As we dive into 2023 and start the Year of the Rabbit, we share with you a few thoughts of what the past year brought to us, and how we prepare for this new season.
During the past year we expanded our network as part of DAAily platforms, and with the future of the built environment as our mission, we became more aware on how to bring it to our daily content, considering how most of the challenges we are facing are converging into it. From the housing and energy crisis, to inequality, migration and war, everything is converging into the built environment, and we cannot abstract ourselves from it.
As architecture becomes a wider issue and more people not only become interested, but want to engage with it in an active way, we took the responsibility to open its black box and build bridges through knowledge by answering the challenging question of What is Good Architecture? in our first book, “The ArchDaily Guide to Good Architecture” together with gestalten.
A widely discussed topic lately, the circular economy encompasses a whole production and consumption system which pursues the reuse of existing materials as long as possible. However, how does this ongoing concept involve architecture, design and its aesthetics? Joining the shift towards a circular future, architecture is discovering how circular operations and the reuse of materials can result in new aesthetics, as well as in an overall improvement of its environmental impact.
Learning how circularity (and material reuse) creates distinctive aesthetics, the following article analyzes the way projects are reinterpreting their design process throughout three strategies: detachable, rustic and malleable architecture.
1 De Haro / Perkins&Will. Image Courtesy of Quebec Wood Export Bureau
Mass timber is emerging all across North America. Beyond the benefits of natural materials and visible structures, the capabilities of industrialized offsite construction are beginning to change the model of delivery for an increasing range of buildings. When a California owner-developer proposed the first mass timber building in the state, they chose the experience, scope, and qualifications carefully, and the entire mass timber package was delivered on a train from Quebec, Canada.
SANAA co-founder Kazuyo Sejima and influential Canadian architect Phyllis Lambert have been awarded the Jane Drew and Ada Louise Huxtable prizes, respectively, as a recognition of their work and commitment to design excellence and for raising the profile of women in architecture. The Jane Drew Prize for Architecture commends Kazuyo Sejima for her achievements as an architect, while the Ada Louise Huxtable Prize recognizes Phyllis Lamber’s contribution to the wider architectural industry. The two awards are presented by UK-based publications Architects’ Journal and The Architectural Review.
Plataforma de Mergulho ICEBERG / Bulot+Collins. Image Cortesia de Bulot+Collins
The aquatic environment has always fascinated dreamers and researchers. Around 1960, in the midst of the fierce space race of the Cold War, French explorer Jacques Cousteau developed equipment such as the Aqualung to unravel the depths of the sea, which remained as unexplored as outer space itself. He even stated that in 10 years we could occupy the seabed as “aquanauts” or “oceanautas,” where it would be possible to spend long periods extracting mineral resources and even growing food. Sixty years later, the seabed is still reserved for few, and mankind has been more concerned with plastic in the oceans and rising sea levels than colonizing the ocean floor. But being close to a body of water continues to attract most people. Whether out of interest or in response to risks of flooding and over-population, some have turned to utopian proposals and floating architecture, examples of which have been featured in the ArchDaily project archive. But what are the fundamental differences between building houses on land versus on water, and how do these buildings remain on the surface rather than sinking?
One plant makes all the difference with its color, texture, movements, and the celebration of its flowering. The green inside the homes offers several benefits. However, besides knowing which species are easier to grow, looking for more effective ways to blend the plants with the room can enhance the spatial experience. That is why we've selected some tips for placing the vases and planters around the house (or not).
Set in open space, Desforma’s sinuous shifting designs are furniture as landscape. Image Courtesy of Desforma
The Desforma range is quite unique in the design world. It doesn't do reheated mid-century modern or strict straight lines or no-nonsense functionalism in powdered steel. Desforma does swooping, fluid lines and organic curves, sofas composed of sine waves that seem shaped by natural forces and summon up swaying sea life, chairs that might have blossomed into being.
“I am not an architect,” he says with a sparkle in his eyes, “I am merely a person seeking out their destiny.” To the late pioneer of Indian modernism, Balkrishna Vithaldas Doshi, architecture was a practice of self-discovery. The veteran’s stellar works of poetic functionality resulted from a humanist philosophy bearing the influence of modernist principles, Mahatma Gandhi, and Indian spiritual texts. Doshi believed that architecture was synonymous with life - a vehicle for constant celebration; a medium for heightened experiences. His greatest contribution to the architecture community was his powerful words of wisdom that echo the timelessness of his structures.
In a new series entitled "Opening Up", Dutch manufacturer of pivot door hinges FritsJurgens embarks on a series of video stories that explore the world’s most captivating pivot door projects. Every last Monday of the month, FritsJurgens releases a new episode in which architects, door manufacturers, and pivot door owners talk about their pivot door projects.
Adjaye Associates, in collaboration with Holst Architecture, the prime architect of record, have unveiled the first renderings for the new East County Library in Portland, Oregon, a new facility that will provide a diverse range of services and programming. The design of the 95,000-square-foot building is informed through extensive community engagement and feedback. Several local organizations aid these efforts by organizing public community events, focus groups, teen outreach, and surveys. As the project is currently in the schematic design phase, the images presented are early drafts, likely to change to reflect the input received.
The DAM Preis for Architecture in Germany 2023 has been awarded to Auer Weber for the Extension of the Starnberg District Office. Honoring yearly outstanding buildings in Germany since 2007, the DAM Prize has been bestowed by Deutsches Architekturmuseum (DAM) for the seventh time, in close cooperation with JUNG as a cooperation partner. Fritz Auer and Dominik Fahr from Auer Weber as well as Stefan Frey from Starnberg District Office as the client's representatives received the award, during a ceremony held on January 27, 2023. This year's finalist projects included works by Allmann Sattler Wappner, ELEMENT·A Architekten and Hiendl Schineis Architektenpartnerschaft, Hütten & Paläste Architekten, and LRO Lederer Ragnarsdóttir Oei.
Espace Oscar Niemeyer is a cultural center designed by Oscar Niemeyer in the port city of Le Havre, France. The project’s location is inside the urban reconstruction area conceived by the rationalist architect Auguste Perret after the destruction of the city’s downtown area in World War II.
Somewhere between 1914 and 1915, Le Corbusier designed the Maison Dom-Ino, a groundbreaking modular structure that replaced the heavy load-bearing walls with reinforced concrete columns and slabs. The open floor plan with minimal thin elements, coupled with large glass facades, would ensure healthy natural daylight for the interior spaces as well as desirable architectural transparency that could blur the boundaries between interior and exterior —at least metaphorically.
The 9th edition of the Urbanism\Architecture Bi-City Biennale (UABB) of Shenzhen and Hong Kong opened on December 10, 2022. Curated by Lu Andong, Prince Gong, and Aric Chen, the exhibition features hundreds of artists, designers, and architects from fifteen countries. The exhibition will last for three months.
The Biennale's theme, "Urban Cosmologies," encompasses both spatial symbiosis and the temporal rhythms of life. It is a source of ancient Chinese wisdom as well as a cosmology that looks to the future. The "Cosmology of the City" is a field of symbiosis, a part of the "community of life between man and nature".
The rationality of orthogonal shapes dominates architecture, despite grand gestures that have sought to oppose themselves throughout history. In large-scale production, the right angles, repetition and modularity of the block or grid of pillars help in the efficiency of construction, despite reproducing the same spatial solutions. Unlike buildings, interior architecture can propose alternatives to break this rationality, whether from partitions or decorative objects.
Las Vegas, sometimes known as Sin City, is perhaps the most famous desert metropolis where people gamble, and indulge in entertainment, and other vices. Each year, the city is visited by hundreds of millions of tourists who come to see its flashing lights and round-the-clock nightlife. Las Vegas has garnered so much attention that even Robert Venturi and Denise Scott Brownsought to study its urbanism, concluding with their theories on duck and decorated shed buildings in the early 1970s. But 50 years later, Vegas is still a city that constantly reinvents its architectural identity.
As populations continue to migrate from rural to urban areas, space is at a premium. Many settlements are becoming ever-more congested – with adequate, affordable housing in short supply and transport systems struggling to serve their respective residents. But as much the conversation about urbanization is about people, it is sometimes also about the animals that come with those people – urban livestock that play a key role at providing sustenance on an individual level, in addition to becoming an avenue for communal trade.
The threat of climate change is looming before us. Sea level rise concerns over 410 million people at risk of losing their livelihoods. Coastal cities are choked with high-rise buildings and traffic-laden roads, consuming land insufficiently. Synthesizing these problems, architects across the world have proposed a potential answer - floating cities. A future of living on water seems like a radical shift from how people live, work, and play. Vernacular precedents prove otherwise, offering inspiration for what our cities could morph into. As world leaders discuss courses of action to tackle climate change at the COP27 climate summit in Egypt, ArchDaily dives into the concept of radical water-based settlements.
Imagine that you have scheduled a visit to an important building for the history of architecture, a reference work for all enthusiasts. Probably you would equip yourself with a camera or a good cell phone, take a pencil, notebook and even a measuring tape to record all its aspects.
However, this is not the only way to “visit” a building of historical importance nowadays or, at least, that is what some researchers are trying to show. The metaverse is being explored for its role in architecture and culture preservation, embracing different generations.
In recent years, the term “co-creation,” a buzzword in the business and management sector, has made its way into the architecture and urban planning discourse. The termis used to define a large concept that describes working intentionally with others to create something jointly. But architecture is already the result of a collaboration between multiple actors, architects, clients, investors, developers, and local administration, to name a few. Can the term still apply to this field, can it bring forth new forms of knowledge, and does it differ from the concept of participatory design?
Abandoned house in "Touki Bouki". Image Courtesy of Janus Films
Simultaneously gripping, disconcerting, and chaotic, Djibril Diop Mambéty’s Touki Boukiis an exhilarating cinematic ride. The 1973 drama — the first full-length film by the Senegalese director — is the fantastical narration of a young couple in Dakar, eager to escape the Senegalese capital for the allure of Paris. It’s a character-driven film in many ways, primarily centered on the couple’s adventures, but it is also a subtle visual examination of the urbanism of post-independence Dakar, where the city and its architecture are essential fixtures in a surreal storyline.
The World Heritage Committee decided to inscribe the Historic Center of the Port City Odesa, Ukraine, on the World Heritage List. The decision symbolizes the recognition of the outstanding value of the site and the commitment of the 194 States Party of the Convention not to undertake any deliberate step that may damage it and to help protect it. The site has also been inscribed on the List of World Heritage in Danger, which gives it access to international financial or technical assistance to ensure its protection and, if necessary, assist in its rehabilitation, according to UNESCO.
OMA / David Gianotten and Andreas Karavanas have won the competition to renovate the world’s oldest museum for Ancient Egyptian culture, the Museo Egizio founded in 1824 and housed in Collegio dei Nobili in Turin, Italy. The winning project aims to put in place a 2024 vision for the Museo Egizio, transforming the museum into a destination for scholars and a rediscovered public place for all.
In collaboration with, local architects Andrea Tabocchini Architecture, T-Studio, and historical consultant Professor Andrea Longhi, the proposal seeks to open the cultural space to all by creating a covered courtyard and a series of connected urban rooms within the existing settlement.
Via construcaoemvidros.com.br. Image used under fair use terms.
In the past, in a less densely populated urban context, houses and buildings were built with a direct connection to the street, with no need for walls and front fences. Over time, the urban fabric was transformed, and the division between public and private spaces became increasingly evident and — under the argument of public safety — necessary. Although this division occurs in different ways in Brazilian cities, in general, walls, fences and railings are used on the facades, creating a transitional space between the building and the street, transforming the relationship between them.
