Located in the southern part of Benin-Republic, near the port city of Cotonou, is Ganvie; the largest floating village in Africa. It is situated in the middle of Lake Nokoué and is characterized by colorful wooden stilt houses arranged around artificial islands dating back to the 17th century.
This unique architecture was born from the history of the Tofinu tribe, who built it as a refuge from the slave trade. It has been sustained over time by their communal socio-ecological aquacultural systems and has now become a global tourist attraction for the country. The village was recognized as a world cultural heritage site by UNESCO in 1996, attracting up to 10,000 visitors annually. However, this influx of tourists has impacted the locals and their socio-ecological practices that sustain this water environment. Aquaculture has become increasingly challenging to maintain as the village struggles to retain its economic foundation. Additionally, traditional building practices have given way to modern ones, and the village faces ongoing environmental challenges. Nevertheless, the unique lifestyle of the locals around the water still offers many lessons for the design of prospective floating cities.
Concepting is all about the early stages of the design process. A process where architects need to explore, think, make, create and express. It is not a linear process with a defined start and end point but rather a circular/iterative process. It involves testing and rejecting. Sometimes an entire concept will be 'thrown away', while at other times, the architect will keep and discard parts and continue to evolve.
The work of lead architects is essential during the concepting stage, where their experience and vision allow them to set the project's parameters and overall design intent. By enabling architects to spend more time in this stage, with more data and feedback, Spaces contributes to creating better project outcomes and architects who can spend more time doing what they do best and enjoy the most.
The Naomi Milgrom Foundation has revealed the design of its tenth MPavilion, designed by Pritzker Prize-winner Tadao Ando, set to open during Australian summer, on November 16, 2023. Reflecting the architect’s architectural approach, the design unveiled the “use of striking geometric interventions in nature and […] concrete.” Once ready, the intervention will become the architect’s first commission in Australia. Created as a new gathering place situated within Melbourne's cultural and botanical garden precinct, MPavilion 10 responds directly to the park's surroundings by emphasizing spatial purity and utilizing the geometric shapes of circles and squares.
As part of the Circlewood consortium, OMA’s David Gianotten and Michel den Otter have developed a modular system to build schools that can adapt and transform throughout their lifecycle. The system was selected by the City of Amsterdam to be employed to build multiple schools in the coming ten years, as part of the Innovation Partnership School Buildings program. The citywide initiative aims to build nine to thirty “high-quality, flexible, and sustainable” schools as a way to contribute to the city’s goal of becoming fully circular by 2050.
"The taste of the apple lies in the contact of the fruit with the palate, not in the fruit itself," Jorge Luis Borges once said. The taste is not something inherent in itself; its experience is the result of an encounter. Similarly, emotions are not contained within architecture, but are only felt through the encounter of the body with the space, when it becomes a place. How does the environment affect how we feel? This is the question that drives the duo of artists and filmmakers Ila Bêka and Louise Lemoine in their latest endeavor, the book "The Emotional Power of Space," which will be released on May 17th in an event preceding the opening of the Venice Architecture Biennale 2023.
Ice caps are rapidly receding; one of America’s two political parties is actively undermining federal authority; despite new materials and additive manufacturing, most houses constructed today are built much as they were several generations ago; the pathological suburbanization of the nation continues unabated. In the face of this and more, it seems, “the center cannot hold.” Such were several of the issues that prompted Keith Krumwiede, a soon-to-be fellow at the American Academy in Rome (AAR) at the time, to argue in 2017 that if a single detached house for every family is at the core of “The American Dream,” then we need a new dream.
The Salone del Mobile in Milan - 2023 is one of the most anticipated design events of the year. Present once again, as different brands showcased their exceptional materials, products, and features in an environment where design sets the tone, DAAily hosted the DAAily bar, in its second edition, organized jointly by Designboom, Architonic, and ArchDaily.
Taking place at the Piazza Cavour’s Swiss Corner on the edge of Brera, from April 17th, 2023, until April 21st, 2023, the DAAily bar was an opportunity to not only celebrate with architects, designers, and industry figures but also to recognize ArchDaily's "Most Referenced Brands" ranking, a diverse list of important brands in the architecture and design industry. More than 30 brands were awarded a trophy during the event.
The Design Educates Awards, the awards that annually recognize the best projects that respond to complex social and environmental contexts and carry educational value, have just announced the results of the 2023 edition. The awards look for what will have a lasting impact on users and the environment and showcase the world's best ideas and realizations that can educate.
Following an international competition, Kengo Kuma & Associates has been selected to design the new visitor center for Butrint National Park, a UNESCO World Heritage Site on Albania’s Ionian coastline. Through its placement in a nodal and strategic position, the project aims to establish a new connection between the local communities and the expected archeological site visitors, thus improving the accessibility of the site, which is recognized as one of Albania’s chef cultural attractions. The visitor center, developed with Albanian partners CHwB Albania, is scheduled to open to the public in 2025.
House of the Flying Beds . Image Courtesy of Al Borde
The 2023 Sharjah Architecture Triennial (SAT) will take place from November 11th, 2023 to March 10th, 2024, under the theme "The Beauty of Impermanence: An Architecture of Adaptability". Focusing on how scarcity in the Global South has led to a culture of re-use, re-appropriation, innovation, collaboration, and adaptation, the second edition of the architectural exhibition, curated by Tosin Oshinowo, aims to shift global conversations towards creating a more sustainable, resilient, and equitable future.
Brutalism is an architectural style that originated in the 1950s and became popular in the 1960s. Its name comes from the French "béton brut," which means "raw concrete," as this material is one of the most characteristic elements of the style. Its main features are the apparent use of concrete, offering visuals where natural texture and tonality are the protagonists of the buildings. Brutalist buildings often have an austere and massive aesthetic, with simple and repetitive geometric shapes. The use of industrial materials and innovative construction techniques is also common in brutalism.
The Diversity in Architecture Prize (DIVIA) was awarded to Italian architect Marta Maccaglia, founder of Semillas, for her commitment to educational construction in Peru. This international recognition of 20,000 euros aims to promote the visibility of women in the architecture industry. Among the five finalists of this edition were Tosin Oshinowo (Nigeria), May al-Ibrashy (Egypt), Noella Nibakuze (Rwanda), and Katherine Clarke and Liza Fior (United Kingdom).
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The Architect Show in Athens provides a forum for presenting the latest building products and discussing key themes facing the architecture profession. Image Courtesy of The Architect Show
With so many architecture and design trade shows taking place around the world each year, it can be challenging to identify which ones offer exhibitors and visitors a genuinely useful and valuable experience. In recent years there has been a trend towards more local events that provide opportunities for industry professionals to make meaningful connections with potential partners. Since it was established in 2019, The Architect Show has become an important forum for Greece’s architecture community, bringing together representatives from national and international brands that support the country’s vibrant real estate market.
Professionals in the AEC industry are well aware of the issues that grapple the built environment. That the construction industry is the largest consumer of materials and is responsible for 40% of all carbon emissions is a commonplace fact. Construction work is also a large waste generator and could greatly benefit from circular design principles. Almost three-quarters of all construction projects tend to be over budget, and nearly half of the spending on buildings goes into the overheads. In a fast-paced world with multi-faceted challenges, technology, and digitization seek to deliver significant solutions.
For the 18th International Architecture Exhibition – La Biennale di Venezia, the Pavilion of Ukraine presents an exhibition titled “Before the Future,” focusing on the paradox of “building a future from a collapsing present.” The intervention reimagines two spaces, one in Arsenale and one in Giardini, to evoke protective structures that have become emblematic of feelings of safety while under threat for Ukrainian society. The curatorial team, composed of Iryna Miroshnykova and Oleksii Petrov, of the Kyiv-based architectural office ФОРМА, and Borys Filonenko, independent curator, art critic, and lecturer, set out to work with specialists from numerous fields to further explore the theme “Laboratory of the Future.”
The Tennessee Performing Arts Center (TPAC) has selected an international architecture teamto design its new performance home. Comprising BIG (Bjarke Ingels Group), William Rawn Associates, and Nashville-based EOA Architects, the global architecture team will reimagine the 50-year-old performing arts non-profit on a different site from its original 1974 plot, part of the State-owned James K. Polk Cultural Center.
In theory, architecture is separate from art. Some even argue that there is a hierarchy between the two. Fortunately, Vão is an example of how this separation doesn't need to exist and how having a hierarchy between them is unproductive for both sides. Founded in 2013 by Anna Juni, Enk te Winkel, and Gustavo Delonero in São Paulo, the office develops architectural projects fueled by artistic thought. It also develops artistic works on an architectural scale.
The Kingdom of Bahrain announced its participation at the 18th International Architecture Exhibition of La Biennale di Venezia with a pavilion exhibition titled “Sweating Assets.” Curated by architects Latifa Alkhayat and Maryam Aljomairi, the exhibition highlights the relationship between the extreme heat and humidity that characterizes Bahrain and the inherent need for comfort. The curators aim to show how the necessary cooling infrastructure can be maximized through adaptive means and resource management while reducing its negative impact on the environment.
SpaceX founder and science-fiction fan Elon Musk is attempting to make the fiction of space travel a scientific reality. ‘In order to safeguard the existence of humanity,’ he explains, ‘we need to become a multi-planetary civilization.’ Musk says he’s laser-focused on ensuring we make a second home elsewhere in space, and has his sights set on Mars. He’s not alone, of course. NASA’s recently-released Moon to Mars Architecture Concept Review is a ‘study of the hardware and operations needed for human missions to the Moon and Mars,’ leading to long-term scientific discovery and human habitation in deep space.
But there’s a long way to go before we get there – and not just the 140 million miles (average distance to Mars). The biggest challenge to Mars habitation and eventual colonization is humanity itself, and our indecision. Many of us question why we should sink so much of our energy – both effort and resources – into such a task, when there are plenty of more pressing matters to address here on Earth?
The 15-story residential building designed by MVRDV in Montevideo, Uruguay, has been approved for construction. Named "Ziel," the project consists of individual homes creating an open and permeable environment that allows light and air to flow through the structure, resulting in spacious green spaces for the enjoyment and coexistence of residents. This project is MVRDV's first in Uruguay, designed for developer IXOU in collaboration with Monoblock's executive architecture.
Home elevators have always increased a home's functionality. Now, they can also enhance its aesthetic appeal, not to mention value. Photo: Arash Moallemi. Image Courtesy of Savaria
Home elevators are increasing in popularity. For one thing, people are living longer and the vast majority plan to age in place. Indeed, a US survey found that 90% of adults over 65 would like to stay in their current residence. A lift in one's home serves a number of practical purposes besides enhancing mobility, like the convenience of moving groceries or heavy objects between levels. In addition, a home elevator is a real conversation piece – not to mention that it can add up to 10% to the value of a home.
The International Jury will award the "Golden Lion for Best National Participation", the "Golden Lion for the best participant in the International Exhibition The Laboratory of the Future", as well as the "Silver Lion for a promising young participant in the International Exhibition The Laboratory of the Future". The Jury may also award a maximum of one special mention to a National Participation, and a maximum of two special mentions to the participants in the International Exhibition The Laboratory of the Future. The announcements and awards ceremony will take place in Venice on Saturday, May 20th, 2023.
Seattle-based Olson Kundig is an example of how context and culture can influence a firm's design approach. Founded in 1966 by Jim Olson and now consisting of hundreds of employees and thirteen principals/owners, including Tom Kundig, the firm has an extensive and diverse portfolio that spans different scales and budgets. In lectures and interviews, Kundig in particular often talks about how having grown up in a region with a strong mining and lumbering tradition has influenced the industrial and rational aesthetic of his designs, the use of durable and low-maintenance materials, and a special attention to craftsmanship. In many of the firm's designs, however, the ingenuity and emphasis on moving parts –blurring the boundaries between inside and outside– is striking. This is usually achieved by incorporating hand-held devices that allow users to activate the building directly, connecting them both to the context but also to the building itself and the dynamic mechanisms therein.
The Santa Creu & Sant Pau Hospital Research Institute, designed by Pich Aguilera Arquitectes in conjunction with 2BMFG Arquitectos, stands in the Santa Creu & Sant Pau Hospital complex in Barcelona –one of the biggest Modernist Spanish architectural ensembles, declared a World Heritage Site by the UNESCO.
The Research Institute stands out for its striking ceramic envelope and its capacity to blend in with Sant Pau Hospital’s Modernist buildings, while also focusing on high energy savings and improved comfort inside the building. The ceramic slats were made to measure for the project by Faveker, a specialist in high-tech façade solutions.
