in value with age. In our second selection of design icons from the 20th century, we present Ray and Charles Eames, Marcel Breuer, Arne Jacobsen and Mario Bellini and some furniture pieces from the past century that remain more modern today than ever, in terms of not only design but also comfort. Find out more on the Architonic Platform.

“Architecture does not change anything. It’s always on the side of the wealthy.” With these words, Oscar Niemeyer referred to architecture as being a privilege mostly destined to the upper class – a statement that has historically proven to be true, even as some would like to deny it. Today, only 2% of all houses around the world are designed by architects. This is largely due to the fact that, to the average consumer, architect-designed homes continue to be perceived as expensive and esoteric products available only to this select few; a luxury that many cannot fathom to afford, especially as housing prices rise. Ultimately, this makes good design inaccessible for certain segments, forcing them to settle for precarious living conditions in standardized spaces that fail to take their needs into account (that is, if they even have access to housing).

Zaha Hadid Architects (ZHA) has been named as the winner of an international competition to design the Jinghe New City Culture & Art Centre in the Shaanxi province, China. The project is part of the Jinghe New City, an area growing as a science and technology hub with new scientific research institutes that are driven by environmental awareness. The architecture blends with the surrounding landscape, echoing the valleys carved by the Jinghe River through the mountains and landscapes of Shaanxi province.

The American Institute of Architects has elected Kimberly Dowdell as the 100th president of the organization, making her the first Black woman to hold the position in AIA’s 165-year history. Delegates at the AIA’s annual meeting voted Dowdell to serve first as vice president for 2023. Afterward, she will become president in 2024.

During her campaign for president, Dowdell has expressed her support for minorities, while also making clear that she wants to be an AIA president for all. Her platform is based on four key areas of interest: supporting architects in practice, creating a sense of belonging and ensuring access to the architectural profession and education, addressing climate concerns, and designing for the future, considering rapid technological advances. “I firmly believe that the AIA has the power and potential to better serve our profession” she declared in a video made prior to the election.

According to the Spanish Ministry of Transport, Mobility and Urban Agenda, the draft Law on the Quality of Architecture was finally approved on the 8th of June, after achieving the backing of a large majority, without any votes against, of the Senate Plenary, thus ending its parliamentary processing with a large consensus.

KME Germany has announced the 2022 TECU® ARCHITECTURE AWARD winners for the sixth time. The competition intends to enable, accompany and promote modern and forward-looking approaches to architecture based on copper as a material, in collaboration with architects.

In addition to three architecture prizes, two project prizes for students were also awarded. Furthermore, three Special Mentions were awarded.

Architecture is a privileged tool for brands that are characterized by a high-end positioning and that, beyond the quality of their own products, needs to feed an imaginary of prestige, style, and refinement. From the showrooms to the stores, fashion needs architects as much as stylists, photographers and modelers.

MVRDV and The Why Factory's have collaborated on an exhibition that explores the principles of "architecture and urbanism calls to action”. Titled "Agir", the exhibition is open to the public since June 9th, in the connected spaces of the ArchiLib Gallery and MVRDV’s Paris office. The exhibition takes its name from the French verb meaning “act”, and examines the activist works of MVRDV and The Why Factory, revealing its capacity to address a wide variety of environmental and social challenges.

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Grimshaw has revealed the final design for City Rail Link, or CRL in short, a large infrastructure project in Auckland, New Zealand. The project includes four new train stations and a 3.45km twin-tunnel underground rail up to 42 meters below the city center. It was developed in collaboration with WSP as part of the Link Alliance, a consortium of seven companies tasked with delivering the main stations and tunnels for the CRL project. The design of the stations is also developed in partnership with Mana Whenua, a local tribal authority that aims to integrate the narrative of the Māori creation story, Te Ao Marama, into the design. Each station's image and identity are a result of this collaboration, and it responds to the characteristics of each location as defined by Tāmaki Makaurau, the Māori name for the geographical region of the city of Auckland.

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"in downtown New Delhi, huge curved structures sink in the ground, taking the form of a ramp. Amorphous voids mark the great twisted walls. The color red marks the structures and sets them apart from everything else."

This could describe a playground or even a skate park, but it is one of five astronomical observatories built in India between 1724 and 1738. These mazy volumes, which look more like a materialization of Escher's drawings, were conceived by the Indian prince Jai Singh as part of an ambitious project that sought to put architecture at the service of science. Their shapes make complex astronomical analysis possible, such as predicting eclipses, tracking the location of stars, and determining Earth's exact orbit around the Sun.

When we consider something edible, we understand its capacity to be eaten, consumed, or ingested independently of its taste. If our contemporary relationship to the built environment reflected this process, what would cities and constructed environments become?

There are many myths and misunderstandings around sustainability in construction. First, the belief that what is sustainable must inherently be technological, complicated or out of reach. Or that the products will necessarily be more expensive, will be made of recycled materials or will not be so aesthetically pleasing. When it comes to material specification, there is often confusion. Is steel more sustainable than bamboo? Would it be better to use a material that is said to be sustainable, but which goes through numerous industrial processes, or one with a low level of processing? The answer is not so simple, and there are various comparison mechanisms to help guide us. But this is an important consideration to make, as one of the main ways the construction industry can help reduce its carbon footprint is to select materials with the lowest general contribution to emissions and environmental impact. Natural slate, which can be used for roofing and facades, is a great example of this. 

Videos

The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects David Lee and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.

A variety of subjects are covered with honesty and humor: some episodes are interviews, while others are tips for fellow designers, reviews of buildings and other projects, or casual explorations of everyday life and design. The Second Studio is also available on iTunes, Spotify, and YouTube.

This week David and Marina are joined by interior architect and designer Jaime Bush, Principal and Founder of Jamie Bush + CO. to discuss growing up with designers, photographers, and artists; studying Architecture abroad in Venice; transitioning into Interior Architecture; the disconnect between Architects and Interior Designers; how to differentiate between Interior Design and Architecture; fee structures; and more.

Henning Larsen has unveiled the "Fritz Hansen Pavilion", a sustainably-designed pavilion for the 3daysofdesign event in Copenhagen. Set in Designmuseum's Grønnegården, the Pavilion is developed with a Nordic approach, centered around daylight, using low-carbon materials, and circular design principles. The pavilion is designed to be disassembled, ensuring that its materials can be reused elsewhere. The pavilion will be open to the public during 3daysofdesign 15 – 17 June, and will then be used by Designmuseum Danmark until mid- Autumn.

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Designed for an insurance company, The Centraal Beheer building by Herman Hertzberger in Apeldoorn, Netherlands, is widely recognized as one of the high points of the structuralist movement. MVRDV, in consultation with Herman Hertzberger’s office AHH, is transforming the celebrated building, making it the centerpiece of a new sustainable residential neighborhood while preserving its structure and core principles. The project is part of a larger area of development, a three-hectare site near the city’s train station. MVRDV’s design proposal introduces approximately 650-800 homes while keeping the focus on preservation, greening, and innovation.

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The origins of brutalism can be traced to the UK in the 1950s during the post-war period. However, there is no clear record of its initial boundaries or theoretical frameworks. Despite this, it is widely agreed that it sought to uphold constructive sincerity as its main value and that it had, in the execution of Le Corbusier's Marseille Housing Unit (1952), a turning point for its global diffusion (Casado, 2019). For authors such as Banham (1966) or Collins (1977), constructive sincerity in Brutalist buildings does not only refer to material or technical criteria, but also to moral, political or ethical ones. These variables, in nations such as Peru, were fundamental and built an aesthetic while trying, through and from architecture, to construct an idea of a country. This essay seeks to be an approximation to these ideas and experiences.

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This article was originally published on Common Edge

Four years ago, the Pritzker Prize–winner Tadao Ando spectacularly converted a 1920s apartment building in the Lincoln Park neighborhood of Chicago into exhibition spaces for a gallery named—in deference to its street address—Wrightwood 659. The gallery is currently staging a resourceful exhibition on wood-frame construction, the method by which more than 90% of U.S. houses are built. 

Rarely has wood-framing been the subject of an architectural show. It’s too mundane a topic—or at least it seemed that way until two associate professors at the University of Illinois Chicago, Paul Andersen and Paul Preissner, conceived the American Framing exhibition for the U.S. Pavilion at the 2021 Venice Architecture Biennale. One year after Venice, the much talked-about exhibition makes its American debut at Wrightwood 659.

The Mies Crown Hall Americas Prize (MCHAP) announced the 48 outstanding projects selected by the MCHAP 2022 jury. From the body of nominated projects, the jury elected 38 entries in MCHAP as outstanding among other submissions. The fourth prize cycle considers built works completed in the Americas between January 2018 to December 2021, nominated by an anonymous network of international experts and professionals.

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