Walter Gropius: The Latest Architecture and News

Architectural education has always been fundamentally influenced by whichever styles are popular at a given time, but that relationship flows in the opposite direction as well. All styles must originate somewhere, after all, and revolutionary schools throughout centuries past have functioned as the influencers and generators of their own architectural movements. These schools, progressive in their times, are often founded by discontented experimental minds, looking for something not previously nor currently offered in architectural output or education. Instead, they forge their own way and bring their students along with them. As those students graduate and continue on to practice or become teachers themselves, the school’s influence spreads and a new movement is born.

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The Women Bauhaus is a new art collective of five female artists led by mentor Sabine Marcelis, who are taking inspiration from the legacy of women in the Bauhaus movement. The project was commissioned by luxury skincare brand La Prairie as part of its ongoing patronage of the arts. The projects developed are taking inspiration from Bauhaus icons such as textile artists Otti Berger, Benita Koch-Otte, and sculptor, metalsmith, and designer Marianne Brandt. The initiative also hopes to bring attention to the often-overlooked legacy of women who joined the Bauhaus movement, and whose struggles to affirm themselves as artists and designers are rarely recognized.

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This article was originally published on Common Edge as "The Mental Disorders that Gave Us Modern Architecture".

How did modern architecture happen? How did we evolve so quickly from architecture that had ornament and detail, to buildings that were often blank and devoid of detail? Why did the look and feel of buildings shift so dramatically in the early 20th century? History holds that modernism was the idealistic impulse that emerged out of the physical, moral and spiritual wreckage of the First World War. While there were other factors at work as well, this explanation, though undoubtedly true, tells an incomplete picture.

One of the most highly regarded architects of the 20th century, Walter Gropius (18 May 1883 – 5 July 1969) was one of the founding fathers of Modernism, and the founder of the Bauhaus, the German "School of Building" that embraced elements of art, architecture, graphic design, interior design, industrial design, and typography in its design, development and production.

Every famed design movement has an interesting story of how it managed to influence architecture and design through the years. Despite their impact, not all movements began with the same principles they managed to ultimately lead with, and Bauhaus is no exception. The clean-cut modernist archetype, which has pioneered modern architecture for a century now, was once an experimental design institution of expressionism, unbound creativity, and handcraft, bridging the styles of Art Nouveau and Arts and Crafts with Modernist designs.

Italian artist Federico Babina has published the latest in his impressive portfolio of architectural illustrations. “Archivoid” seeks to “sculpt invisible masses of space” through the reading of negatives – using the architectural language of famous designers past and present, from Frank Lloyd Wright to Bjarke Ingels.

Babina’s images create an inverse point of view, a reversal of perception for an alternative reading of space, and reality itself. Making negative space his protagonist, Babina traces the “Architectural footprints” of famous architects, coupling mysterious geometries with a vibrant color scheme.

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The Hungarian artist László Moholy-Nagy was one of the most influential thinkers, designers and art educators of the first half of the twentieth century. His experimentation with light, space and form generated international attention. Among those impressed by Moholy-Nagy's work was Walter Gropius, German architect and founder of the Bauhaus School, who made Moholy-Nagy one of the youngest instructors in the history of the Bauhaus. In his time at the Bauhaus, Moholy-Nagy utilized multi-disciplinary art practices to revolutionize abstract artistic media.

But who was the man?