Creating a model for rendering does have its own set of rules. To get you up and rendering as quickly as possible, here are SketchUp's top five tips for prepping your SketchUp model for rendering.

Biennales, exhibitions, and architecture focused festivals provide a platform for opening debates, conducting research, and driving innovation, but they can also contribute to the incremental changes that shape the image and the character of a city. Through temporary installations and experiments, this type of events have the opportunity to open lines on inquiry into the quality of urban spaces, inviting visitors and residents to slow down, break away from their daily routine and interrogate their local environments. The effects might not be immediate, but by cumulating these impressions and moments of contemplation, architecture and design festivals can have a long-lasting impact on the cities that welcome them.

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Videos

Keen to shape buildings and cities in Southern Europe, BIG has opened its latest office in Barcelona, Spain. Led by partner, João Albuquerque, the studio is seeking to create positive change and integrate into the city and the Spanish community. With a couple of projects spanning from the west to the east of the Mediterranean region, most notably Farfetch, and Fuse Valley campus in Portugal, the Joint Research Center in Sevilla for the European Commission, and the Gastronomy Open Ecosystem for Basque Culinary Center, BIG Barcelona is in constant evolution.

ArchDaily had the chance to talk to BIG Barcelona Partner João Albuquerque about the inception of the Barcelona office, his journey at BIG, and the firm's upcoming projects and involvement within the Spanish and Southern European markets.

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Chile has a rich and vast heritage architecture, which is gradually gaining relevance through different initiatives that seek to renovate these buildings to give them a second life. The buildings and infrastructures were in disrepair, disused, or damaged, but have great architectural value, being an important contribution to the reconstruction of the history of Chilean cities.

In hospitality, first impressions count. Corian® Solid Surface – an exclusive product of Corian® Design, a division of DuPont company – has become a more and more regular guest in hotels over the past decades as designers and architects look to create highly hygienic and adaptable interior designs. designboom and ArchDaily concluded its three-part webinar series with the material producer, this time to explore the future of hospitality design. Leading architectural and design experts joined the live conversation, including TBI Architecture & Engineering, JOI-Design and Ultraspace – watch above.

Studio KO as the curator of the Uzbekistan National Pavilion at the 18^th Venice Architecture Biennale. Uzbekistan’s response to this year’s overarching theme, Laboratory of the Future, is an exhibition titled “Unbuild Together.” It aims to bring into focus the country’s rich architectural heritage as a potential tool and inspiration for developing a more sustainable future. The curatorial team will include Karl Fournier, Olivier Marty, Jean-Baptiste Carisé, and Sophia Bengebara.

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Architects play an important role in creating healthy, functional and aesthetically pleasing environments. Interior design represents a natural continuation of the same prerogative, and its importance has been accentuated in recent years, from the lockdown forcing many people to remain indoors for extended periods of time, to the rise of remote work. The task of the interior designer is not decorating spaces, but planning for an effective use of space, understanding the needs of the user and highlighting the intrinsic qualities of a space. Acoustics, lighting, material properties and proportions all play a role in achieving a coherent and enjoyable interior space.

This week’s curated selection of Best Unbuilt Architecture highlights interior design projects submitted by the ArchDaily community. From a pastel-colored library in Turkey to a renovated symphony hall in San Diego, US, this selection of unbuilt projects showcases how architects design interior spaces by integrating textures, materials, light, and color in well-proportioned spaces. The article includes projects from Turkey, US, Switzerland, Indonesia, UK, and Denmark.

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This article was originally published on Common Edge.

While approaching Wainscott Beach on Long Island’s South Fork in early December, one could see the most tangible aspect of offshore wind’s New York progress even before hearing the crash of waves: three pillars, each about as tall as the Statue of Liberty, jutting up from the ocean. They were the legs of the Jill, a liftboat from the Gulf of Mexico stationed about a third of a mile off the coast of Long Island’s South Fork.

Developed by WERK Arkitekter and Snøhetta, the new maritime center on the coast of Esbjerg, Denmark, opens to the public. The wooden structure is conceived as a gathering space for watersports clubs and other visitors to the harbor, providing the coastal town with a maritime social hub. The circular structure protects the visitors from harsh weather conditions, while the large windows and amphitheater stairs open up views of the sea. Dubbed “The Lantern,” the project represents the winning design of a competition organized in 2019.

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Scale is a term that has dominated the architectural profession for as long as built structures have existed. In the literal sense, scale defines the measurable standards that we have come to know and accept —the widths of door frames, a car turn radius, and of course, a means of producing measurable drawings. In a more abstract and figurative representation, scale describes a feeling of individual experiences when comparing themselves or a familiar object to something unfamiliar.

Nowadays, much is said about the importance of collaborative design processes that involve joint creation, affirming a context in which there is less and less room for individual work and much more for the logic of collective and co-creation. Therefore, the idea that the work is created exclusively by the architect is already understood as a distortion of the complex reality of designing a project, going beyond the technical staff and also adding the community and its users.

True beauty in architecture lies in its ability to serve and improve human experience, yet this fundamental principle is not always upheld. Too often, we see “public” buildings that do not integrate into the urban fabric, are disconnected from their surroundings and fail to contribute to a city’s vibrancy and quality of life. Some may be quite beautiful to look at, but if they are not functional, comfortable, and welcoming to the people they are meant to benefit, their value as public spaces becomes rather questionable. Architectural icons like the Sydney Opera House and Bilbao Guggenheim Museum, for example, are celebrated not just for their stunning silhouettes or breathtaking interiors, but because they enhance culture and city life, enrich the community, and offer diverse opportunities for interaction and public involvement. It is this holistic, human-centered approach to design that allows these landmarks to become integral parts of a city’s identity, one that is embraced and owned by its citizens.

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LEVER Architecture has been selected to lead the design team for the campus expansion of the Portland Museum of Art. The project aims to not only expand the existing campus but also to create a unified identity for the institution, one that ties together all the architecturally significant buildings on site. The winning proposal is primarily a mass timber structure inspired by Maine’s communities, history, and culture.

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Designed by architects Tomás Villalón, Nicolás Norero, and Leonardo Quinteros, the Educational Theater of the Arts of Panguipulli has been chosen in Chile as the winning work in the architecture category of ESENCIALES x ArchDaily 2022.

We are going through times of great change and we are all aware of that. The role of women in the field of architecture is becoming more and more relevant and, unlike other times, such as in the 20th century, the female figure is no longer hidden behind the male figure, as happened to Anne Tyng with Louis Kahn or Lilly Reich with Mies van der Rohe, just to mention a few examples.

Architect business development can be very challenging. It's not a topic that comes up in design school, and many of the practices that firms employ today can simply be categorized under the heading, “That's the way we've always done things.” At Archmark, we've helped more than 2,000 architects, in speaking with many firm owners, we've come to understand the struggles of running a successful architecture and design firm.

For example, you may be struggling with one or more of the following issues: Taking on “bad fit” projects because you have to pay the bills, Struggling to find new clients because you don't have a marketing system, Feeling pressure to reduce your fees because clients don't understand or value what you do, Getting pigeon-holed into the same type or level of projects due to a limited referral network, Anxiety about your future due to relying on a small number of large project sources.

If you’re looking to grow your architecture firm and take it to the next level, it may be time to consider some new ideas to mix into your business development process. So, what do you do? Where do you start?

From 114 participating countries, the World Design Rankings (WDR) have once again ranked the best in arts, architecture and design, sponsored by the A' Design Award and Competition. With the objective of contributing to global design culture through advocating and highlighting good design, the rankings provide additional data and insights to economists and journalists regarding the design industry.

MVRDV, in collaboration with UAD, has been selected as the winner of the competition to design a new library for Wuhan, poised to become one of the largest libraries in China. The large-scale project creates diverse study environments and offers reading and studio spaces while also connecting to its surroundings via three large openings that display the life inside the buildings to invite visitors to enter. Spanning over 140,000 square meters, the distinctive building adapts its volume to reflect its position at the confluence of two main rivers in Wuhan and become a recognizable landmark for the city.

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The Pan American Biennial of Architecture of Quito (BAQ2022) ended on November 18th. Organized by the Pichincha Provincial College of Architects of Ecuador (CAE-P), it has been held since 1978 with the aim of promoting dialogue, exchange, and reflection on architecture and the contemporary city. During this edition, the intention was to address the theme "Inflections: Seeing again", with the aim of providing a space for discussion and debate on architecture around the moments of inflection in history.

On the closing day, the winning projects for both the National Award and the Pan American Award were announced from among the nearly 60 selected finalists. At the same time, the winners of the Social Habitat and Sustainability Award were announced from among 8 selected finalists, as well as the two works that jointly won the Biennial Grand Prize. See all the winners below.