Creating a model for rendering does have its own set of rules. To get you up and rendering as quickly as possible, here are SketchUp's top five tips for prepping your SketchUp model for rendering.

New York-based architecture studio ODA has revealed the design of its newest project in Fort Lauderdale, Florida. The 47-story tower is located south of the New River in the Rio Vista neighborhood. The program comprises 830 residential units, studios with two bedrooms, while also offering ample space for amenities and commercial use, measuring 13,000 square feet. At ground level, the project incorporates a large corner plaza. By placing functions for the public at the lower levels, the project aims to activate the walkways and public spaces, thus adding to the life of the neighborhood.

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Honoring the 2022 Laureate, the Burkinabé architect Francis Kére, The Pritzker Prize releases a ceremony video from the recently opened Marshall Building at the LSE, designed by the 2020 Pritzker Laureates Yvonne Farrell, and Shelley McNamara. The documentary includes remarks by the awardee, Tom Pritzker, and previous Laureates such as Alejandro Aravena, Norman Foster, Anne Lacaton, and Jean-Philippe Vassal. This ceremony presents Kéré with the 2022 Pritzker Prize medallion, the highest honor in architecture, certifying him as a Laureate for his extraordinary work with communities and architectural ingenuity.

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The real estate industry moves fast. It wasn’t so long ago that potential buyers narrowed their searches by driving around with a sheaf of printed listings, and designers and builders relied on CAD drawings and artist renderings to show yet-to-be-built spaces. Nowadays, advances in graphics technology have brought us interactive 3D renderings, making it easier for investors, buyers, and other stakeholders to truly understand the designs they’re looking at.

Following on from these advances, we’re also seeing technology that can excite and entice buyers, like sales configurators and interactive tours, where visitors can choose finishes and design their own spaces right before their eyes; virtual reality experiences, where architects can get feedback from investors on design at key stages of the process; shadow studies, where potential occupants can see how a space will be affected by sunlight at various times of day; and digital twins, where cities can get a true idea of a building’s usage, which leads to new ways to optimize efficiencies and design better spaces for residents.

Herzog & de Meuron and landscape designer Piet Oudolf are collaborating to create Calder Gardens, which will house and display artworks by American sculptor Alexander Calder. Located between Vine Street and Benjamin Franklin Parkway in Philadelphia, the 6,500 square meter site will house a two-story building, half of which is developed underground. Instead of developing the site as a typical museum, the team decided to transform it into a garden as an attractive alternative for the people of Philadelphia.

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The 311-meter-high Mixed-Use Tower in Downtown Austin designed by Kohn Pedersen Fox (KPF), will become Texas' tallest when it opens in late 2026. Called Waterline, this skyscraper is intended to define the skyline of one of the U.S.A.'s most dynamic and growing cities. Targeting LEED Gold certification, the 74-story project will include apartments, offices, hotel rooms, and a ground-floor paseo. The development will also add two new pedestrian bridges and three additional public pedestrian and bike access points.

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At sunrise and sunset, the low sun bursts into interior spaces to flood them with joy like no ceiling or wall fixture can. Those times, however, are fleeting and difficult to catch amongst a heavy schedule.

The great debate wages on: how do we design and build a modern city in a way that everyone will benefit? Traditionally, you’re on one side of the urban war. You’re either a NIMBY, which stands for “Not In My Backyard”, meaning you oppose new development in your neighborhood, or you’re a YIMBY, who says “Yes In My Backyard”, and are pro-development, for one reason or another. But these blanket acronyms don’t describe the real issues that cause people to position themselves on one side of the never-ending tug-of-war between “No! Don’t build that!” and “Yes! Build that!”

Boston architect Brian Healy moved around for his early career, before settling and building in New England. He had studios in Florida, California, and New York, eventually opening his office in Boston. Healy acquired his bachelor’s degree in architecture at the Pennsylvania State University in 1978 and continued his studies at Yale where he encountered such influential professors as James Stirling, Vincent Scully, John Hejduk, Aldo Rossi, and Cesar Pelli, among others.

Healy graduated with a Master of Architecture in 1981 and then used traveling scholarship money from Yale, the Van Allen Institute, and the American Academy in Rome to travel around the world for a year, exploring ancient ruins in Ireland, Italy, Greece, Sudan, Egypt, India, Nepal, and Thailand. Prior to the trip, he had worked at the offices of Charles Moore and Cesar Pelli. Upon his return, he designed and built homes in Florida before working for Richard Meier in New York. In 1985, he started Brian Healy Architects. Parallel to that he taught at over twenty universities across North America, including Yale, Harvard, MIT, and the University of Pennsylvania. Healy was the 2004 president of the Boston Society of Architects and, from 2011-2014 he served as Design Director at Perkins + Will.

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Building performance is a hallmark of architecture in the 21st century. With buildings and the construction industry being significant contributors to carbon emissions, designers must do everything to reduce their buildings’ energy consumption and carbon footprints. Moreover, buildings need to contribute to a positive occupant experience, improving the health and productivity of their users through enhanced visual and thermal comfort and air quality. Today’s buildings are also expected to perform outside their physical boundaries and positively impact surrounding communities; by reducing their contributions to local heat islands and stormwater runoff, and supporting local green economies and sustainable systems.

With high-performance design goals becoming a standard benchmark for buildings, designers must identify the high-performance aspects they want to design for and set targets for key performance metrics. By tracking a building’s performance at each design stage through various simulations, building performance analyses provide a road map that gradually connects its predicted performance to its target values.

After two years of disrupted cycles of architecture events, due to the pandemic, 2022 has been witnessing a resurgence: biennials, triennials, design weeks, and festivals are back in the picture, with bigger interrogations and larger thematic approaches, aligned with the challenges of the world.

Relevant today more than ever, these happenings scattered around the globe are tackling climate-related issues, urban problems, as well as concerns engendered by covid-19 such as resilience, models of living, future of design, and the unknown.

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James Stewart Polshek, founding partner of James Stewart Polshek Architect, later Polshek Partnership, and currently Ennead Architects, has passed away after a 70-year-long career designing significant works of public architecture. In an era dominated by so-called starchitects, his work is often seen as a modest approach to architecture, prioritizing social values over aesthetic ones. Key projects completed by Polshek include the 1987 restoration and renovation of New York’s Carnegie Hall; the Rose Center for Earth and Space at the American Museum of Natural History in New York (2000); the William J Clinton Presidential Center and Park (2004) and the National Museum of American Jewish History in Philadelphia (2010).

The Jakob-Park Stadium, home of FC Basel, is getting an update to extend its lifespan after 20 years of use. Originally designed by Herzog & de Meuron, the architecture reform aims to provide better hospitality to visitors by restructuring the access and optimizing security to keep the stadium open even on non-match days. The proposal also contemplates replacing the iconic facade with a sweeping roof to give the stadium a unified appearance and broadcast the events outside.

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In a recent photo series, Paul Clemence turns his lens toward Bjarke Ingels Group's (BIG) Hôtel des Horlogers, located in the Swiss Village of Le Brassus in Switzerland. Previously known as Hôtel de France, which opened in 1857, Audemars Piguet reimagined the project. BIG, an international studio known for avant-garde architecture and experimentation, continues to see this claim to its end through the design of a compact structure made up of five floors, with its rooms connected in a single zig-zag path. Designed in collaboration with the Swiss design firm, CCHE, a futuristic structural form featuring layers of long ramps was assembled for Audemars Piguet's vision of a luxury hotel.

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Videos

The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects David Lee and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.

A variety of subjects are covered with honesty and humor: some episodes are interviews, while others are tips for fellow designers, reviews of buildings and other projects, or casual explorations of everyday life and design. The Second Studio is also available on iTunes, Spotify, and YouTube.

This week David and Marina are joined by architect and entrepreneur Matthias Hollwich, Founding Principal of HWKN and Co-founder of Architizer, to discuss his upbringing in Germany; working for high-profile offices such as DS+R, OMA, and Eisenman Architects; taking a break from architecture; co-founding Architizer during the 2008 recession; HWKN’s beginnings, ups and downs, and milestone events; and more.

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Some of the most characteristic features of city squares are related to the presence of people in the space and the purposes they are given, such as places for socializing, sports, tourism, and demonstrations. These different uses, often not foreseen in the project, are closely associated with the ground level, where people can walk around and experience the space. Viewed from an aerial perspective, on the other hand, squares can reveal other aspects related to their architectural design and their placement in the urban context.

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As a response to this rapidly changing world, flexibility has become a top priority in contemporary interior design. That explains, for example, the growing demand for spacious and multifunctional spaces over rigid, enclosed floor plans –as is the case of the open kitchen trend. This shift in spatial needs suggests that designing for the present and the future is about creating spaces that can easily adapt to many uses: one day, a room may be destined for a big event; another day, it may be needed for smaller, more private environments. Therefore, materials, products and other interior design elements must respond accordingly, integrating technology and innovation to create flexible, yet functional spaces.

MetaMundo has launched its second three-dimensional NFT, an ocean-adjacent villa, complete with an NFT gallery, meditation pavilions, and entertaining areas. The structure was designed by American architect and hybrid-creative Luis Fernandez to become an immersive space for meeting, playing, and relaxing. Through this project, the architect aims to explore the changing paradigm of building in the metaverse. As laws of physics become irrelevant and materials are reduced to surface images, he asks the question what will architecture mean for the metaverse, how will we experience it and how will we use it?

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In a letter published on MIT's School of Architecture and Planning’s website, 16 deans from prominent architecture schools in the U.S, explain their position to stop participating in the annual survey that ranks universities. "Design education is not a popularity contest. Although generally our schools have been highly ranked in past DesignIntelligence reports and benefitted from the attention, we believe that it is time to stop participating", declares the statement signed by scholars, deans, and department chairs of MIT, Harvard, Columbia, Princeton, Yale, Rice, and UCLA, to name a few.

Stating clearly their position to boycott future ranking, the decision came after two years of informal discussions where the methodologies used behind these academic surveys were questioned, as well as their consequences. In fact, the letter adds that "however well-intentioned they may be, we believe that the DI rankings have the potential to create a disservice to the public". 

In September 2022, Istanbul highlights the best names in contemporary art and architecture from Turkey and the world at the 17th Istanbul Biennial organized by the Istanbul Foundation for Culture and Arts and at the Contemporary Istanbul art fair. From September 17 to 22, 2022 The Contemporary Istanbul will gather sixty-five galleries, and art initiatives from 22 countries in Tersane Istanbul, a 600-years historic landmark renovated by the award-winning firm Tabanlioglu Architects. Opening the same day until November 20, the Istanbul Biennial will be held in multiple venues around the historic city. For this edition, the visitors will experience the “sense of our times” by contemplating present-day life and the richly layered past.

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