The Croatian Pavilion at the Venice Architecture Biennale 2023 celebrates the harmonious coexistence of the wild and domesticated, natural and man-made, and inanimate and living elements. Modeled after the Lonja Wetlands in Croatia, where communities that have adapted to the continuously shifting landscape have coexisted harmoniously for generations to create a dynamic habitat, the Pavilion is a hub for ongoing research into potential futures through educational experimentation and practice. The exhibition was curated by Mia Roth and Tonči Čerina, in collaboration with their design team: Luka Fatović, Vedran Kasap, Ozana Ursić, Niko Mihaljević, and Ivica Mitrović .“Same As It Ever Was” places a focus on the connections among actors from various backgrounds around the world.
Mezcal is a Mexican beverage that has gained great popularity in the last decade. Its history dates back to pre-Hispanic times when cultures consumed various drinks derived from the agave plant in different ways. During the pre-Columbian period, this plant was used for various purposes, ranging from food to the production of fibers and medicines. However, within the different processes, they discovered that they could ferment and distill the juice of the agave to obtain an alcoholic beverage, which they called "pulque".
Einstein’s Special Theory of Relativity introduces the mind-blowing concept that time – as we know it – is not as stable and reliable as it first seems. As a defining characteristic upon which all of human history is referenced, the fallibility of time is a confusing prospect. 15 minutes, for example, seems an eternity while waiting in line, and yet the 300,000 years of human history equates to less than a day in the lifetime of the Earth.
So when we talk about ‘saving the planet’ by slowing and reversing climate crisis, what we really mean is extending our own existence upon it. Because no matter what we do, this rock will continue to spin for billions of years yet. In reality, humanity itself is only a temporary installation.
These four outdoor installation projects use the Earth’s environment and borrow its resources to investigate our human relationship with time, and how it affects our lives down here on the surface.
Researchers point out that "proto-greenhouses" arose to fulfill the desire of the Roman Emperor Tiberius (42 BC to 37 AD) to eat cucumbers every day of the year. Since it was impossible to grow the vegetable on the island of Capri in winter, his gardeners developed beds mounted on wheels that they would move into the sun when possible, while on winter days they would place them under translucent covers made of Selenite (a type of gypsum with a glassy appearance). But the production of large-scale greenhouses only became possible after the Industrial Revolution with the availability of mass-produced glass sheets. Since then, they have been used to grow food and flowers, forming a microclimate suitable for plant species even in places with severe climates. But in some cases, these artificial growing conditions can also form interesting living spaces. The recent Lacaton & Vassal awards rekindled this interest. How is it possible to create greenhouses that can be good for both humans and plants?
Two years ago, Starbucks' branch in Al Seef, Dubai captivated the internet with its contextual design. Located in the oldest part of Dubai, the renowned coffee outlet boasts a thatched roof, mud-like exterior finishes, traditional screens, and wooden furniture, all of which retain the picturesque charm of the landscape. The design not only garnered immense attention on social media but also attracted curious customers to the store. Effortlessly blending in with its regional context, the Al Seef branch has become an integral part of the locality. The store is one of Starbucks' many efforts at regionalizing its international outlets to create authentic connections with customers. In an era where consumers crave meaningful connections, regionalism in retail design emerges as a powerful design strategy.
The University of Pennsylvania has unveiled Steven Holl Architects’ design for its new Student Performing Arts Center. The 37,300-square-foot building is set to offer dedicated and flexible spaces for over 70 student performing arts groups on campus, including dance, theater arts, a cappella groups, and musical ensembles. The proposal was informed by a study completed in 2019 by Penn’s University Life, which concluded that additional performance and rehearsal space was needed to meet current and future demand. The project is set to begin construction in 2024, with anticipated occupancy starting in winter 2027.
Henning Larsen has just revealed the design for Smyril Line's new headquarters and ferry terminal in Torshavn, the capital of the Faroe Islands. The building pays homage to traditional Faroese fishing boats and the historic Eastern harbor while embracing the picturesque backdrop of abundant landscapes and open seas. The new headquarters serves three functions: a ferry terminal, an office building, and a logistics center.
Acquiring real estate through cryptocurrencies, such as Bitcoin (BTC), Ethereum (ETH), and Binance Coin (BNB), is already a reality in many countries, including the United States, England, and Brazil. With the rise of this market and the increasing acceptance of these assets as a legitimate form of payment, investors and buyers are exploring new possibilities for transactions with cryptocurrencies, including the real estate sector.
June 8th was World Oceans Day 2023, which brought the theme 'Ocean Planet: Tides are Changing'. The purpose of the United Nations was to generate a "new wave of enthusiasm for caring and protecting the ocean and the entirety of our blue planet."
A new opportunity to reflect on the importance of preserving these vast aquatic ecosystems that cover more than 70% of the Earth's surface - and an opportunity to reflect on how architecture can contribute to their protection and conservation through the design of resilient coastal infrastructure, the development of marine energy technologies, sustainable design of coastal buildings, and regeneration of marine ecosystems.
An arid environment refers to specific regions characterized by a severe lack of available water and extremely dry weather conditions. More specifically, arid regions by definition, receive less than 25 centimeters of rain per year. In the immense vastness of arid environments, where extreme climates present significant challenges, the role of water in architecture takes on a new dimension.
For centuries, architects and designers dealing with harsh desert landscapes and the vital necessity of water have invented techniques, technologies, and new structures. Moreover, many creative approaches have been created to harness, collect, and cool water in arid environments.
A trusted go-to for architects and interior designers, Buster + Punch’s hardware and fittings now feature in the smartest homes and hotels, Michelin-starred restaurants and concert halls. Image Courtesy of Buster + Punch
In 2013, home fashion label Buster + Punch emerged from a garage in East London, with a refreshing stance on everyday detailing and fittings that elevated them into desirable and trendy pieces.
The university campus has a distinctive spatial typology. Established as a micro-city, these self-contained environments are subject to their ownrules and systems. They are designed as a deviation from the cities that host it to allow for the growth and proliferation of knowledge outside the status-quo. Centered around the transfer of information, academic centers are becoming increasingly relevant to urbanism. Campuses and their host cities evolve to mimic each other's structure, forming opportunities for urban renewal.
The Chilean architectural practice UMWELT, together with the landscape architecture office LANDMRX and the renowned Mexican firm PRODUCTORA, have won first place in the competition for the transformation of the former Correos de Chile (Chilean Postal Service) building located in Estación Central, Santiago. In 2021, EFE (Chile's State Railway Company) acquired the property to convert it into their new corporate headquarters, where the company's employees will work in interaction with the nearby railway operations.
Land reclamation from the sea has become a popular phenomenon in coastal development. It is the most preferred solution to the need for land in coastal areas and has been implemented for various use cases, including flood control and agriculture. Nowadays, it has become a famous urban response to the rapid increase in coastal urbanization, economic activity, and global population. Countries like China and the Netherlands lead the chart on the amount of land area reclaimed. However, most reclamation projects today take place within urban centers in the global south. Cities in West Africa, East Asia, and the Middle East produce these new lands as economic forerunners for their commercial industry and as platforms to house luxury residences.
But the relationship between the design and production of reclaimed lands and the response of water in ocean environments is complex. It requires a symbiotic relationship with water bodies for stability but can provoke natural forces when negligently imposed on the sea. Ocean water behaviors, including tidal accumulation, sea level rise, connection to wetlands, and aquatic biodiversity, can question the success or failure of land reclamation projects in different contexts.
The Smithsonian Institution selected Perkins&Will to design the Bezos Learning Center at the National Air and Space Museum in located on the prominent National Mall in Washington D.C. Perkins&Will was one of the five shortlisted finalists for the competition. According to the Smithsonian, the selection was based on the architects’ ample experience in designing cultural and educational spaces, the reliability of their management team and the team’s aesthetic approach.
Rendering depicts a ground-level view of the planned new Doris Duke Theatre, viewed from a perspective right outside the Perles Family Studio. The new building will feature two lobbies with sliding doors, which will create multiple entrances and exits to the building. The lobby on the west side of the new Duke is visible in this image. Image Courtesy of Mecanoo Architects and Marvel
Jacob's Pillow has revealed its plans for the redesigned Doris Duke Theater, which will be built on the original site of the theater that was destroyed by a fire in November 2020. Mecanoo, based in the Netherlands and led by Creative Director and Founding Partner Francine Houben, has taken on the role of lead architect for the new building project, collaborating with Marvel, based in New York and led by Jonathan Marvel, who serves as the project's architect of record and landscape architects.
With a broad and diversified portfolio in terms of typologies, scales, and project locations, MMBB Arquitetos is a versatile office with multiple activities. Founded in 1991 in the city of São Paulo, the office is currently composed of Maria João Figueiredo, Marta Moreira, and Milton Braga, and over the more than three decades of its operation, it has had among its partners Angelo Bucci, Vinicius Gorgati, and Fernando de Mello Franco, in addition to having carried out several partnerships with Paulo Mendes da Rocha.
How did we end up building an environment where the private car is often treated better than many of our fellow human beings? In the U.S., the center of car culture, parking is expected to be convenient, available, and free, writes Henry Grabar in his engaging and entertaining new book, Paved Paradise: How Parking Explains the World (Penguin Press). Parking consumes vast amounts of land; in Los Angeles County, for example, it totals about 200 square miles. In New York City alone, there are 3 million curb parking spaces (not counting parking garages), which account for 6% of the city’s area—the equivalent of 13 Central Parks! Grabar asks: What better use could we make of this space? A 2021 study revealed that if New York reclaimed just a quarter of the street space allotted to cars, the following could be created: 500 miles of bus lanes; 40 miles of busways; 38 million square feet of community space; 1,000 miles of open streets; 3 million square feet of new pedestrian space; and 5.4 million additional square feet for restaurants, businesses, and cultural institutions.
https://www.archdaily.com/1002504/why-does-america-provide-more-space-for-storing-cars-than-housing-peopleMichael J. Crosbie
Neuro-diverse individuals might have sensitivity to light, colour or sound. It is important that flexibility is factored into an office design, with booths for quiet work and lighting options. Image Courtesy of Haworth
Global office furniture brand Haworth's concept of inclusion stretches well beyond simply accommodating disabilities, rather it involves a far-reaching philosophy that puts the well-being of all users in primary focus.
https://www.archdaily.com/1002463/making-workspaces-inclusive-through-designEmma Moore
The world is increasingly electric, from our cars to our homes, making our lives more efficient and sustainable. Electricity overtook natural gas as the leading home heating source for the first time in 2020, and natural gas consumption hit a five-year low in January and a four-year low in February. This shift toward electrification is especially prevalent in the kitchen, a central hub of energy use. The U.S. Department of Energy estimates 15% of energy consumption in the average American home happens in the kitchen between cooking, refrigeration, hot water heating, and dishwashing.
Architects and homeowners looking to increase efficiency and sustainability are finding the benefits of induction. According to ENERGY STAR, gas cooktops are only 32% efficient at transferring heat, and traditional electric stovetops are 75-80% efficient — induction is even better at 85% efficiency.
At the 18th International Architecture Exhibition of La Biennale di Venezia, The PhilippinesPavilion presents an exhibition that investigates the ecology and social implication of the Tripa de Gallina estuary in Manila. The body of water, once a mechanism for flood mitigation, has now become congested and polluted, affecting the lives of the nearby communities. The Pavilion aims to present the initiative that set out to gather and investigate the guts of the estuary and to work with the residents to find adequate and sustainable architectural solutions. Titled “Tripa de Gallina: Guts of Estuary,” the exhibition in Venice is co-curated by Architect Choie Funk and Sam Domingo and presents the work of the Architecture Collective, represented by Bien Alvarez, Matthew Gan, Ar. Lyle La Madrid, Noel Narciso and Arnold Rañada.
Pina Bausch Center in Wuppertal, Germany. Image Courtesy of Diller Scofidio + Renfro
Diller Scofidio + Renfro has won an international competition to design the new Pina Bausch Zentrum in Wuppertal, Germany. Pina Bausch’s legacy as a dancer and choreographer will be celebrated in the design and revitalization of the Tanztheater Wuppertal, as well as in the creation of a new production center. The building will emerge out of the ethos of Pina Bausch, setting an example for a new generation of leadership in the world of choreography.
Apart from the production stage centers, the design includes an archive of Pina Bausch's enormous artistic legacy, comprising a library, study, and research areas, and a public platform to promote community involvement with many creative and academic disciplines. Various contrasting and flexible spaces that encourage and foster conversation across the project's numerous program components are found throughout the proposed design.
Even as a child, the Venetian architect Carlo Scarpa was very aware of the fundamental element that would describe and underpin his work many years later: water. When he played and ran around the maze of streets and canals, Scarpa listened to everything around him, especially the richness of stimuli that his hometown offered him. A sensitive reader of places, he found his great text in Venice. This culture, subtle and almost academic, except for that devotion to scenography and the esoteric, is built over time; art, space, history, all compiled in his readings, trips to knowledge, and in his contact with artists and writers.
Scarpa would base his evolution as an architect on his extraordinary visual culture and his respect for tradition and the way of doing things in past eras; taking up the baton of that time and converting his reality into architectural space where all the pieces are independent units, dialoguing with each other or, as he liked to say, singing. He positions himself before what exists, whether it be an artistic piece or architectural space, from knowledge and sensitivity. He will apprehend the history and place in which it occurs and accentuate the existing beauty in things, showing the prominence of the new as a precious element.
Proposal Comparison, Autodesk Forma. Image Courtesy of Autodesk
The architecture profession is increasingly facing the pressures of a rapidly changing era marked by urbanization, population growth, and climate change. To effectively navigate the complexities surrounding architectural and urban projects, there has been an acceleration in the adoption and integration of data-driven technologies such as Artificial Intelligence (AI) and machine learning. However, valid concerns have risen regarding the potential loss of the designer's creative control, with fears that their role may be reduced to a mere "parameter adjuster." Is this a genuine possibility or merely a reflection of resistance to change?
In a conversation with Carl Christensen, Autodesk's Vice President of Product, we delve into the impact of AI on the traditional role of the architect and explore the opportunities that arise with these technological advances. As paradigms shift, forward-thinking architects and designers could find themselves especially empowered to expand their influence and shape a new future for the discipline.
