Arquitectonica has refuted Koolhaas’ accusation that “Modern architecture had never achieved the promised alchemy of quantity and quality,” and Alistair Gordon’s enormous compendium of the firm’s work certainly disproves it.
But what of Rossi’s backhanded praise: “In America … quantity is quality!”? Although absolutely deserving of praise, the quantity of the work is not the basis for Arquitectonica’s achievement—even when associated with the virtuosity of design. The importance of Arquitectonica derives from certain specific contributions to modern architecture in the United States.
The simple activity of taking a walk in the evening can easily turn from a relaxing leisurely activity to a dangerous endeavor by removing just one element from the streetscape: public lighting. While not often recognized as defining aspect of urban environments, artificial illumination has played an essential role in defining the character of modern cities. Crime control, the appeal of nightlife, the rise of the shop window, revolutionary movements, utopias, and ideals of social equity are all concepts whose development is tightly linked to the history of public lighting. Technological advancements over the past centuries have continuously shaped the appearance and symbolism of streetlamps. Still, the this element has remains a constant throughout its history.
The project “Ball Theater” has been chosen to represent the French Pavilion at the 18th International Architecture Exhibition of La Biennale di Venezia. As a response to the world of thought and experiment proposed by Lesley Lokko’s theme of “The Laboratory of the Future”, the French team aims to create a place of celebration and collective experiment by transforming the pavilion into a performance space. The curatorial team is composed of Muoto, an architectural practice founded in Paris by Gilles Delalex and Yves Moreau, in partnership with Georgi Stanishev and Clémence La Sagna for the scenography, associate curator Jos Auzende, and Anna Tardivel for the programming. The pavilion will be open from May 20th until November 26, 2023.
Ramadan Tent Project and V&A present the Ramadan Pavilion 2023, an architectural installation inspired by the holy month of Ramadan, which starts today. The Ramadan Pavilion 2023 is designed by architect Shahed Saleem and will be open to the public at the Exhibition Road Courtyard of the V&A South Kensington until May 1, 2023. As part of the annual festival, the pavilion is accompanied by a series of events, performances, and workshops curated by the Ramadan Tent Project.
While colors can accentuate architectural designs, there is no single color that is "best". The choice depends on the style and purpose of the architecture, as well as the effect you want to create. However, colors that contrast with predominant tones can help highlight important details - and yes: red tones here can create an intense visual contrast.
Beyond their features in the world of fashion, fabrics can also be an essential part of an interior design’s creative possibilities. While enhancing the aesthetic appeal of a space, these versatile materials –made from fibers or yarn that have been interlaced, knitted, or bonded together– also provide functionality to space. As part of a holistic architectural strategy, these natural and synthetic elements are essential for designing upholstery for furniture, curtains and drapes, space divisions and wall coverings. Changing the traditional notion of fabrics –known as stain collectors, bug homes and easily catching fire– the latest design innovations are exploring properties which take the use of fabrics one step further. Diving into Architonic’s fabric catalog, we take a look at different products with distinctive acoustic, fireproof and repellent properties.
Besides providing external protection, natural ventilation, insulation and energy efficiency, the presence of façades enhances the building’s personality and character. Among the different types of façade systems, cladding strategies stand out for their variety of materials and textures –such as metal, glass, stone, wood and composite– all of which build durable, low-maintenance and visually appealing structures. Innovating with textures, forms and technologies, BŌK Modern has developed different metal panels for creating functional and aesthetic façade cladding systems. Showcasing six architectural projects, we delve into the practical and visual attributes of rainscreens and wallscreens.
Following two exciting weeks of nominations, ArchDaily’s readers have evaluated over 700 projects and selected 10 finalists for the Building of the Year Award China. Architects and enthusiasts participated in the nomination process, choosing projects that exemplify what it means to push architecture forward. These finalists are the buildings that have inspired ArchDaily readers the most, which also reveal the growing trend of Chinese architecture.
The Chilean Ministry of Cultures, Arts, and Heritage selected architect Gonzalo Carrasco and Beals Lyon Arquitectos as curators of the Chilean pavilion at the Venice Biennale 2023 with their proposal themed "Moving Ecologies" ("Ecologías en Movimiento").
"Moving Ecologies" will address how "architecture and science made it possible to imagine the future of a country that was entering modernity" in the XIX century in such a project as the Quinta Normal park, according to the organizers. Moreover, the proposal parallels the current challenges around ecological repair and restoration with the study of soil recovery processes with endemic seeds.
Hidden in plain sight, ceilings are often the final surface interior designers and architects think about, but the expansive plane of unobstructed plaster or concrete offers mar more creative freedom than we realize. Modern design rules demand that the ceiling is kept clean. Not with a telescopic mop attachment, but by stripping off the popcorn spray, wood-chip wallpaper, or plaster patterning that haunt my own memories of ceilings-past.
While many clients greet this contemporary need for clean lines with acquiescence, choosing smooth, skimmed plaster finishes with unobtrusive yet forgetful recessed spots, other bolder clients recognize the ceiling’s potential for the creative outlet it is.
Heatherwick Studio has unveiled a new project to transform an old desalinization plant into the centerpiece of a new cultural district on the waterfront of Jeddah, Saudi Arabia. The industrial structure is set to be reconfigured to become The Museum, large complex offering production spaces, studios, and ateliers for artists and makers. Its program also includes exhibition spaces that can accommodate large-scale commissions to help visitors to learn and feel inspired by the next generation of artists.
The Art Gallery of Ontario (AGO) has announced an expansion project designed by Diamond Schmitt, Selldorf Architects and Two Row Architect. The Dani Reiss Modern and Contemporary Gallery design will increase the museum’s gallery space by 40,000 square feet, with 13 new galleries across five floors.
The exterior façade of the extension will quietly complement the AGO’s existing built environment, respecting the scale of the surrounding neighborhood. Sitting one story above AGO’s existing loading dock, the Dani Reiss Modern and Contemporary Gallery will be nestled between the AGO and OCAD University. It will connect the existing galleries from four locations, substantially improving visitor circulation in and around the museum.
The Portugal pavilion at the 18th International Architecture Exhibition - La Biennale di Venezia 2023 will present the Fertile Futures project, curated by Andreia Garcia and assistant curators Ana Neiva and Diogo Aguiar. The project aims to address water resources issues in seven Portuguese hydro geographies and encourage reflection on building a sustainable, equitable, and fertile future. The exhibition will take place at Palazzo Franchetti from May 20 to November 26, 2023.
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This week’s curated selection of Best Unbuilt Architecture highlights visionary villas submitted by the ArchDaily community. From a modern lake house weekend retreat in New York, a Mediterranean Villa in Portugal that blends outdoor and indoor, and a rammed earth residential complex of five villas that fold into the Balinese landscape, this round-up of unbuilt projects showcases how architects are moving forward from conventional residential architecture, pushing the boundary of luxury.
Each project has a different vision, generated by unique site conditions, and has been designed specifically for the future users of the villa. Moreover, firms like Bittoni Architects, Lipman Architects, RS Mannino Architects have all presented work that plays with materiality, giving the houses unique characteristics.
“How do we ensure new parks don’t cause ‘green gentrification,’ which can lead to the exclusion and displacement of underserved communities? How can we ensure we don’t displace the communities that new parks are meant to serve?,” asked Dede Petri, CEO of the Olmsted Network (formerly the National Association of Olmsted Parks), during an Olmsted 200 event.
New parks are meant to be accessible to everyone, but in many urban areas, developer-driven parks mostly attract wealthier Americans. Cities benefit from increased development adjacent to these new parks, bringing in higher tax revenues, but that raises questions about whether these spaces can, in effect, lead to community displacement.
https://www.archdaily.com/997686/new-strategies-for-preventing-green-gentrificationJared Green
Is it the award-worthy barista skills at the third-floor coffee bar that make your days in the office bearable? Or is it being able to ring-fence a desk and height-adjusted chair and call them your own while the rest of the world hot desks? Perhaps it is knowing that the warming of your hands and toes is at someone else’s expense or that in this space you are you and not mum, dad, daughter, or husband. Or you might put it simply down to the camaraderie of the team and the common sense of purpose. One thing that is not in question, however, is that since the recent shake-up of our working practices, it matters now more than ever that productivity and wellbeing are in balance in the office, and contentment and comfort are key to both.
Have you ever considered the sounds of cars and buses whizzing down the road as you walk downtown? Or the feeling you get when heading toward the theater? Each scenario has a certain something that appeals to big-city living. Streams of music wafting from the window, people having conversations, horns honking, and people running to their next destination are pieces of a city no one can deny — they make up the foundation of urban living.
Although big-city living offers many excellent benefits, there are times when peace and quiet can be a welcome respite to everything going on. Sometimes, people want to get away and bond with nature without driving for miles.
As one of the major signature events taking place in connection with Copenhagen as the UNESCO World Capital of Architecture in 2023, Open House Copenhagen has revealed more than 50 sites included in its program. The event represents an invitation for visitors to take a look inside iconic buildings that are typically only visible from the outside. Included in the list are examples of floating architecture on Refshaleøen, one of Arne Jacobsen’s masterpieces, along wth unusual spaces such as the interior of a power plant or an underwater passage tunnel. Open House Copenhagen takes place on the weekend of March 25–26 2023. The event is open for everyone and is free of charge, but registration is required.
The Architecture in Development Global Challenge has just announced the finalists for the 2022 edition of the competition. Highlighting and celebrating the ongoing efforts of self-built community-led initiatives worldwide, the Global Challenge offers a platform for those initiatives while connecting partners and collaborators globally.
The process of materializing architectural ideas involves taking into account various construction and economic factors, among others, which in one way or another will have an impact on the quality of life of its future inhabitants or users. Achieving the highest thermal comfort in interior spaces and achieving the lowest possible environmental impact are just some of the objectives that architecture professionals set for themselves when designing and defining the materials that will accompany their projects.
The most important rule for a kitchen backsplash to stand by is right there in the name. An imperative part of kitchen design, backsplashes are there to guard walls and unreachable undercabinet space from problematic stains, splashes, and spills. They also, however, represent a useful creative outlet for kitchen designers and interior architects.
By adding outlandishly striking slivers of color, pattern, and texture, kitchen backsplashes can cut a strong, confident line straight through the monotony of the kitchen’s color palette.
Here are some of the different materials and design techniques that help backsplashes keep kitchens both clean and creative.
We’re all familiar with the plot of a movie that occurs in a city still standing in a post-apocalyptic era. The streets are empty, except for a few survivors who wander aimlessly, searching for signs of life. Buildings begin to crumble and rust away after years of neglect, public transportation sits idle, and overgrown weeds spring from the cracks in the unmanaged sidewalks and streets. The scene feels eerie because we can’t imagine letting our physical environment sit in decay. It seems impossible that our built environments where we live and work each day suddenly fall silent. It’s a city without a pulse.
When transparent facade elements deliberately evolve from the course of the sun, we can explore a fascinating slow movement in stark contrast to the hectic urban street life on the ground. Especially the French designer Pierre Brault has responded to the accelerated rhythm of our society with facade installations that combine the principle of the sundial with colorful pop design. His three-dimensional works made of recycled colored plexiglass mesmerize through simple but dramatic movements of colored shadows. In the interview, Brault explains his inspiration, the experimental approach and his interest in working responsibly with material.