Serving as an emblematic construction for Copenhagen’s World Capital of Architecture and UIA World Congress of Architects, the Sustainable Development Goals Pavilions in Copenhagen, Denmark, will begin appearing this spring and summer, exploring how architects can respond to the UN’s development goals. Questioning future construction, in relation to one or more of the UN's 17 Sustainable Development Goals, architects, engineers, material producers, science institutions, associations, and foundations collaborated to create each one of the different structures. The SDG Pavilions were created by numerous Danish architecture studios, including Schmidt Hammer Lassen, EFFEKT, Architects Without Borders Denmark, ReVaerk, LOKAL, Leth & Gori, Rnnow Architects, GXN, FORMA, Terroir, AART, Mangor & Nagel, NOAA Architects, Studio Coquille, Tan & Blixenkrone, ATENASTUDIO, and MAST.

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"I am tolerant. But I revolt. I accuse. It is my obligation. I am alone. Behind me there's no dictatorship, no party, no group, nor any mafia — neither a collective intellectual scheme nor an ideology. The green revolution is not a political revolution. The base sustains it and is neither minority nor elitist. It is a creative evolution in harmony with nature and the universe's organic course."

The above paragraph was said in the mid-20th century by Friedensreich Hundertwasser, an Austrian artist, and architect born in 1928. Hundertwasser marked architecture history with his distinct style of irregular and vibrant forms. His projects were a manifesto against rational and repetitive architecture. In them, there was a right to intervene in windows, irregular floors, green roofs, and spontaneous vegetation. As an architect, he always put diversity before monotony, believing in the right of each individual to modify their home and express their creativity. Above all, Hundertwasser believed in the importance of man's identification with nature and the world around him, addressing concepts related to community life and respect for the environment.

How are contemporary homes pushing the boundaries of innovation for the future? Currently, these spaces tend towards clean lines, neutral colors and flexible spaces, with the integration of technological features and automation. But even though there are certain timeless features that define neutral contemporary interiors, we can begin to identify future trends by analyzing architectural projects that differ from the traditional, recognizing disruptive interior materials and finishes guided by technological advances that are shaping complex and changing homes of the future. The selection of these innovative materials conveys a meticulous decision process in building the structure and identity of a space. Depending on the context and typology of a space, there is a growing awareness of how materials impact an environment, and how new technologies are creating smart solutions that can mitigate their effects indoors.

Artificial intelligence (AI) is playing a key role in visualizing the interiors of the homes of the future, and together with the exploration of biophilic, intelligent and 3D-printed materials, is stimulating new ways of approaching how we will live indoors moving forward.

Providing an overview of the profession and discipline of architecture can be a complex task given the diversity of people's backgrounds, personal interests, and experimentation techniques. Therefore, many processes related to architecture are based on speculation and innovation, taking the initiative to reimagine established limits. Architecture schools, such as École des Beaux-Arts, Vkhutemas, and Paulista School, were progressive schools of their time that developed their style led by experimental and curious minds. Thanks to these experimental processes, each developed its architectural style, characterized by factors such as philosophy, location, and the era in which the school was born.

Since its creation in Santa Monica in 1972, the Southern California Institute of Architecture (SCI-Arc) has been a world-renowned center of innovation and one of the few independent schools of architecture in the United States. It excels in challenging its students through various programs to stretch their imaginations by experimenting with non-traditional materials and approaches. Through the renowned Making+Meaning program, SCI-Arc provides an immersive introduction to students and creative professionals from diverse disciplines, who have the opportunity to explore the field of design and emphasize the fundamentals of experimentation and architecture. The return to face-to-face teaching this year infuses new energy into the program for both students and instructors, given the value of collaborating in a physical space for the development of studio-based projects.

UNStudio has been commissioned to create a human-centric mixed-use destination on the waterfront of Nanjing, China. Developed by K.Wah Group, the new complex aims to enhance the working-living environment for the local community while contributing as a hub for culture and finance. The project, set along the central axis of the Hexi New District, introduces high-rise office towers, commercial and cultural functions, two serviced apartment buildings, a headquarters tower, a hotel, and various public amenities.

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Kengo Kuma and Associates have just been awarded second place in an architecture competition to design the expansion and renovation of the Egyptian Museum in Torino, Italy. It served for many decades as the primary civic space in Turin, with its public areas closed off from the rest of the city. Kengo Kuma’s proposal aims to recreate the public plaza, a city center covered by a thin glass canopy. Founded in 1824 and is the oldest museum for Ancient Egyptian culture, the Egyptian Museum in Torino held a competition earlier this year and received entries by Pininfarina Architecture, Carlo Ratti Associati, and Snøhetta. The winning project by OMA / David Gianotten and Andreas Karavanas will transform the museum into a cultural space, creating one covered courtyard and a series of connected urban rooms within the existing settlement.

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What role does landscaping play in contemporary housing? In what ways can architecture and landscaping be integrated into a whole? Considering the incorporation of landscaping from the beginning of the architectural project has become a defining aspect and even a challenge for many architects, aiming to improve the quality of life of their inhabitants and contribute to the protection and care of the environment.

On numerous occasions and within the Latin American setting, nature appears as a protagonist or founding principle of the proposed architectural design, involving reasons related to promoting the relationship with the surrounding environment, incorporating native species of the site, and enhancing the connection between the interior and exterior, among others. Although there are different ways of planning, organizing, and arranging the layout of environments in contemporary housing, the dialogue between architecture and landscape can collaborate with the uses, activities, and circulations determined based on the needs to be met or the users to be accommodated.

Throughout the past decade, human civilization has become so ‘woke’ we’ve administered a new word for it. And while this new-found wokeness derives from the quest to spotlight the inherent, yet previously ignored by many, racial social, and political injustices and behaviors in our lives during the early #blacklivesmatter movement, in more recent times it has come to stand for the calling out of all categories of injustice.

The purpose of architecture, as the ArchDaily Guide to Good Architecture states, is to ‘give form to the places we live.’ The book’s first chapter, ‘Good Architecture is Considerate’, suggests in order to improve the quality of life provided by human-designed spaces, we need to employ a human and empathetic approach.

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“Economic shocks, climate change, and COVID-19 have changed transportation systems in a fundamental way. We can’t waste a crisis. We can increase access to transportation while reducing greenhouse gas emissions. We can achieve more mobility with fewer impacts,” argued Ani Dasgupta, president of the World Resources Institute (WRI), at the 20th annual Transforming Transportation conference. For two days, global leaders reflected on the state of transportation systems worldwide at the hybrid event in Washington, D.C., which was also watched by tens of thousands online. The event was co-organized by WRI and the World Bank.

Transportation still accounts for 25 percent of greenhouse gas emissions worldwide and up to 30 percent of emissions in developed countries. Transportation is a diverse sector that includes sidewalks, bikes, cars, buses, trains, subways, ships, and planes.

Outdoor dining and activities have gained increasing appreciation in recent years. We value the sense of freedom and adventure, and the possibility of socialization that they provide, as well as the connection with nature. As a result, outdoor spaces are becoming more popular in residential and commercial designs, as new features made specifically for these types of spaces can enhance the comfort and well-being of occupants. This is because when dealing with nature there can be a variety of inconveniences related to weather, such as wind, rain, or cold temperatures. In order to properly enjoy these areas all year-round, solutions can usually include outdoor heating. However, typical heaters tend to have clumsy and old-fashioned designs, detracting from the careful design of the rest of the environment.

Skidmore, Owings & Merrill have been selected to design the New York Climate Exchange in partnership with Stony Brook University, a public research institute in New York. The new net-zero campus, located on Governors Island, New York, is planned to serve as an anchor institution for the development of new climate solutions. As a first-of-its-kind international center, “The Exchange” will also act as a regional hub for the green economy.

The Belgian Pavilion has announced its display for this year’s international architecture exhibition - La Biennale di Venezia. Curated by Bento and Venciane Despret, “In Vivo” concentrates on investigating the architect's new relationship with resources. The display challenges our extractivist production system by identifying and designing architectural alternatives using components obtained from live organisms and the imagery that goes along with them.

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Several factors influence the architecture of contemporary stores, including the evolution of retail, changes in consumer expectations, and the rise of e-commerce. Creating the physical space of a brand is an opportunity to offer an experience that conveys the values and image that the brand wishes to be associated with.

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As summer in the Northern Hemisphere is inching ever closer and nature is rapidly responding to the increase in temperature, our desire to spend time outside (by ourselves and collectively) is growing at an equally fast pace. And although public parks are a great option for those of us who live in urban centers, the luxury of having one's very own, at-home access to nature cannot be overstated.

For residential projects in particular, gardens are the most common way of connecting with the natural world in this way. But, as these four examples show, courtyards can provide an equally satisfying window into changing seasons – and, when viewed through glass by way of patio doors, skylights, or frameless windows, can give us a glimpse of greenery from the weatherproof comfort of almost any room in the house.

Brutalist Paris by Nigel Green and Robin Wilson is a book that expands upon their previous collaborative effort, the Brutalist Paris Map (2017). The text's insightful critique and sharp photography provide a detailed examination of Brutalism's historical, political, and cultural significance, with a particular emphasis on its innovative communal design. Through a meticulous analysis of the public spaces of the selected buildings, including their orientation, materials, and facades, Green and Wilson revisit the movement's legacy and its contribution to the field of architecture.

Videos

Rising over global cities, the modern skyscraper has long been a symbol of economic growth and environmental decline. For years, they have been reviled by environmentalists for being uncontrolled energy consumers. Malaysian architect Kenneth Yeang acknowledged the skyscraper as a necessity in modern cities and adopted a pragmatic approach to greening the otherwise unsustainable building typology. Yeang’s bioclimatic skyscrapers blend the economics of space with sustainability and improved living standards.

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Videos

Situated in the village of Kaltenbach, amidst the Austrian mountains, is the head office of Empl. A manufacturer of fire-fighting trucks and other large vehicles with special functions, their products include off-road vehicles, mobile army hospitals and temperature-controlled trucks to carry food. Whatever their function, each vehicle is unique and has been composed with the greatest of care. The end products can be seen in Empl’s handover hall – a stylish production hall where vehicles are handed over to clients personally. The building has a total of five pivot doors, one of which is most notable. In episode four of Opening up, FritsJurgens gives a peek into this unique space.

For this year’s annual architecture exhibition – La Biennale di Venezia, the Pavilion of San Marino will present the Hosting Guest project. Curated by Michael Kaethler and Marco Pierini, this intervention is an authentic co-design workshop focused on hospitality-related issues, part of an international and multi-year research project based on real places and needs. Representing the oldest Republic in the world, Artist Vittorio Corsini will participate in the pavilion with the help of a research team of students, designers, and researchers from San Marino, Venetian, and international universities.

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Alejo Martínez, one of the main builders of Argentine modernity, turned the city of Concordia into a reference of the South American modernist movement. His extensive work on houses, such as Casa Péndola Díaz from 1925, Casa Marcone from 1928, or Casa Camaño from 1930, "changed the typology of the 'chorizo' house to compact housing, where straight volumes stand out, staggered from each other, and with terraces".

Curated by architecture and urban planning scholar Andong Lu, young architect Zigeng Wang and design curator Aric Chen, the 9th Bi-City Biennale of Urbanism\Architecture (Shenzhen) continues the principle of "the city is the exhibition site, the exhibition is the practice" as the primary exhibition of UABB came to Luohu district for the first time. It was located in GDH City · Jinpi Fang (Kingway Brewery Industrial Heritage) and the exhibition opened in December 2022 and ran until March 2023, with over two hundred events held during the three-month exhibition period.

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