Mar del Plata is an obligatory reference to the Argentine modern movement. At the same time, it is the setting for many architectural classics that have been victims of neglect for years.
Magalí Marazzo, director of the municipality's Department of Works and Urban Planning and member of the National Monuments Commission, has taken charge of the situation by completing the restoration project of a paradigmatic work of 20th-century architecture: The House on the River.
Designing building control systems for smart, flexible, and sustainable spaces is becoming more complex due to the changing contemporary home requirements. Pushing towards smart homes, electrical engineering has generated numerous advances that have improved performance while enriching aesthetics and lowering environmental impacts. In line with these global trends, JUNG’s systems for modern building technology are continuously delving into new possibilities in all areas of modern electrical installation, such as switching and control. Showcasing smart sustainability, the temporary installation INVISIBLE is a space where electrical engineering explores the hidden advantages of connections.
MVRDV has joined the Van Gogh Homeland Foundation to develop the first Van Gogh Homeland Biennale to bring awareness to the challenges faced by the Brabant region. At the initiative of Midpoint Brabant, the experience strives to combine knowledge of architecture, landscape design, and sustainability to reignite enthusiasm for the Brabant landscape, Vincent van Gogh;s native Dutch province. According to the organisers, the region is facing a number of threats, including the increasing number of floods and the limited availability of space, but, through an orchestrated effort, the landscape that inspired van Gogh 150 years ago can become more sustainable and greener in the future.
Saudi Arabia announced its participation at the 18th International Architecture Exhibition – La Biennale di Venezia, with an exhibition titled IRTH إرث, legacy in Arabic, exploring qualities of materials in relation to the Saudi landscape. The third round of participation the Saudi Pavilion will have at the International Architecture Exhibition, this year's edition is represented by architect AlBara Saimaldahar and curated by the duo Basma and Noura Bouzo. The Pavilion will be on display at the Arsenale – Sale d’Armi 2023.
The Maldives is a sovereign island country located in the Indian Ocean, organized into 26 atolls. It comprises 1,200 islands of which 203 are inhabited; it is located 450 km from India and is considered a micro-state since its extension is only 298 square kilometers. Its capital and most populated city is Malé, with a population of 103,693 inhabitants. It has a tropical and humid climate and is the least populated country in Asia. The archipelago is composed of about 1,190 coral islands grouped in a double chain of 26 atolls, following a north-south direction, occupying an area of about 90,000km, making it one of the most dispersed countries in the world.
Capital city of the United Arab Emirates, the city of Abu Dhabi is located on an island in the Persian Gulf, connected to the mainland by a short bridge. Home to the local and federal government offices, as well as to the President of the UAE, Abu Dhabi was formerly an undeveloped town with only local significance that transformed into a large metropolis, at a record speed of development and urbanization.
Japanese architect Katsuhiko Takahashi created the master plan of the city in 1967, with a target population of 40,000. Encouraged in the Abu Dhabi Plan 2030, tall skyscrapers symbolize nowadays its iconic architecture, as well as new developments of Al Maryah Island, and the Sheikh Zayed mosque initiated and constructed under the administration of the late President Sheikh Zayed, a pivotal figure in the development of the contemporary UAE.
Residential architecture in India is a direct reflection of the ethnic practices and lifestyles led by its diverse citizens. The earliest houses were developed as units of larger community-centric settlements. The architecture of Indian residences is deeply enmeshed with cultural values - usually centering on the ideas of family and community relationships. A single home often shelters a large joint family and meets the needs of various age groups under one roof. Multigenerational living demands a unique spatial syntax to foster connections.
One of the most common decorative objects in projects, mirrors have existed since the Badarian civilization, around 4,000 BC. With several transformations in its material and manufacture, the mirror is a decorative object and can also serve as a design strategy.
Humans are hard-wired to respond positively to nature; the crackling sound of fire, the smell of fresh rain on soil, the healing characteristics of plants and the color green, being in proximity to animals, etc. That, along with today’s critical environmental conditions and rapid urbanization, shifted architects' focus towards eco-conscious projects to bring people closer to nature. Architects explored numerous approaches: rammed earth structures, recycled materials and furnishing, designing around the site's sun orientation... The practice was so driven by green architecture that the lines became blurred between what is truly sustainable and ecological and what is "greenwashed". But what proved to bring about the most innate biological connection with nature was biophilia, and "bringing the outdoors in" through design.
Near the center of Helsinki, Finland, in the Töölö neighborhood, one can find the Temppeliaukio Church, an unusual-looking Lutheran church nestled between granite rocks. Approaching the square from Fredrikinkatu street, the church appears subtly, a flat dome barely rising above its surrounding landscape. An unassuming entrance, flanked by concrete walls, leads visitors through a dark hallway, and into the light-filled sanctuary carved directly into the bedrock. The exposed rock walls earned it the alternative name “The Church of the Rock.” To contrast the heaviness of the materials, skylights surrounding the dome create a play of light and shadows and a feeling of airiness.
The church is the result of an architectural competition won by the architect brothers Timo and Tuomo Suomalainen in 1961. Their original solution was recognized not only for its creativity but also for the respect it showed to the competition’s goal: “to include the organization plan for the whole Temppeliaukio Square, taking into attention that as great part as possible of the rock outcrop of the square to be preserved.” The winning proposal achieves this by embedding the church inside the rock and placing parish facilities on the edges of the hillock. This article explores the story behind the Temppeliaukio Church both narratively and visually, through the lens of Aleksandra Kostadinovska, a professional photographer from Skopje.
Do you remember seeing images of designers leaning over large sheets of paper, usually in spaces that resemble warehouses, concentrating on their own technical drawings? While some may view these images with nostalgia for a simpler time as a sign of working passionately in the architecture, engineering and construction industry, many others might shudder at the thought of doing an entire project with an India ink pen, and especially without the convenience of the Undo tool (CTRL+ Z or command + Z). From the first CAD programs to the powerful modeling programs we have today, computing technology has radically transformed the landscape of AECO offices. In the past, integrating multiple designs required overlapping sheets of tracing paper; but today, we have a variety of software that produce files with numerous extensions, saved versions, sizes, and which often require powerful machines to run. With the growing adoption of remote and hybrid work in AEC organizations, implementing the right computer systems can be a major challenge.
Bjarke Ingels Group (BIG) was selected as one of the finalists in the Naval Heritage History and Command’s (NHHC) competition for the design of the new National Museum of the U.S. Navy. The competition’s aim is to create a publicly accessible modern museum for Naval veterans and the public, a memorial to the U.S. Navy’s heritage, and a center for education and cultural events. The other finalists are DLR Group, Frank Gehry Partners, Quinn Evans, and Perkins&Will.
MVRDV has revealed its design for the extensive renovation project of the Theater Koblenz, in Germany. The project includes an interior redesign and a significant backstage element makeover. The proposal, which operates within the confines of the existing structure, balances the many requirements of the brief: history preservation is taken into account alongside essential technical improvements and roof rehabilitation. Additionally, the operations building's façade on Clemensstraße will be renovated to give this backstage entrance a contemporary, expressive appearance that emphasizes its inclusion in the theater complex, clearly separating it from the building's original guest entrance. The repair preserved a significant portion of the structure for future use and used biodegradable materials as much as feasible to reduce carbon emissions.
How narrow can a space become without losing its habitability? What are the minimum dimensions that a dwelling must have to ensure the comfort of its inhabitants and the correct performance of their daily activities?
The city block is a typically urban element that, historically, has appeared in different forms and designs, structurally shaping city planning guidelines. When observing urban fabrics in cities such as Barcelona, Paris and Copenhagen, one can see significant variation between block models. This defines their landscapes and dynamics in countless ways. Style and format alterations, volumetric changes in the relationship between full and empty spaces, and modifications in connections to the surroundings are some examples of typological particularities that differentiate them. Blocks, therefore, are often emblematic and representative not only of certain urban planning models developed throughout history but also of their cities.
This article was originally published on Common Edge.
Cities need to prepare for a wave of declining houses of worship. While faith institutions, at least the Christian ones, have been asking WWJD (What would Jesus do?), municipalities need to get them to ask another question: WWJJD (What would Jane Jacobs do?). Doing so might lead to a new model for true community houses of worship.
Dwellings can be understood as the most significant and primary form of architecture, as the house is intimately related to the idea of shelter, one of humanity’s basic needs. In the words of architect Mario Botta, “As long as there is a man who needs a house, architecture will still exist.” Yet, in spite of its ubiquity, or perhaps because of it, an exact definition of a home is difficult to find. Throughout history, different functions and spaces have been added and subtracted from this unit, reflecting directly the character of the society that produced it.
The list of expectations that a house has to fulfill is long and ever-evolving: to provide intimate and safe spaces where one can recharge their energy, but at the same time to allow for interaction, welcoming friends and family to join in; it is the purveyor of leisure and relaxation, but also the site of most labors of care, while also providing a small incubator for starting entrepreneurs. This tendency to demand a residential unit to fulfill multiple roles was heightened to unprecedented levels during the pandemic. Health concerns led to the closing of most workspaces, the second place where people spent most of their time, and of cafes, restaurants, cinemas, and malls, the “third places.” Suddenly, the home had to become an all-purpose space.
The design of a facade defines its architectural identity. Besides being a barrier against diverse weather conditions, providing acoustic comfort, and regulating light penetration, the external skin of a building determines its character and perception. At first glance, a facade can make the building stand out or blend with its urban environment, or even convey different levels of brightness, translucency, and smoothness. Simultaneously, the structure and color of interior walls and ceilings can leave a lasting impression when entering a room.
Designed by Mecanoo, Amstel Design District is a mixed-use development that includes social housing, mid-rent residential spaces, private sector homes, and collective facilities. The 80,000 square meters master plan also provides spaces for creative offices and retail, along with cultural institutions such as the 800 square meters design museum. Located between the highway and the metro line, the project responds to site constraints and concerns about noise pollution by creating a composition of stacked volumes with setbacks. This allows for the creation of comfortable public spaces in between the buildings as pocket parks and plazas.
OPEN Architecture has won the competition to design the Yichang Grand Theatre in China. The project is situated where the Yangtze River and its tributary Huangbai River converge at the tip of the Pinghu Peninsula. There are about 70,000 square meters of building space overall. The performing arts center will feature a 1600-seat grand theater, a 1200-seat concert hall, a 400-seat black box, and two outdoor theatres — one on the rooftop and one by the water. It is housed within the fluid and partially floating building. The building also has rehearsal rooms, event and exhibition spaces, coffee shops, restaurants, and observation decks. The diverse lineup reflects efforts to keep the big theatre a welcoming and active gathering place for the public at all times.
The construction of Brasília is a significant achievement in history and architecture. The Brazilian modernist movement definitively established Lucio Costa and Oscar Niemeyer as their representatives. It led the modernist city to be tested as the new urban order. Nevertheless, the city did not emerge alone, nor was it completely utopic, modern, or modernizing. Alongside the new capital, planned and organic neighboring cities were built.
With a high proportion of white mixed with a small amount of colorful pigments, pastel colors provide a range of pale, subdued tones. Related to soothing and calming environments, these colors have a timeless quality and can be seen throughout different architectural styles, such as rococo, art déco or the mid-century modern years. Applied in exteriors, interiors, or both, pastel tones make rooms feel more light, airy and spacious.
From subtle accents to taking the spotlight in a project’s overall strategy, pastel colors are a versatile alternative that can be used in multiple ways and varying degrees. Following Ricardo Bofill’s color proposals, Paulo Mendes da Rocha’s interiors and Michael Graves’ buildings, contemporary architecture plays with soft colors for aesthetic and functional purposes, as well as providing a sensory experience. Analyzing different examples of their application in architecture and design, we showcase how four prevailing colors –mint green, pale pink, lemon yellow and light blue– are currently taking the stage.
Guest rooms, BBQ areas, party areas, and even libraries – a backhouse can have many uses. Common in many townhouses, this is a unique part of a residence that presents a certain freedom regarding the main program, which can be explored both with diverse uses and through the constructive solutions employed.
