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Videos: 16 Top Architects Discuss China's "Museum Boom"

September 26, 2016

Currently on display at the Aedes Architecture Forum Berlin, "ZÀI XĪNG TǓ MÙ: Sixteen Chinese Museums, Fifteen Chinese Architects," takes an in-depth look at China’s recent museum boom and its effects on the socio-political and cultural landscape of modern China.

As part of the exhibition, filmmaker Moritz Dirks sat down with 16 of the top architects working in China today, including Wang Shu, Dang Qun of MAD Architects, and Zhu Pei of Studio Pei-Zhu, to discuss the challenges of creating cultural spaces that relate both to the global, digital, urban contexts of the contemporary world and to the strong heritage and identity of Chinese culture.

Continue after the break for the 16 interviews.

Studio Zhu-Pei's Vaulted Museum Design Takes Inspiration from Historic Chinese Ceramic Kilns

September 19, 2016

Studio Zhu-Pei has unveiled their design for the Jingdezhen Historical Museum of Imperial Kiln, a museum dedicated to the unique history of ceramics in Jingdezhen, China. Located in the heart of the historic china-making district of the city, nestled between ceramic workshops that date back to the Ming and Qing dynasties, the museum draws inspiration from the special forms of the kilns, creating gallery spaces out of a series of hand-crafted vaulted structures.

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Studio Pei-Zhu Unveils Plans for Performing Arts Center in Dali, China

August 26, 2016

Studio Pei-Zhu has unveiled plans for the Yang Liping Performing Arts Center in Dali, Yunnan, China. Located at a low latitude and high elevation, Dali features a dramatic terrain and a unique climate that create a boundless relationship between earth and sky. The project site is located in the heart of this landscape, on a fertile plateau between the Cangshan mountain range and Erhai lake.

In designing the Performing Arts Center, Studio Pei-Zhu has drawn inspiration from these natural variations in landscape and climate, employing a large canopy roof and a flowing form to invite users into the complex.

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An Interview with Zhu Pei, Pei-Zhu Studio

March 23, 2015

“If we look at architecture from a cultural point of view, we see we are in a special moment where we are trying to figure out our identity. I think we are too focused on how to transform old Chinese architecture into contemporary architecture; but in no way can you transform it, you can see it with your own eyes. For instance you cannot transform a Roman building into today’s buildings! Sometimes you have to forget about history to create contemporary and unique architecture.”
- Zhu Pei, Beijing, 2013

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ArchDaily Editors Select 20 Amazing 21st Century Museums

May 18, 2014

In honor of International Museum Day we’ve collected twenty fascinating museums well worth visiting again. In this round up you’ll find classics - such as Bernard Tschumi Architects' New Acropolis Museum and Zaha Hadid Architects' MAXXI Museum - as well as lesser-known gems - such as Waterford City Council Architects’ Medieval Museum, the Natural History Museum of Utah by Ennead, and the Muritzeum by Wingårdhs. See all of our editors' favorites after the break!

Xixi Wetland Art Museum / Studio Pei-Zhu

July 08, 2009

Chinese Studio Pei-Zhu has designed the Xixi Wetland Art Museum located in a rural nature preserved near Hangzhou, China. The concept stems from the interaction between building and nature. As leaves fall from trees they arrive naturally on the ground. The resulting form creates shelter against the earth.

This design creates the genuine qualities of scattered, fallen leaves and shelter through five buildings. Some leaves overlap and attach with other leaves. One leaf remains separate, yet still unites in visual language with the linked leaves. The four linked structures house functions for business, recreation, a hotel, restaurant, and reception. The single standing leaf is the art museum.

The buildings are covered by light colored, reflective zinc panels that have a brushed finish, resulting in a diffused and soft reflection of their interactions with people and nature. this blending influences a person as they experience the museum. All colors, light, and details merge into a continuous representation that is not recognizable as individual objects, but are distinguished as a uniform and natural image.

Seen at designboom. More images after the break.

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