In 2013 ArchDaily published the article “Can We Please Stop Drawing Trees on Top of Skyscrapers,” - its author was frustrated by rampant greenwashing. If you wanted it to look sustainable, you’d just have to put a tree on it. Plants have always been an effective marketing tactic to appeal to the environmentally conscious, but as soon as they are photoshopped in, they are often discarded at the first whiff of value engineering. Given the voluminous flurry of vigorous commentary and debate following that publication (2013, 2016, 2016) it is clear there is something that persists, perhaps a widely felt instinct that in truth, our urban “landscapes” are unsustainable, and often unlivable. Our cities not only take advantage of the ecosystem services of far-off forests and groundwater to support our carbon production, air pollution, and water wastage, exhausting arable land to feed our increasingly urban populations but simultaneously create urban areas devoid of life that increase our carbon footprints and negatively impact human health and well-being.

As living spaces are becoming more scarce and expensive, design must create innovative strategies that maintain a balance between functionality and aesthetic expression, enhancing the creation of smaller spaces. With this goal in mind, Geberit has launched a competition across six European countries –Germany, France, Great Britain, Switzerland, Czech Republic and Denmark– to reimagine the bathroom inside a 6 m2 space, a common size in the urban environment that still allows for different layouts.

While offering a realistic approach, these proposals work as a guide on how to design bathrooms that optimize space and, at the same time, combine different products, materials and colors accordingly (and creatively).

Representing the values of a company, without falling into obviousness and clichés, is quite a challenge for architects. This was the case for Rezen and Templewell, who were commissioned to design the headquarters for IGO, a leading exploration and mining company based in South Perth, Australia. Contrary to the obvious "brutality and harshness" that immediately comes to mind when we think of this extractive activity, the project seeks its antithesis: a space designed for the people who work there, exploring textures, sober palettes, and pleasant surfaces. The office has been selected among the five winners of the 2022 Shaw Contract Design Awards "Best of Globe".

Diller Scofidio + Renfro, in collaboration with Dallas Theater Center, unveiled the design proposal for the Kalita Humphreys Theater master plan, centered around one of Frank Lloyd Wright’s lesser-known buildings. Over the years, neglect and additions have compromised the building’s integrity. The project aims to restore the mid-century theater to its original state by applying a multifaceted approach. According to the architects, this includes surgical extraction, selective reconstruction, preservation, and a faithful reinterpretation of Wright’s design intent. The master plan also aims to transform the surrounding public green space into an active and attractive park connected to Turtle Creek and Katy Trail, some of the most visited destinations in Dallas.

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The new cultural destination Wadi AlFann, Valley of the Arts in AlUla desert, Saudi Arabia, unveiled its first permanent large-scale installations by some of the world's most compelling contemporary artists. Agnes Denes, Ahmed Mater, James Turrell, Manal AlDowayan, and Michael Heizer will be the first five to be completed and unveiled by 2024, starting a program of commissions with more renowned artists to be announced.

The site, a vast valley spanning approximately 39 square kilometers with a millennial legacy, aims to become the new global cultural destination for contemporary art, contemplating another 15-20 artworks by 2035. The plan builds upon the success of two editions of the international art exhibition Desert X AlUla, in 2020 and most recently the 2022 edition, featuring work by Ayman Zedani, Jim Denevan, and Zeinab Al Hashemi.

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It was in the early 1960s that the young architects Plínio Croce and Roberto Aflalo joined Gian Carlo Gasperini to participate in the biggest international competition at the time, organized by the UIA (International Association of Architects). The challenge was to design the tallest office tower in Latin America, which would house Peugeot's headquarters in Buenos Aires. Winning the competition with the 55-story building was the incentive that was needed to create aflalo/gasperini arquitetos, betting on contemporary projects, focused on technological aspects and, as they define it, presenting a clear and honest language,

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Felipe Escudero, founder, and principal of Quito-based Estudio Felipe Escudero (EFE), has unveiled Crystal City, his latest metaverse design for LEDY, one of the discipline's leading developers, and Decent Amusements, the district manager. In addition to a high-rise observation deck, an ice-covered marketplace, and a packed snow gallery, this new metaverse destination will feature Decentraland's tallest multi-purpose tower, Crystal Tower.

We have never stopped exploring the manifestation of traditional Chinese architectural language in modern architecture, starting with the effort of a modern volume with a traditional paradigm roof. This inheritance and expression are based on the context, which is divided into two categories: "Adoption" and "Ablation". The reinterpretation of traditions from "Form," "Sense," and "Model" is "Adoption." Ablation is a constructive compromise with the environment that respects the original rural or urban texture and appearance. It is based on old forms and building techniques, enhanced with modern design approaches and techniques. It improves conditions either by erasing them in some situations or by disappearing and integrating into them. Contemporary architecture is both the tradition of the future and the tradition of the past. The "classics" are continuously being extended by architects using new techniques

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“Seneca Village was an important community. It was 40 acres, two-thirds African American, and had a church and school,” explained Sara Zewde, ASLA, founder of Studio Zewde and assistant professor at the Harvard Graduate School of Design, during a session at the ASLA 2022 Conference on Landscape Architecture in San Francisco.

The 225 residents of Seneca Village were displaced by the New York City government in the mid 1800s to make way for Central Park, which is considered one of the masterpieces of landscape architect Frederick Law Olmsted and architect Calvert Vaux.

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Taking a shower goes far beyond the act of sanitizing. For many, it is the place where the best ideas and epiphanies emerge. Others turn the shower into a stage, rehearsing lines and allowing themselves to sing or pretend to receive an award. Showering can also reduce stress, as well as improve mood and body function: studies show that a shower can activate the parasympathetic nervous system, which is basically a network of nerves that relaxes the body after periods of stress or danger.

Architecture office RSHP has unveiled the design for the Shenzhen - Hong Kong Innovation Integrated Service Centre, a 45-storey tower in the Futian Free Trade Zone in south Shenzhen. The building features an integrated floating podium which provides spaces for retail, cultural events, and green roof gardens. It also connects to the existing metro station and articulates the street-level plaza. The design results from a negotiation between two distinct briefs asking for a tower and a mixed-use podium on neighboring plots. RSHP’s proposal was to merge the briefs by integrating the podium into the south side of the tower, thus creating a distinct identity and creating a better relationship with the surrounding public space.

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The contemporary museum in Sydney, Powerhouse Ultimo, announced the winning architectural design to revamp its past galleries and bring innovative exhibitions and educational spaces. From more than 100 registrations across Australia, the selected proposal was designed by Australian team Architectus, Durbach Block Jaggers Architects, Tyrrell Studio, Youssofzay + Hart, Akira Isogawa, Yerrabingin, Finding Infinity, and Arup. The winning team will deliver a world-class visionary museum that will support the creative industries in Australia and reinforce Sydney's reputation as a global cultural destination.

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The project led by architect Marcio Kogan was the winner of the competition for the Brazilian Pavilion at the next World Expo: Expo Osaka 2025, organized by the Brazilian Agency for the Promotion of Exports and Investments (ApexBrasil). The project is signed by professionals from MK27 and Magnetoscope. Besides Kogan, the architects Renata Furlanetto and Marcello Dantas are also authors.

London and Tokyo-based arts and research practice MSCTY is the leading global agency for music and architecture established in 2010. "We believe that the things we hear are as important as those we see".

MSCTY gives a stage to urban environments through sound artists who interpret spatial qualities and architecture into their language of music. Strong connections with the Estonian music scene and a love for the fast-developing, yet raw and historically rich cityscape have led to a special incarnation of the project - MSCTY x Tallinn.

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Ambitious technologists have claimed for decades that self-driving cars are the future. Yet, looking at recent years, the biggest revolution has come from vehicles on two wheels, not four. Fueled by the pandemic, increased oil prices, climate change and the desire for healthier lifestyles, we are now living in the midst of a bicycle renaissance. But to understand how we got here, it is crucial to look back. When the automobile became more widespread in the early 1900s, it quickly became a symbol of progress along with all it entailed: speed, privatisation and segregation. Adopting a car-centric approach, urban planners had to reorganise entire cities to separate traffic. Cars took over public spaces that used to host dynamic city life and parking lots, highways and gas stations became common landscapes. Pedestrians that once ruled the streets were herded into sidewalks and children relegated to fenced playgrounds. Ironically, cities were being designed for cars (not humans).

The Athens International Airport was decommissioned in 2001, leading to two decades of work for the local government to establish funding and a governance mechanism to transform the 600 acres of unused space into Europe's largest coastal park. The site has a layered history, from prehistoric settlements to the construction of the airport in the 20^th century and the site being used for as an Olympic venue in 2004. Architecture office Sasaki is leading the design to transform the site again and create the Ellinikon Metropolitan Park, a restorative landscape and climate-positive design that will serve as a park, playground, and cultural center for the city of Athens. Developers are planning to break ground early next year.

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The ninth edition of the MPavilion opened with an orange canopy installation designed by Bangkok-based practice all(zone) in collaboration with AECOM and Schiavello Architects. From December 2022 to April 2023, visitors will experience a vibrant and joyful setting made of upcycling materials, featuring an architectural lighting program by Melbourne-based design practice Bluebottle.

The installation is part of the summer program of free events in the Queen Victoria Garden. Since 2014, MPavilion has prided itself on being a driving force for architectural and design excellence in Australia, commissioning outstanding architects such as MAP Studio Magnani Pelzel Architetti Associati (2021), Glenn Murcutt (2019), and Estudio Carme Pinós (2018).

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The following Spanish buildings illustrate how it is possible to tackle sustainability from several perspectives. In one way or another, their architects and designers have succeeded in transforming what was an imperial necessity into the project's main strength.

According to the latest survey carried out by the World Health Organization - WHO, in 2019 there were more than 700,000 suicides worldwide. In Brazil, records approach 14,000 cases per year, that is, on average 38 people commit suicide per day. In this context, “Yellow September” was created in Brazil, the largest anti-stigma campaign in the world that encourages everyone to actively act in the awareness and prevention of suicide, a topic that is still seen as taboo.

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Contrary to what some people mistakenly say, half-timber is not a style, but a building technique. Brought to Brazil by German immigrants, it was used mainly in regions of Espírito Santo, Santa Catarina and Rio Grande do Sul. The technique has now become a strong attraction for tourists. But after all, what defines it?