It has been a vibrant first week of voting for the Building of the Year Awards. With more than 50,000 votes, gathered up till now, this prize has shown to be, one of the most relevant and democratic in the architecture community.
Until February 15th at 00:01 (EST), you have the chance to reward the architecture you love. It is your collective intelligence that will filter over 4,500 projects down to just 75 finalists.
Dozens of countries around the world have already banned the use of asbestos in the civil construction sector. Cheap to extract and abundant in nature, it is a natural fiber used to manufacture water tanks, insulation, partitions, tiles and decorative elements. Its properties include great flexibility and high chemical, thermal and electrical resistance, making it a seemingly ideal material. However, there is scientific evidence that links exposure to asbestos to several types of cancer, as well as to asbestosis - when the fibers of the mineral lodge in the pulmonary alveoli, compromising the respiratory capacity. The asbestos case shows how certain construction materials can –suddenly or not– become a distant memory because of their negative impacts. In addition to the effects on health, the use of materials with high energy consumption or made of rare raw materials is currently under pressure, as experts call to reduce their use or to make their manufacturing methods "greener". The penalty? Disappearing in the near future, becoming yet another in the list of banned building materials. In this article, we delve into some of these materials and what their risks are.
Following an international competition, MAD Architects, in collaboration with ChinaAirport Planning & Design Institute and Beijing Institute of Architectural Design, has revealed the design of the Changchun “Longjia” International Airport Terminal 3 in China. The new building is expected to accommodate 22 million passengers per year. After completion, the 270,000 square meters terminal will become the largest transportation junction in Changchun city and the Jilin Province.
Foster + Partners and Uruguay-based firm Ponce de León Arquitectos have unveiled The Edge, a residential project comprised of eight apartments in Montevideo's coastal landscape in Uruguay.
The emotional and spiritual atmosphere one feels when entering centuries-old architecture is palpable. So while the degradation, and sometimes even intentional destruction, of ancient structures and environments, is regretful and possibly shameful, it’s often an all-too-unavoidable part of healthy urban planning, adhering to important health and safety laws and regulations.
Whenever these historic yet antiquated environments are refreshed and adapted for modern life, however, they’re often labeled as grotesque Frankensteinian versions of their once beautiful selves. When the transformation is treated with care and respect, however, the humble grandeur and contemplative scale of the settings can remain intact.
Suburbs have experienced a sort of renaissance over the last decade. During the COVID-19 pandemic, people fled urban cores in favor of open space and decentralized amenities. For some people, the word “suburb” or “suburbia” flashes images of manicured lawns and rows of identical homes, but what makes a successful suburb may have more in common with cities than you might think.
When capital cities like Paris and Berlin resolved to switch off lighting for public buildings and landmarks in July 2022 in order to save energy in the context of the Russian invasion of Ukraine, the cities created a ripple effect throughout central Europe. Images of dark iconic landmarks swept through the media and allowed politicians a momentary act of environmental demonstration. However, designers have started to question the sustainability of this ad hoc step. Seen from a broader perspective the impression arises that this alleged radical action has been part of a rather media-savvy campaign with small effect in cities at night. Further steps are necessary to reassess urban lighting that may have a major impact on energy saving and sustainability.
A major 7.8 magnitude earthquake hit central Turkey and north-west Syria this Monday, February 6, with a second 7.4 magnitude quake reported a few hours later in the same region, according to reports from the Guardian. Among the most affected areas is Gaziantep, located 150 miles from the border with Syria and 50 miles from the earthquake’s epicenter in Kahramanmaraş. Tremors were felt as far away as Lebanon, Greece, Israel, and the island of Cyprus. Authorities are still assessing the number of victims, as local and international rescue teams have been deployed to search for survivors. Early estimates report that over 1,700 buildings have collapsed or have been critically damaged, as confirmed by Turkey's Vice President Fuat Oktay.
For the 18th International Architecture Exhibition – La Biennale di Venezia, the Nordic Countries Pavilion, representing Finland, Norway, and Sweden, will showcase Girjegumpi, an itinerant collective library project initiated by architect and artist Joar Nango. For over fifteen years, Joar Nango has been assembling an archive of books and materials exploring Indigenous Sámi architecture and design, traditional building knowledge, activism, and decoloniality. The Girjegumpi first opened to the public in 2018, becoming a welcoming space for gathering and promoting the Indigenous culture. In 2023, the library will travel to Venice, where it will be presented in the Nordic Countries Pavilion, designed by Norwegian architect Sverre Fehn.
Through shapes, colors, and the elements on their facades, many architects have sought to bring a sense of movement to works that are otherwise physically static. Santiago Calatrava, Jean Nouvel, and Frank Gehry are only a few of the masters who managed to provide a dynamic effect to motionless structures, highlighting the work in context using formal strategies borrowed from the plastic arts. In other cases, however, architects have also opted for physically kinetic structures that could bring a unique aesthetic or functional dimension to the work.
For much of the world, this past year was spent within the confines of our homes, undoubtedly blurring the lines between our public, professional, and private lives and transforming our living spaces into places of work and productivity. This transformation of spaces and how they are used is nothing new in the world of architecture as countless spaces take on various roles beyond what they were originally designed for--a fact reflected in their layout, design, and the materials used within them.
A defining feature of the architecture of the Swahili Coast—apart from its coral stone buildings and mangrove poles used to elaborate those structures—is undoubtedly the ornamented door so commonly found across this coastal area. Richly decorated, and historically often layered with meaning, these doors, apart from serving the more utilitarian function of an entrance, were also signifiers of status and wealth. From this Swahili Coast to the Arabian Peninsula, these doors of the coast are very much markers of their location, representative of trade and migration.
Women's studies officially began in China in the early 1980s. Women awoke and started to take bigger roles in society as it grew. Women had been working as architects for a century, but Lin Huiyin was not recognized as the country's first female architect until the 1920s due to the profession's tardy development in China. But nowadays, more and more female architects are filling crucial positions.
An indispensable item, windows are fundamental to bringing more comfort to a room. Besides the desired connection between the interior and exterior, it is through their openings that it is possible to provide natural lighting and ventilation to the rooms.
When one steps into a Starbucks, they almost instantly know they are in the famed coffeehouse, and not at a McDonald's. Apart from the uniformed staff and a giant sign at the door, there are countless other factors that make a Starbucks look like a Starbucks. Textures, materials, shapes, colors, layouts, furniture, and lighting all contribute to the experience of being in a branded environment. These elements are replicated globally to create an identifiable image. As economic patterns change, brands are looking at extending their identities into spatial experiences in order to better engage with their customers in their daily lives.
The most recent season of ByDesign –a television series that explores design, featuring the designers who bring ideas to life– returns with its sights set on the architecture of the United States. America ByDesign: Architecture will feature six of the US’s most significant architectural accomplishments, competing toward a finale to determine the ultimate winning design. Past ByDesign seasons have focused on New York, California, and Australia—and now, the series will zoom in on the Windy City and the School of the Art Institute of Chicago (SAIC).
When children first learn to draw a house, there are four basic components they illustrate: a wall, a pitched roof, a door and one or more windows. Along with the common structural elements, windows have always been considered to be indispensable architectural features for their multiple functions. While providing views, daylight and natural ventilation, these insulate from cold and heat, protect from external threats and enhance a facade’s appearance. They are also associated with a strong poetic or symbolic value; it is through them that we are able to connect with and enjoy our surroundings, be it a beautiful natural landscape or a dense urban environment. An expressive part of any building, windows serve as a visual bridge between the inside and outside, acting somewhat as a refreshing escape from our everyday routine.
Most architects are looking to win more work; not just higher-paying projects but those that allow them to unleash their creativity and passion. These opportunities can be won or lost on a professional's ability to communicate their design vision — so the proposal has to be on point. These tips from leaders in the design field can help architects win bids and create their dream projects.
The Pacific Northwest is synonymous with rainy mountains, expansive coastlines and dense forests. Known for its majestic landscapes, the region has innate connections to the waterfront. Over time, these channels were referred to as the Salish Sea. Encompassing the Strait of Georgia, the Strait of Juan de Fuca, and Puget Sound, the intricate network of bays and inlets is bounded by British Columbia and Washington. Dotted with a number of major port cities, including Bellingham, Vancouver, and Seattle, the Salish Sea has also been home to many indigenous peoples.
There are countless good bones in American downtowns across the country, but they’re seldom connected to enough good tissue to be filled with life. This post is on the 10 things needed to make downtowns thrive. And none are the usual suspects. I’ve omitted stuff everyone else talks about because many of you already know those things.
Designed by URB, The LOOP is a 93-kilometer-long sustainable highway that aims to encourage Dubai’s residents to opt for a healthy mode of transportation. The structure provides a climate-controlled all-year environment to make walking and cycling the preferred type of transportation in the city. The initiative aligns with Dubai’s 20-minute city initiative, which hopes to see 80% of Dubai’s residents commute to work by walking or cycling. The project is currently in the research and development phase.
Museums reveal local and shared heritage. As cultural institutions embedded in the fabric of modern life, each museum serves as a window into history and human exchange. Made to promote understanding and provoke new ideas, these monumental buildings are inspired by spatial exploration. With some of the most influential museum projects in the world, Germany is home to a range of diverse institutions showcasing unique approaches to curating, taxonomy and spatial organization.
Everyone who has ever built anything—a model, a birdhouse, or small pieces of furniture—has a clear sense of the amount of things that can go wrong during the construction process. A screw that is impossible to tighten fully, a warped wooden board, an inattention or a miscalculation that can frustrate plans instantly. When we transport these small inconveniences to a building scale, with countless processes and many different people involved, we know how complex a work can become and how many things can get out of control, taking more and more time and requiring more and more resources to finish. And when we talk about a building that needs to float, be completely self-sufficient, and, after fulfilling its useful life, be completely reused—could you imagine the technical challenges of building something like this?