Modeling: The Latest Architecture and News

Energy codes around the world get stricter every year, architects need to prepare for various challenges ahead. The first step is to understand the key metrics needed to conduct early-stage analyses and collaborate across various teams. With buildings responsible for 39% of total carbon emissions, the design practice is evolving to bake in data-driven energy efficiency. This change is leading architects to quickly become building performance experts and create spaces that are high performance and healthy for occupants.

Heritage buildings are precious treasures passed down to us by our ancestors. They are also intangible cultural gifts for all mankind, a discovery of the past. Nevertheless, as time changes, ancient Chinese architecture, either destroyed by the forces of wars or nature, is gradually losing its original glory, making the protection and restoration of ancient buildings an urgent matter in this contemporary world.

Architects of today face a common task that defies intuition – how to balance building performance and strict carbon targets against cost. Sustainability in design is certainly a worthy and necessary goal, but the amount of options can be overwhelming and the costs prohibitive, especially in the eyes of owners. How can designers best convince their clients to integrate sustainability into a project? Keeping costs low and backing up decisions with fact-based analysis are solid first steps.

In many ways, architectural models are strange objects. On one hand, like drawings, models are a representation of something else—a building—that might exist already but in most cases is so far only hypothetical. On the other hand, they are miniature constructions in themselves, which can be appreciated for their craftsmanship and intricacy. Perhaps this is why architects find models so fascinating; they can be simultaneously admired as an object in themselves and as a vision of something greater.

Earlier this year, we asked our readers to send us images of their most impressive models, and the response clearly showed this fascination. We received photographs of a wide variety of models, from sensible and meticulously constructed miniatures to jaw-dropping expressive outbursts. From over 300 entries, we've narrowed down our readers' submissions to just 21 of the most awe-inspiring examples, splitting them into 5 categories to reflect the incredible range of ways that people have made their models worth looking at.

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"There is an existential need for simplification." - Ludwig Mies van der Rohe

The Father of “Less is More”

Mies espoused the concept of “less is more” long before the days of Building Information Modeling. As a director of the Bauhaus School, he sought to establish an architectural style that could serve as the Modern alternative to Classic or Gothic styles. His design focus was on clarity and simplicity.

South Australian artist, Joshua Smith has created yet another true-to-life miniature, a locksmith shop in Kaohsiung, Taiwan. The miniature was created for an exhibition at the Arcade Art Gallery in Kaohsiung called, ‘When the Sun Goes Down’ as part of the Streets of Taiwan festival. Miniaturist Joshua Smith selected the shop by using google maps, with supplemental reference photos taken by the gallery -- Joshua has not been to Taiwan, let alone the shop itself.

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Each material has its own peculiarities and, when using it for building, the design and construction process must accommodate these characteristics. A steel-framed building, for example, must be designed with a certain level of accuracy so that components and parts, usually manufactured off-site, fit together during assembly. A wooden building can have its cross sections drastically modified according to the species and strength of the wood used, or even according to the direction of the loads in relation to their fibers. With bamboo, no pole is exactly the same and each one tapers and curves differently, which requires a different approach when designing and building.

But how is it possible to work with a material with so many challenges and possibilities?

The representation of architecture is important in the absence of tangible space. Throughout a lifetime, even the most devoted, well-travelled design enthusiast will experience only a small percentage of architectural works with their own eyes. Consider that we exist in only one era of architectural history, and the percentage reduces even further. Many architectural works go unbuilt, and the buildings we experience in person amount to a grain of sand in a vast desert.

Then we consider the architecture of the future. For buildings not yet built, representation is not a luxury, but a necessity to test, communicate and sell an idea. Fortunately, today’s designers have unprecedented means to depict ideas, with an explosion in technology giving us computer-aided drafting, photo-realistic rendering, and virtual reality. Despite these vast strides, however, the tools of representation are a blend of old and new – from techniques which have existed for centuries, to the technology of our century alone. Below, we give five answers to the question of how architecture should be depicted before it is built.

Chilean art and architecture studio Pezo von Ellrichshausen’s “Finite Format” exhibition is currently on display at one of the most important cultural sites in the Czech Republic: The House of Art of Ceske Budějovice. Composed of more than 480 paintings (Finite Format) and six ink drawings (Infinite Motive), the installation aims to demonstrate the firm’s “underlying method to understand not only the artistic qualities in a work of architecture but also the architectonic attributes of a work of art,” according to the architects.

In parallel, Pezo von Ellrichshausen also carried out a workshop with 14 architecture students from the Technical University of Liberec to conceptualize and construct a twelve-square-meter scale model for the "Infinite Motive" installation. Using the circle as the basic element, the architects reflect on how “architectonic intentions may be diluted by means of the repetition of a single figure with a diverse range of dimensions.”

There are few mediums that the Grimm Brother's Fairy Tales haven't been adapted into. Bowdlerized stories and films for children have since given way to revisionist tales that embrace the gruesome coloring of the originals, but something about the Grimm Brothers' gothic folklore still holds sway over popular imagination around the world. No matter what kind of adaptation is created - musical, childlike or modernized - the essential Grimmness of the tales still glowers through. FleaFolly's Grimm City is just such a creation.

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Between 1945 and 1981 around 170 million prefabricated (prefab) residential units were constructed worldwide. Now, as part of a study undertaken by Pedro Alonso and Hugo Palmarola of the Pontificia Universidad Católica de Chile between 2012 and 2014, an exhibition at the Tel Aviv Museum of Art features 28 large concrete panel systems from between 1931 and 1981. In so doing, it explores a transnational circulation of these objects of construction, "weaving them into a historical collage of ambitions and short-lived enthusiasm for utopian dreams."

This show, curated by Meira Yagid-Haimovici, is an attempt to reveal "how architecture and urbanism was charged with historical, social, and political narratives, and how the modernist vision promoted the fusion of aesthetics and politics." The models, which are being exhibited as part of the Production Routes exhibition, seek to highlight the richness embodied in 'generic' architecture through the lens of prefab construction methods.