The Sámi National Theater Beaivváš and Sámi High School and Reindeer Husbandry School are two of the most important cultural institutions of Sápmi, a region in northern Norway, Sweden, and Finland traditionally inhabited by the Sámi people. To strengthen the position of the two institutions, a project was initiated in June 2021 to create a shared cultural and educational facility. A design proposal by 70°N arkitektur, in collaboration with Snøhetta and artist and architect Joar Nango, was chosen following a competition. The building, also known as Čoarvemátta, is currently under construction and is expected to be completed by 2024.

The idea of "Biophilia" was defined as "love of life" in ancient Greece. Although the term may seem relatively new, coming across as a trend in the fields of architecture and interior design, the concept of biophilia was introduced by psychologist Erich Fromm for the first time in 1964 and then popularized in the 1980s by biologist Edward O. Wilson, who studied the lack of connection with nature caused by urban life.

The guiding principle is quite simple: connect people with nature to improve their well-being and quality of life. How could architecture do that? By seeking alternatives to integrate nature – either through natural elements or techniques – into its designs.

+ 7

This article was originally published on Common Edge.

Last November, the annual climate conference COP 27 came to a close in Sharm el-Sheikh with a tentative agreement, reached at the last moment, to set up a “loss and damage” climate fund for Africa and other developing countries. For Africans, this was cause for muted celebration, because for generations the continent has built its climate change agenda almost exclusively around the pursuit of climate justice, a desire to enforce liability on the industrialized nations responsible for the bulk of global carbon emissions. All of this has unfolded, in a sort of willful blindness, while a majority of Africans struggled with the most prosaic challenges: inefficient urban sanitation; poor stormwater management; a paucity of water, sanitation, and hygiene facilities; willful and unabated deforestation; and environmental degradation.

The world's oldest stained glass window (which is still standing) is conventionally believed to be in Augsburg Cathedral in the German state of Bavaria. Depicting the prophets David, Jonah, Daniel, Moses and Hosea, it is estimated to be nearly 1,000 years old, having undergone significant bombing during World War II. Long before that, however, mankind had been working with glass, and while today we have thin frames with crystalline sheets and a variety of properties, we had to come a long way to get here. In this article we will tell you a little about the evolution of glass windows and the technologies and possibilities that we have today.

The 2022 FIFA World Cup was unique as the first FIFA tournament held in the Middle East. In another first, the FIFA World Cup, historically held between June and July, was moved to November and December, in view of Qatar’s 40˚C+ climate during the summer months. Even during the cooler months, Qatar’s average temperature reaches 26˚C. Combining this with the heat emitted by tightly packed spectators would at times have made the experience uncomfortable. As a result, Qatar air-conditioned eight of the nine open-air football stadiums – a significant challenge which was overcome through innovative design, technology and architecture and by utilizing spot cooling; and a complex undertaking when it is also important to maintain sustainability credentials.

To effectively cool the stadiums, the most crucial challenge was to prevent or at least reduce the hot air from outside coming into the stadium, which was achieved through the stadiums’ design and architecture.

The project for the Italian Pavilion at the 18^th International Architecture Exhibition – La Biennale di Venezia will be curated by Fosbury Architecture, a collective composed of Giacomo Ardesio, Alessandro Bonizzoni, Nicola Campri, Veronica Caprino, and Claudia Mainardi. Fosbury Architecture’s vision for the exhibition is based on a research practice that sees design as the result of collective and collaborative work. From January to April, leading up to the opening of the Biennale, nine site-specific interventions titled “Spaziale presenta” are set out to activate different locations across Italy.

+ 1

Can you imagine being able to prototype a piece of furniture at the touch of a button and testing it in just a few hours? This might become a common practice sooner than we may think. Fueled by material innovation, automation and cutting-edge technology, a new era in home decor is emerging; one where 3D printing opens up a world of creative possibilities that transcend the bounds of traditional design. Yes, furniture is still mass-produced using conventional methods –molding, cutting, bending–, but 3D printing continues to disrupt the industry. As the revolutionary technology evolves and becomes more accessible, it has unleashed an unparalleled level of creative expression and efficiency. The concept is simple: a digital design is created using 3D modeling software and then printed, layer by layer, in the form of a physical object, bringing complex geometries to life. It’s a whole new kind of digital craftsmanship.

+ 23

In an effort to address the architecture industry’s environmental impact, Henning Larsen is presenting the “Changing Our Footprint” exhibition at Aedes Architecture Forum in Berlin. The event features the small but scalable steps that the office is taking to move towards a more desirable future through the projects they are designing and the research they are conducting. The exhibition aims to be an engaging event, inviting visitors to participate in the dialogue, to think critically about the proposed solutions and initiatives, and to ask difficult questions in the search for better outcomes. The exhibition is open until March 22, 2023. Henning Larsen will also host a series of panel debates at the Aedes Architecture Forum from February 22 to March 14.

+ 13

The backyards, outdoor areas usually located at the back of the lot, are spaces dedicated to rest, entertainment and family interaction. Its setting is essential to guarantee the warmth and comfort we seek in our homes. At the same time, as they are areas exposed to rain, sun and, sometimes, snow, they also need to have resistant, durable and easy-to-maintain materials.

+ 10

Although little known, the Aeronautics Technical Center (CTA, current Department of Aerospace Science and Technology - DCTA) in São José dos Campos can be considered one of the largest and most relevant works by architect Oscar Niemeyer before Brasilia. It is his first project executed in São Paulo.

+ 40

It has been a vibrant first week of voting for the Building of the Year Awards. With more than 50,000 votes, gathered up till now, this prize has shown to be, one of the most relevant and democratic in the architecture community.

Until February 15th at 00:01 (EST), you have the chance to reward the architecture you love. It is your collective intelligence that will filter over 4,500 projects down to just 75 finalists.

The ArchDaily Building of the Year Awards is brought to you thanks to Dornbracht, renowned for leading designs for architecture, which can be found internationally in bathrooms and kitchens.

Following an international competition, MAD Architects, in collaboration with China Airport Planning & Design Institute and Beijing Institute of Architectural Design, has revealed the design of the Changchun “Longjia” International Airport Terminal 3 in China. The new building is expected to accommodate 22 million passengers per year. After completion, the 270,000 square meters terminal will become the largest transportation junction in Changchun city and the Jilin Province.

+ 17

Foster + Partners and Uruguay-based firm Ponce de León Arquitectos have unveiled The Edge, a residential project comprised of eight apartments in Montevideo's coastal landscape in Uruguay.

The emotional and spiritual atmosphere one feels when entering centuries-old architecture is palpable. So while the degradation, and sometimes even intentional destruction, of ancient structures and environments, is regretful and possibly shameful, it’s often an all-too-unavoidable part of healthy urban planning, adhering to important health and safety laws and regulations.

Whenever these historic yet antiquated environments are refreshed and adapted for modern life, however, they’re often labeled as grotesque Frankensteinian versions of their once beautiful selves. When the transformation is treated with care and respect, however, the humble grandeur and contemplative scale of the settings can remain intact.

Suburbs have experienced a sort of renaissance over the last decade. During the COVID-19 pandemic, people fled urban cores in favor of open space and decentralized amenities. For some people, the word “suburb” or “suburbia” flashes images of manicured lawns and rows of identical homes, but what makes a successful suburb may have more in common with cities than you might think.

When capital cities like Paris and Berlin resolved to switch off lighting for public buildings and landmarks in July 2022 in order to save energy in the context of the Russian invasion of Ukraine, the cities created a ripple effect throughout central Europe. Images of dark iconic landmarks swept through the media and allowed politicians a momentary act of environmental demonstration. However, designers have started to question the sustainability of this ad hoc step. Seen from a broader perspective the impression arises that this alleged radical action has been part of a rather media-savvy campaign with small effect in cities at night. Further steps are necessary to reassess urban lighting that may have a major impact on energy saving and sustainability.

The Overall Winner of the 2022 Architecture Drawing Prize was announced today by the World Architecture Festival and Prize co-curators Make Architects and Sir John Soane’s Museum.

The winner is a hybrid drawing entitled “Fitzroy Food Institute” by Samuel Wen and Michael Ren, combining different rendering techniques.

For the 18th International Architecture Exhibition – La Biennale di Venezia, the Nordic Countries Pavilion, representing Finland, Norway, and Sweden, will showcase Girjegumpi, an itinerant collective library project initiated by architect and artist Joar Nango. For over fifteen years, Joar Nango has been assembling an archive of books and materials exploring Indigenous Sámi architecture and design, traditional building knowledge, activism, and decoloniality. The Girjegumpi first opened to the public in 2018, becoming a welcoming space for gathering and promoting the Indigenous culture. In 2023, the library will travel to Venice, where it will be presented in the Nordic Countries Pavilion, designed by Norwegian architect Sverre Fehn.

+ 5

Videos

Through shapes, colors, and the elements on their facades, many architects have sought to bring a sense of movement to works that are otherwise physically static. Santiago Calatrava, Jean Nouvel, and Frank Gehry are only a few of the masters who managed to provide a dynamic effect to motionless structures, highlighting the work in context using formal strategies borrowed from the plastic arts. In other cases, however, architects have also opted for physically kinetic structures that could bring a unique aesthetic or functional dimension to the work.

For much of the world, this past year was spent within the confines of our homes, undoubtedly blurring the lines between our public, professional, and private lives and transforming our living spaces into places of work and productivity. This transformation of spaces and how they are used is nothing new in the world of architecture as countless spaces take on various roles beyond what they were originally designed for--a fact reflected in their layout, design, and the materials used within them.