Le Corbusier: The Latest Architecture and News

In 1945, the declaration of the end of World War II brought a wave of euphoria to the streets, and optimism permeated the atmosphere with the promise of brighter days. Inspired by this newfound hope, the United Nations Organization (UN) was established in the same year. The vibrant city of New York was chosen as the headquarters location, and an international team of carefully selected and invited architects was tasked with conceiving the project.

For this ambitious and truly international project, eleven renowned architects were brought together from various corners of the world. These architects, often known for their inflated egos, a common trait in their profession, were accustomed to exercising full control over their architectural designs and even their respective countries. They had to coexist in the same space and collaborate on a single project. The successful collaboration on this project would be a compelling demonstration of the possibility of achieving world peace.

In the aftermath of the Second World War, a drastic housing shortage spread across Europe, and Milan was no exception. Various plans and solutions were conceived to address this crisis, outlining satellite communities for the city to accommodate between 50,000 and 130,000 residents each. The first of these communities began construction in 1946, just one year after the war's end: the Gallaratese project.

In late 1967, as the plan allowed for the private development of Gallaratese 2, the esteemed Studio Ayde, led by partner Carlo Aymonino, was assigned the project. Aymonino invited Aldo Rossi to contribute his architectural skill to the complex, leading to the realization of their distinct visions for an ideal microcosmic community. Together, these two Italian architects began a journey to shape a groundbreaking and historically significant housing icon for Milan. Captured through the lens of Kane Hulse, the building and it’s significance is revisited through this photo series.

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This article was originally published on Common Edge.

It has been about 200 years since the École des Beaux-Arts in Paris created an academic discipline—and thus the profession—of architecture. The central role of the architect as the defining agent of creation transcended the Master Builder, a role that defined those who designed buildings not as experts or celebrities but as stewards of building traditions.

In increasingly denser urban environments, there is a new-found interest in underused spaces as opportunities for further development. Representing up to 25% of cities' land area, rooftops are among the most exciting spatial resources. From sustainable infrastructure and urban farming to social spaces and cultural venues, the article looks into the potential of creating a multi-layered city through the activation of urban rooftops.

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The infamous Unite d' Habitation, the first in Le Corbusier's new line of housing projects that emphasized community living for all the residents, was completed in 1952. For its 70^th anniversary, world-renowned photo artist Paul Clemence reveals a unique photo series of the building as it stands today. The photographs honor the construction that initiated the brutalist movement and showcase the infamous project's current condition.

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This article was originally published on Common Edge.

This year marks the centennial of the first edition of Vers Une Architecture, Le Corbusier’s epoch-making book. Though a new English translation appeared in 2007 to much acclaim, most other practicing architects read the first English edition that appeared in 1928, entitled Towards a New Architecture. Comparing the three editions is instructive, particularly in one crucial respect: the insertion of the word “new” in the title. The book wasn’t really about new architecture, because very little of it showed buildings in the International Style. Instead, it was in many respects a clever diatribe intended to convince Europeans that they had no choice but to renounce every kind of architecture that had been built before the Great War and begin anew. It was remarkably successful in fulfilling that aim.

In 1950, the famous Le Corbusier was asked to design the new state capital of Chandigarh for Punjab following its separation and recent independence. The opportunity to create a new utopia was unparalleled- and is now seen as one of the greatest urban experiments in the history of planning and architecture. The city employed grid street patterns, European-style thoroughfares, and raw concrete buildings- the zenith of Corbusier’s ideals throughout his career. But what is lesser known about the ideation and realization of Chandigarh, was the woman who brought her experience of designing social housing across Africa to the project. For three years, working alongside Corbusier, and helping him design some of the best-known buildings in Chandigarh, was Jane Drew.

When people describe the modernist movement as a whole, they broadly reference the steel and glass skyscrapers which dot many of our cities’ skylines, or more specifically, the International Style that once emerged from Europe after World War I. The International Style represented technological and industrial progress and a renaissance of social constructs that would forever influence the way that we think about the use of space across all scales. Often designed as politically charged buildings seeking to make a statement towards totalitarian governments, many architects who influenced the style moved to the United States after World War II, paving the way for some of the most iconic buildings and skyscrapers to be built in the 20th century.