The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects David Lee and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.
A variety of subjects are covered with honesty and humor: some episodes are interviews, while others are tips for fellow designers, reviews of buildings and other projects, or casual explorations of everyday life and design. The Second Studio is also available on iTunes, Spotify, and YouTube.
This week David and Marina are joined by Pulitzer Prize-winning Architectural Critic and Author Paul Goldberger to discuss his journey to becoming an architectural critic; the importance of critics, their role in society, and the challenges of being one; adapting to the digital age; his critiquing process; the state of architecture today; and more.
https://www.archdaily.com/988021/the-second-studio-podcast-interview-with-paul-goldbergerThe Second Studio Podcast
Can you imagine a world in which the built environment around us is 3D printed from living materials? That buildings will germinate, bloom, wither, produce new kinds of material, and eventually return back to the soil? To Grow a Building is a performative lab space that 3D prints - in real time - a live structure. The project presents a new approach to integrating flora into the design process, by developing a novel material for 3D printing, through which seeding is an inseparable part of the fabrication process. To Grow a Building is a gate into a future world in which there are people who build buildings, and there are people who grow them.
The architectural identity and urban fabric of the old city of Frankfurt has grown organically over centuries. Shops, bars, and craftsmen's workshops have always attracted a lot of visitors to the area between the Cathedral, or "Dom" in German, and the Römer, the main square in the center of Frankfurt. Historically, the area included buildings of many different styles, such as Gothic, Renaissance, Baroque and Classical architecture, which most locals only knew about from black and white photographs, the town’s famous miniature model in the historic museum, or stories passed down through generations.
However, the quarter’s picturesque buildings and alleyways, were almost entirely destroyed during the Second World War, but the collaborative work of the community and local authorities have made it seem as though time before the war stood still. The entire quarter was reconstructed exactly as its original plans, bringing Frankfurt’s medieval history back to life and creating what is now known as the Neue Alstadt, a project considered by some to be controversial.
Ennead Architects has revealed its competition design entry for the Chilean-Argentine border complex along the Cardenal Antonio Samoré Pass, one of the most heavily-trafficked mountain passes through the southern Andes and between the two countries. Dubbed Samoré, the project is designed to serve as a welcoming station and refuge for travelers, complementing the Patagonian tradition of remote mountain shelters that are commonly found across the southern Andes.
Boston is the latest city to announce a city-wide plan that, if passed, would eliminate the use of fossil fuels in new constructions and major renovation projects. This measure expands upon the commitment to enact climate action and make Boston a Green New Deal city. Other US cities like New York, Los Angeles, San Jose, Seattle, and Berkeley have all imposed similar measures in recent years. Seven European cities - Bilbao, Bratislava, Dublin, Munich, Rotterdam, Vienna, and Winterthur - have also developed a project to phase out fossil fuel from urban heating and cooling.
In the midst of programmatic diversity and experimentation, the Rio de Janeiro office gru.a is an encouragement to those who wish to venture into the expanded field of architecture. Formed by partners Caio Calafate and Pedro Varella in 2013, gru.a demonstrates the potential of the profession when it dialogues with other disciplines.
Entries to the annual Architecture Drawing Prize are judged in three categories, hand-drawn, digital and hybrid. Last year, Dafni Filippa, a post-graduate student studying for a Master’s degree in Landscape Architecture (MLA) at the Bartlett School of Architecture, won in the hybrid category and was also judged overall winner of the Prize with her Flood-responsive landscape performance, a virtuoso drawing created through a variety of rendering and modelling techniques produced by hand, in plaster and through and across multiple software platforms.
At ArchDaily, our work is grounded in stories. Between practice and projects, editorials and news, we write to share how architecture and design is changing both how we live and why. We also hold a responsibility in our choice of which stories get told and those that don't. The following is a reflection about design in Los Angeles, a beautiful, immense, sprawling, and diverse city that I've called home for many years.
After a three-year physical attendance hiatus due to the pandemic, Nevada's annual Burning Man is making a return to the Black Rock Desert. From August 28 until September 5th, this year's festival will welcome thousands of burners to celebrate music and art in a temporary metropolis dedicated to "community, art, self-expression, and self-reliance". Ahead of its 2022 inauguration, we are taking a look at some of the best installations to have been constructed during Burning Man's previous editions.
Landmark Project 'Swivel' by Sabine Marcelis. Image Courtesy of Sony Design
The London Design Festival is an annual event that brings together designers, practitioners, retailers, and educators from across the globe. This year’s program of events, exhibitions, and installations invites creative leaders to exchange ideas and solutions for some of the most pressing issues of our time, like climate change, pollution, and resource depletion. The festival includes the Landmarks Projects. As part of this initiative, Rotterdam-based designer Sabine Marcelis has created “Swivel”, an outdoor installation in central London. Other installations like Sony Design’s “Into Sight” pavilion or Sou Fujimoto’s “Medusa” exhibition explore visual and sensorial effects through physical and virtual mediums.
Being a region characterized by its wide variety of landscapes, biodiversity and thermal floors, the design of interior patios in Colombian homes accompanies the living, resting, access, and circulation spaces, being, on many occasions, protagonists and a source of contact with the surrounding nature.
Every new generation enters the workplace with its own communication style. From viral TikToks to provocative statements like “We rarely use email,” Gen Z’s entrée into the workforce will certainly make its own waves. But what do we need to consider as we recruit, try to retain, and sell to this next generation of designers?
Clásicos de Arquitectura: Árbol para Vivir / Fruto Vivas. Image Cortesía de IX BIAU
Venezuelan architect José Fructoso Vivas, better known as Fruto Vivas, has passed away at 94 in Caracas on Tuesday, August 23.
Recognized for his design of projects such as the Tree for Living social housing, the Táchira Club, the Divino Redentor Church, and the Mausoleum of the Four Elements where the body of Hugo Chávez is preserved, Vivas has always aimed to further integrate the life of the human being to nature.
The metaverse promises to revolutionize our way of life. By integrating immersive technologies like virtual and augmented reality (VR and AR), it hopes to add another layer to the way we experience everyday life. It is suggested that the metaverse will create virtual spaces where people can meet and share experiences regardless of geographical constraints. The possibilities seem endless: exchanging knowledge, encouraging professional collaboration, developing and democratizing art, education, culture, and even enabling political engagement. Social interactions are at the core of the idea of a metaverse. This raises the question: how can the new, virtual spaces acquire the properties of public spaces?
Bjarke Ingels Group has unveiled the vision for the Masterplan Esbjerg Strand, which will form the framework for a campus environment that aims to bring a new approach to education. The Education Esbjerg project will accommodate an innovative educational platform that rethinks the traditional education system in the country. BIG’s concept is to recreate an entire city in one building. Education and development will create a frame of life for the new communities, while the island will welcome a varied array of functions to create a sustainable, human-centered ecosystem.
As part of the effort to make the construction sector more sustainable in the face of the climate crisis, the bioeconomy has stood out. While the road to net-zero architecture is still very complex, the emerging shift in culture and general thinking is evident, and innovation seems to be driving this transformation.
As researcher, designer and MIT professor Caitlin Mueller once said, “The greatest value you can give to a material is to give it a load-bearing role in a structure.” Load-bearing components – foundations, beams, columns, walls, etc. – are designed to resist permanent or variable forces and movements. Similar to the bones of a human body, these support, protect and hold everything together. To fulfill that indispensable function, they must be made from materials with outstanding mechanical properties, which explains the prominence of cement and steel in structures. However, their high performance comes at a high cost: together, they account for 15% of global CO2 emissions. This makes us wonder, is it possible for structural materials to be truly sustainable? We know solutions like greener versions of concrete already exist, but there are many other alternatives to explore. And sometimes, the answer is closer than we expect; in the earth beneath us and the nature that surrounds us.
Brooke Street Pier / Cinca Morris Nunn. Image Courtesy of Danpal
In architecture, the concept of daylighting refers to when buildings allow natural light inside to provide a number of benefits, from enhanced visual comfort and productivity, to improved health and higher energy savings. However, to reach optimum levels of sunlight, reaching a balance is key; while too much can produce an uncomfortable glare and tremendous amounts of heat, too little can lead to health deficiencies and a greater dependency on artificial lighting. In that sense, the qualities of polycarbonate panels are unmatched, becoming an attractive choice for facades and roofs by achieving a soft, diffused light with varying levels of transparency, brightness and opacity.
Dubai-based architecture firm ZNera Space has proposed a new type of contemporary symbol for the city: a green and natural landmark that serves as a "continuous metropolis" around Burj Khalifa. Dubbed "Downtown Circle", the project features installing a giant ring-like structure of 550 meters in length around the world’s tallest free-standing structure. The structure will "investigate how at this critical time in the country’s development, architects, and urban planners can move away from previous urban models of isolated skyscrapers, towards a more humane typology that seeks to emulate nature and create diverse public spaces".
Michael Heizer’s immense sculpture the City, an ambitious artwork of an extraordinary size, will begin to accept visits from the public beginning September 2, 2022. The announcement was made by the Triple Aught Foundation, the not-for-profit organization responsible for managing the long-term oversight and maintenance of Michael Heizer’s immense sculpture. The artwork, a mile and a half long and nearly half a mile wide, is located in a remote stretch of the high Nevada desert. Work on the structure began in 1972 when the artist was 27 years old.
Earlier this year the unprovoked barbaric Russian invasion of neighboring independent Ukraine forced millions of people to flee their cities and the country in search of safety. I talked to one of Ukraine’s top architects, Oleg Drozdov, who was forced to relocate his practice and architecture school he co-founded in Kharkiv, to Lviv, 1,000 kilometers to the west, next to the Polish border. His staff and professors — many of them assume both roles — resumed their work just weeks after the war broke out.
March 20, 2020: I am in New York, “the epicenter of Covid-19,” the news on TV keeps blaring, as if proud of the achievement. New York has always been excessive, so why not now? More cases, more hospitalizations, more ICU admissions, more intubations, more deaths. The news is terrifying and at the same time completely at odds with the day-to-day experience of the city, which has become so strangely quiet, so peaceful. No traffic, no construction noise, no annoying car alarms, no random screams in the middle of the night. Even the ambulances are mostly silent without cars to fight against.
Indians have traditionally lived close to the earth, their cultures shaped by symbiotic relationships with ecosystems. Indian arts and crafts strongly rely on nature for its form, philosophy, and existence. Native landscapes aroused the artistic sensibilities of resident communities, evolving craft practices that met utilitarian and ritualistic needs. The intersectionality of ecology and culture is evident through ancestral forms of craft.
