Studio Gang's founder, Jeanne Gang, is the winner of the 2022 ULI Prize for Visionaries in Urban Development, the most prestigious and respected honor in the real estate, land use, and development community. From museums and skyscrapers, including the Arkansas Museum of Fine Arts and the St. Regis Tower in Chicago, Gang has demonstrated her work in creating and implementing better practices in sustainable reuse, ecological biodiversity, and social equity. Gang, the first woman architect to get the prize for Visionaries in Urban Development, joins the ULI laureates list along with Alejandro Aravena, Richard Rogers, and Vincent Scully.
As part of a Tec de Monterrey initiative, this year the First Prize of the 213th Traditional Tec Draw is being held with a work by the Chilean architect who won the 2016 Pritzker Prize, Alejandro Aravena. Elemental House, is the second of the Houses of the 75th Anniversary of Sorteos Tec, which is celebrated this year.
When war started in Ukraine, the faculty and students of the Kharkiv School of Architecture (KhSA) were forced to flee from their city. After three weeks of being scattered across Ukraine and Europe, they decided to reconvene in Ukraine and continue their work. The school relocated to Lviv, one of the safest cities in Ukraine, in order to restart their in-person education. Various platforms and institutions in Lviv, like the Lviv National Academy of Arts, are hosting the dislocated institution and providing continuous support. The KhSA is also looking for financial support to help keep the school open.
Designed by BIG-Bjarke Ingels Group and CRA-Carlo Ratti Associati, CapitaSpring is Singapore’s latest addition to its skyline. Recently completed after four years of construction, the 280-meter-tall high-rise oasis, considered among the city’s tallest structures, is a mixed-use high-rise with abundant sky gardens and rooftop park, office space, a serviced residence, a hawker center, restaurants, and public spaces.
The biophilic skyscraper, aligned with “the city’s pioneering vertical urbanism” and Singapore’s reputation as a garden city, is located at the heart of the financial district on the site of a former public car park and a hawker center. Comprising 80,000 plants, translating to a total landscaped area of more than 140% of its site area, the tower puts in place a “new green breathing space in the high-density CBD for the neighboring tenants and passersby”.
Scheduled to open in 2025, the Lucas Museum of Narrative Art in Los Angeles’s Exposition Park, reveals the latest details in the construction and addition of artwork. The first of its kind, the Lucas Museum, founded by filmmaker George Lucas and his wife Mellody Hobson, will be devoted to all forms of visual storytelling, including painting, photography, sculpture, illustration, comic art, performance, and video. Designed by Ma Yansong of MAD Architects with Michael Siegel of Stantec, the five-story and 27900 square-meter building will feature a gallery space, two state-of-the-art theaters, and dedicated spaces for learning and engagement, dining, retail, and events.
Architecture offices OMA, led by Partner Shohei Shigematsu, and Jacobs have unveiled the design for the new headquarters for the Discovery Partners Institute, part of the University of Illinois System. The building is planned to anchor an innovation district at “The 78”, along the Chicago River. The eight-story building, located on a one-acre site southwest of the Loop, will provide more than 200,000 square feet of office, classroom, lab, and event space for DPI and its university and industry partners.
LetsBringLondonTogether. Image Courtesy of Yinka Ilori
PARABLES FOR HAPPINESS by the London-based British-Nigerian designer Yinka Ilori features for the first time at the Design Museum in London. Exhibited from September 25, 2022, to June 25, 2023, essential aspects of Ilori’s work will be placed beside key influences, including artworks, photographs, and furniture, to Nigerian textiles. Curated by Priya Khanchandani, the exhibition celebrates Ilori’s mix of cultural influences and unpacks the ingredients of a diasporic visual language.
Generation Z comprises people born after 1995. They grew along with the popularization of the internet and interact with the world by integrating all forms of available technology.
The diversity of available media, the speed in information traffic, the interactivity in the virtual environment and the daily use of these technological assets common today, influence the behavior of individuals of this generation, inspiring versatility, agility and curiosity.
From an early age, we often hear phrases like “you must sleep a minimum of 8 hours a day.” It’s common knowledge that this brings invaluable health benefits, from reducing stress levels and keeping the immune system strong, to improving concentration, memory and decision-making skills. To guarantee a good night’s rest, having a comfortable bed that suits users’ needs is pivotal, especially considering that humans spend one-third of their entire life sleeping. Thus, when architects, designers and homeowners are faced with different bed options available in the market, the decision must be carefully thought-out and take a number of factors into account, whether related to aesthetics or functionality. But before any stylistic or material decision is made, it is crucial to start with the basics: defining the size of the mattress.
Los Manantiales by Felix Candela. Image Courtesy of Alexander Eisenschmid
Architecture is often an ambitious profession, with many architects hoping to positively contribute to the social life of the communities, create emotional responses, and add moments of delight and solace to our daily experiences. However, market forces have a way of applying constant pressure on this field, often being the deciding factor in many design choices. Costs and economic value are generally a good indicator of how, when, and to what extent certain materials are being used: the standard rule is the cheaper, the better. But materials are only part of the equation. Site labor, management, and design costs are also considered, depicting a complex picture of the balance between the cost of materials and the cost of labor and its effect on the architectural product.
The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects David Lee and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.
A variety of subjects are covered with honesty and humor: some episodes are interviews, while others are tips for fellow designers, reviews of buildings and other projects, or casual explorations of everyday life and design. The Second Studio is also available on iTunes, Spotify, and YouTube.
This week David and Marina are joined by Architect Greg Warner, Principal and Founder of Walker Warner Architects to discuss growing up in Hawaii and its influence on his professional career; co-founding his office and its growth; working in Hawaii; the responsibilities of a principal and the importance of leadership; his philosophy and approach to projects; and more.
Many urban planners predict that by 2050, more than 6 billion people will live in cities, and in places where building outwards isn't an option, the only way to keep up with the growing density is to build up. Building taller always comes with numerous challenges and also a not-so-subtle competition for architecture firms to have their name tied to the biggest buildings. Almost as fast as a building is named one of the tallest in the world, another one makes its way to the drawing board, a few years later taking the title. While the sky’s the limit, how does this impact the constructability of projects, and what feats of construction methods and materials have enabled us to build into the clouds?
In the architectural conversations we are having in today’s world, conversations on materials are widespread. There is discussion on the viability of concrete in the contemporary context, how timber can be more sustainably sourced, and on how biodegradable materials such as bamboo should be more common sights in our urban environments.
But we also need to be talking about what goes into these buildings – that is, the furniture that decorates, enhances, and makes habitable the buildings around us. The materials used to craft these objects have constantly evolved over centuries, and as we approach the end of 2022, it’s worth asking – what does the future hold for what our furniture will be made from?
Looking around, it is clear that the world is developing at a rapid rate, and so are cities. Architects and designers inevitably take on the challenge of building better cities and homes, so time needs to be properly allocated for efficiency. After all, in this industry, time really is money.
For years architects have been accustomed to working in a conventional way: they stick with traditional offline renderers and wait until the modeling part is all done to start rendering from scratch.
This is where software like D5 Render comes in, to resolve such problems and change the game. The market is growing and shifting, and so should the tools architects use.
Urban River Spaces, Jhenaidah. Image Courtesy of Aga Khan Award for Architecture
Aga Khan Award for Architecture (AKAA) announced the winners of the 2022 edition. From a pool of 463 projects nominated for the 15th Award Cycle (2020-2022), the six winners show examples of architectural excellence in the fields of contemporary design, social housing, community improvement and development, historic preservation, reuse and area conservation, as well as landscape design and improvement of the environment. Two projects from Bangladesh, one from Indonesia, Iran, Lebanon, and Senegal, will share the UDS 1 million award, one of the largest in architecture.
In a time of global unrest, rising intolerance, and, some might argue, increasing secularization, is the campus chapel relevant anymore? Might it disappear altogether? As it turns out, campus sacred space appears to be transforming to play a more important role as many universities focus on educating their students to be more globally aware.
https://www.archdaily.com/989449/campus-sacred-spaces-are-changingMichael J. Crosbie
Wooden elements have the power to add warmth to a space or building. Through their shades, textures and rustic look, wooden surfaces tend to stand out, especially when used alongside more neutral and sober materials. In the Aldapeta María Ikastetxea School, a project developed by IDOM in the city of San Sebastian, Spain, the architects used the material in a particularly interesting way. Wood panels brought visual comfort and warmth to the building, whose material palette is limited, focusing especially on the use of glass, steel and exposed concrete.
Climate change is becoming more and more real every day: all over the world, we are witnessing a clear increase in climate disasters. Moreover, the latest IPCC report warns us of possible “tipping points” from which the climate transition could become not gradual, but sudden and irrevocable.
The fourth edition of the Timișoara Architecture Biennial, or Beta, is focusing on the theme of “the City as Common Good”. Through a wide range of events, Beta aims to address topics that are relevant and urgent globally and explore their impact on the local built environment and its response to the needs of the communities. Taking place at various locations in the city of Timișoara, Romania, this year’s festival begins on September 23rd and ends one month later, on October 23rd.
Inspired by the warm tones of harvested crops, Wild Wonder was selected as Color of the Year 2023 by AkzoNobel. Extensive research conducted by AkzoNobel, including color experts and international design professionals, identified the "Wonders of the Natural" swatch at the heart of global social and design. This trend is inspired by nature as people are re-evaluating their relationship with the environment as the source of everything in their lives. # d0c599, or pale yellow/ olive green, captures the moment's mood and conveys serenity and positivity after these recent years of uncertainty and despair.
The relationship between architecture and nature is complex. If, on the one hand, we enjoy framing nature as art in our homes; on the other hand, we try at all costs to avoid the presence of obstructive "real" nature in our walls and structures, which can be damaged by roots and leaves. At the same time, we use green roofs, vertical gardens and flower boxes to bring cities closer to nature and improve people's wellbeing; but we also construct buildings with materials that are completely dissociated from fauna and flora. Although the advancement of biomaterials and new technologies is gradually changing this, we should nevertheless ask ourselves whether the structures and buildings we occupy need to be separated from the nature that surrounds them. This was the question that led researchers at the University of Virginia (UVA) to develop geometrically complex 3D-printed soil structures on which plants could grow freely.
Günther Domineg’s Steinhaus . Image Courtesy of GERALD ZUGMANN
Domenig was one of Austria’s most radical architects and a major influence on many of architecture’s leading lights but remains widely unknown. A new exhibition aims to change that.
Hospitality is an industry made of people being hospitable to people, and our interaction with places is its foundation. If the zeitgeist of our era lies in the perpetual dance of shock and awareness of how we treat each other and the planet we live on, what considerations should we pose to inform and shape what’s next for hotels? If there’s ever been a moment to think about the future of hospitality, this is it.
