Paul Goldberger: The Latest Architecture and News

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Koolhaas' journalism work won him fame in architecture before he completed a single building. The switch from storyteller to architect was more a change in the script than a professional shift. He pointed out that "[architecture] is a form of scriptwriting that implicitly describes human and spatial relationships." Restating the role of architecture in defining daily life beyond buildings and cities' construction, architecture is also a written and spoken tool capable of explaining daily worldwide events, giving voices to unspoken projects, and actively shaping the future of the architect's role. 

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The National Building Museum has announced that Dolores Hayden, professor emerita of architecture, urbanism, and American studies at Yale University, is this year’s recipient of the Vincent Scully Prize. As an urban historian and architect, Dolores Hayden has focused throughout her career on the politics of place and the stereotypes of gender and race embedded in American-built environments. As the 24^th recipient of the Vincent Scully Prize, Dolores Hayden joins esteemed past recipients, including Mabel O. Wilson, Elizabeth Meyer, Robert Campbell, and Inga Saffron.

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Videos

The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects David Lee and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.

A variety of subjects are covered with honesty and humor: some episodes are interviews, while others are tips for fellow designers, reviews of buildings and other projects, or casual explorations of everyday life and design. The Second Studio is also available on iTunes, Spotify, and YouTube.

This week David and Marina are joined by Pulitzer Prize-winning Architectural Critic and Author Paul Goldberger to discuss his journey to becoming an architectural critic; the importance of critics, their role in society, and the challenges of being one; adapting to the digital age; his critiquing process; the state of architecture today; and more.

This article was originally published on Common Edge.

In recent weeks, we’ve seen an explosion of internet speculation about the “future of cities.” Apparently, they are either doomed—or destined to prevail. The office is dead (obviously), the office tower (especially tall ones) clearly a building type in need of a proper funeral. All kinds of chatter have subsequently ensued (we have time on our hands) about the dire outlook for public space, the impending collapse of public transportation, the inevitable return to the suburbs, even the (gasp!) demise of the luxury cruise ship. We’ll see; we’re still wandering around in the dark here and might be for some time. With that somber thought in mind, I reached out to Paul Goldberger, Pulitzer Prize-winning architecture critic and urbanist, for what I felt certain would be a nuanced and measured take on our presently fraught moment. (A note: we spoke prior to the protests, which have erupted in American cities in response to the murder of George Floyd.) For the most part, we resisted the urge to make sweeping and almost certainly premature predictions about our urban future.

This article was originally published on Common Edge.

Paul Goldberger has a new book out, released just this week, entitled Ballpark: Baseball in the American City. Taking a page from the Ken Burns playbook, the book looks at a particularly American building type as a lens for looking at the broader culture of cities. Goldberger’s premise is a good one: Ballparks do parallel, to a remarkable degree, trends in American urbanism. They start as an escape from the city, then the city builds up around them. Post–World War II, they escape to the suburbs, then decades later return to the city. Today, privatization of the public realm and real estate development are driving the agenda. Recently I talked with Goldberger about the new book and a whole slew of magical ballparks, both living and long gone.

Next month, American architect Denise Scott Brown will receive the 2018 Soane Medal, an award given to "architects who have made a major contribution to their field, through their built work, through education, history and theory." A powerhouse jury that included Sir David Chipperfield, Paul Goldberger, Farshid Moussavi, Alice Rawsthorn, Oliver Wainwright selected Scott Brown for the second edition of the award. The 2017 Soane Medal was given to Rafael Moneo.

Sir David Chipperfield, Trustee of Sir John Soane’s Museum, said: ‘The jury considered many outstanding candidates; however Denise Scott Brown stood apart and was the jury’s unanimous choice. Scott Brown’s contribution across architecture, urbanism, theory and education over the last fifty years has been profound and far-reaching. Her example has been an inspiration to many, and we are delighted to honour her with the awarding of the Soane Medal.’

Tod Williams and Billie Tsien have been selected of the recipients of the 2017 LongHouse Award for their “for their outstanding body of work in architecture.”

At Wednesday evening’s ceremony, the husband-wife team opened up about the conceptual ideas driving their yet-to-be-revealed design for the Obama Presidential Library. In a lively discussion with Vanity Fair architecture critic Paul Goldberger, the architects revealed the nature of their working relationship with the President and First Lady, and how their upcoming library may draw from what TWBT learned in designing the Barnes Foundation in Philadelphia.

Frank Gehry and critic Paul Goldberger sat down with Charlie Rose to "the art and science of architecture and Golberger's new biography, Building Art: The Life and Work of Frank Gehry." You can watch the full 34-minute discussion above.

Depending on how you measure it, Renzo Piano's new building for the Whitney Museum of American Art in New York (designed in collaboration with New York practice Cooper Robertson) could be the most long-awaited museum of the 21st century. At just a fraction under seven years since the first designs of the building were released, the incubation period has been long enough on its own - but in fact the project has its roots in a scrapped 1981 design by Michael Graves, when the Whitney was instead planning an extension to their previous home in Marcel Breuer's 1966 masterpiece on Madison Avenue. With such a highly anticipated building, the Whitney could hardly have a better man for the job; Piano is one of the most prodigious museum builders of our time. Yet despite this, since construction began in 2011 the design has been beset by criticism for its ungainly external appearance.

Ahead of the Whitney's grand opening on May 1st, this past Sunday saw a slew of reviews from New York's many reputable art and architecture critics, who attempted to make sense of the institution's long-overdue move from their idiosyncratic but endearing former home. We've rounded up some of the best of them, after the break.

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Architects often don’t make time to read. Students and professionals alike will admit that the unread books on their shelves outnumber the ones they've read - which is unfortunate because literary contributions to the field of architecture, from Vitruvius to Le Corbusier, have shaped the way we build and use buildings for centuries. With this in mind, ArchitectureBoston polled their readers, asking them to share their favorite architecture and design titles, to compile a list of important architecture books you should set aside some time for. The list covers a wide range of subjects, from historical theory to the practicalities of starting a firm. See all thirty-three titles, after the break.

In an interview with Julia Ingalls Paul Goldberger, former architecture critic of the New York Times and forthcoming biographer of Frank Gehry, discusses the critical relevance of architecture in what he dubs the "new media age." According to Ingalls, Goldberger has thrived "by writing informed narratives that examine not just the trendy cladding of a building, but the deep historical, social, and political environments that invariably give rise to it." Goldberger is a writer who has embraced Twitter, using it as a platform for discussion and debate just as, in prior years, his writings in print media would act as less immediate provocations.