Industrialized House rNrH / Juan Marco arquitectos - Exterior Photography, Forest

Industrialized House rNrH / Juan Marco arquitectos - Exterior Photography, Garden, Facade

Industrialized House rNrH / Juan Marco arquitectos - Interior Photography, Facade, Beam

Industrialized House rNrH / Juan Marco arquitectos - Exterior Photography, Facade

Industrialized House rNrH / Juan Marco arquitectos - Interior Photography, Chair, Table

Industrialized House rNrH / Juan Marco arquitectos - Exterior Photography, Forest

Industrialized House rNrH / Juan Marco arquitectos - Exterior Photography, Garden, Facade, Door

Industrialized House rNrH / Juan Marco arquitectos - Exterior Photography, Facade

Industrialized House rNrH / Juan Marco arquitectos - Exterior Photography

Industrialized House rNrH / Juan Marco arquitectos - Exterior Photography, Facade

Industrialized House rNrH / Juan Marco arquitectos - Exterior Photography, Facade

Industrialized House rNrH / Juan Marco arquitectos - Exterior Photography, Facade

Industrialized House rNrH / Juan Marco arquitectos - Exterior Photography, Facade

Industrialized House rNrH / Juan Marco arquitectos - Exterior Photography, Facade

Industrialized House rNrH / Juan Marco arquitectos - Exterior Photography, Facade

Industrialized House rNrH / Juan Marco arquitectos - Exterior Photography, Facade, Door

Industrialized House rNrH / Juan Marco arquitectos - Exterior Photography, Facade

Industrialized House rNrH / Juan Marco arquitectos - Exterior Photography, Facade

Industrialized House rNrH / Juan Marco arquitectos - Exterior Photography, Beam, Facade, Fence, Handrail

Industrialized House rNrH / Juan Marco arquitectos - Interior Photography, Door, Facade

Industrialized House rNrH / Juan Marco arquitectos - Interior Photography

Industrialized House rNrH / Juan Marco arquitectos - Interior Photography, Table, Chair

Industrialized House rNrH / Juan Marco arquitectos - Interior Photography, Table, Chair

Industrialized House rNrH / Juan Marco arquitectos - Exterior Photography, Facade, Fence, Handrail

Industrialized House rNrH / Juan Marco arquitectos - Exterior Photography, Facade, Door, Table

Industrialized House rNrH / Juan Marco arquitectos - Exterior Photography, Facade

Industrialized House rNrH / Juan Marco arquitectos - Exterior Photography, Facade

Industrialized House rNrH / Juan Marco arquitectos - Exterior Photography, Facade, Table, Bench

Industrialized House rNrH / Juan Marco arquitectos - Exterior Photography, Facade

Industrialized House rNrH / Juan Marco arquitectos - Exterior Photography, Facade

Industrialized House rNrH / Juan Marco arquitectos - Exterior Photography, Facade

Industrialized House rNrH / Juan Marco arquitectos - Exterior Photography, Facade, Table

Industrialized House rNrH / Juan Marco arquitectos - Exterior Photography, Facade

Industrialized House rNrH / Juan Marco arquitectos - Drawings, Facade, Door

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The Materic table, designed by Piero Lissoni, is a sculptural object where the absolute simplicity of design is juxtaposed to the sophistication of materials and workmanships. Materic features a round and tapered table top, laying on a truncated cone as a base and it’s available in 2 version: top in marble with wooden base and wooden top with metal base. The top in marble, available in 7 fine nuances ranging from verde rameggiato to the more traditional white Carrara marble or in all the wood essences of our collection. The table top can also feature a rotating tray in the middle. The base is made up of 12 sandblasted natural ash, black stained or dark brown stained solid ash boards that are turned and connected to one another with finger joints so as to obtain a perfect truncated cone with a distinct wood grain. The wooden top is available in all the wood of the collection, and the metal base is available in inox steel and brunished brass finishes. The table comes in three top sizes, Ø 1600 mm, Ø 1800 mm and Ø 2000 mm, all fixed and with a rotating central disc; thanks to its generous size, it ensures maximum comfort for 6 or 8 people sitting around the table. The wooden top can be realized in all the dimensions. The 1600 mm marble top, either matt or glossy, is available in one of the following finishes: Carrara white, grey valentine, Sahara noir, verde rameggiato, covelano fantastico, calacatta oro or paonazzo. The 1800 mm marble top, either matt or glossy, is available in one of the following finishes: Carrara white, grey valentine, verde rameggiato, covelano fantastico, calacatta oro or paonazzo. The 2000 mm marble top, either matt or glossy, is available in one of the following finishes: Carrara white, grey valentine, calacatta oro or paonazzo. The rotating tray in the middle is perfectly flush with the top and is cut from the same marble slab thanks to the precision of water-jet technology. The use of the same slab and the coplanarity ensure a spectacular uniformity of the top surface and texture.

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Frame in metal with satin, chrome, burnished, black chrome, gun metal finish, white 100 or black 900. Rests on tips made of thermoplastic material. Art. 23883 – 23884 Top in Canaletto walnut veneer with natural finish, or stained Canaletto walnut extra or coffee; or, in ash veneer with natural finish or stained walnut, cherry, teak, coffee, wenge, ebony or brown; or with lacquer finish in white, black, lilac, pine green, salmon, grey-green, mocha, dove grey, mustard, saffron, burgundy, teal, grey-blue, moss green or brick

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Padded chair with legs in dyed ash wood, seat and back in Cat. A Nubuck leather. Dimensions in cm: 56 x 60 x 80 CUSTOMIZATION: Legs available in natural or dyed wood, and in aniline-dyed or lacquered wood in all RAL/NCS colours. Available in Cat. A, B, C leather and in matt or shiny velvet. Available in the high stool and in the small armchair version.

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Designed in late 1953, the DU 30 armchair is certainly Gastone Rinaldi’s most famous piece. In fact, it was awarded the Compasso d’Oro, then known as the Compasso d’Oro-Rinascente, in 1954, the first year the prize was presented. The jury included the likes of Gio Ponti, Marco Zanuso and Alberto Rosselli. The DU 30 armchair was immediately patented and appeared on the front cover of the first edition of Stile Industria magazine in June 1954. The unitary nature of the seat and backrest results in a central cutting and stitching effect that brings to mind the contemporary works of Lucio Fontana. The DU 30 armchair has a shaped single shell in steel mesh with moulded polyurethane foam padding. Legs in bent and welded iron tubing with a textured, wrinkled black finish (BLACK RAL 9005). Equipped with a lower ‘backbone’, the shell is directly screwed to each pair of legs. The padding is in moulded polyurethane foam and the upholstery is in Pelle Frau® leather, distinctive for its central stitching which begins at the bottom of the backrest, where gentle folds are formed, and continues right along the seat. The front is embellished with hand stitching.

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frame in baydur with polyurethane fillin covered incoated protective fabric and wood back/seat with polyurethane and dacron filling legs in ashwood natural, stained wenge’, stained ebony, stained brown. upholstery not removable fabric or leather covers 51 x 55 x H 89 cm | 46 cm

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It feels like sitting at more than just a table – it’s more like a place with a history. And this is not a place where just people come together, but also the answers to more requirements than you ever thought you could expect – of a table, that is. You feel like you’re sitting at a round table – or a square table – a truly remarkable experience. The ray table system is a smart conference all-rounder that clearly resonates with the know-how and experience of the ray family. Its lean design conceals ideas that you would more likely expect in products made of far heavier material. The thin-walled die-cast aluminium table legs hide cables that run invisibly through the inside of the subframe – without compromising on stability or design. Whether you prefer the more angular shape or the superellipse, oak or walnut – the slim, bevelled edge of the tabletop always perfectly rounds off the ray table. The ray table system is an excellent place to exchange ideas. Whether as a circle, a quartet, at an angular, rectangular or curved table – with the ray table system you are always well connected – with both media and colleagues.

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Nero, linoleum

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Technical features Frame: steel. Padding: cold foam polyurethane covered with velveteen. Legs: oak dyed umbra grey with brass tips. Cover: non-removable fabric or leather cover.

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Chair with upholstered seat and backrest, steel sled base finished in polished chrome, white or black.

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Seat and back upholstered, comfort upholstery, rear legs, rear cross-brace solid bentwood, stackable W47, D54, H88, SH47

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DEXTER is a versatile piece of furniture. The tapered steel legs give the frame not only an elegant look, but also extreme stability. The DEXTER model has developed into a diverse product family. In addition, there is the possibility to combine seat shell and back in different colors or materials: leather, fabric and leather/ fabric mix Dimensions without armrests: 51 x 67 x height 88,5 cm Seat height: 48.5 cm, Seat depth: 47cm Height of armrests: 66,5 cm

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The three-dimensional lightness of the legs, made of metal wires, is in contrast with the seat and back and create a balance between forms and volumes. The slightly curved back enwraps the seat padding and grants a great comfort.

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Chair with frame in solid canaletta walnut or ash and cover in the fabrics of the collection.

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Upholstered chair, seat and back with comfort upholstery, turned legs W47, D58, H86, SH47

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