Le Corbusier: The Latest Architecture and News

With escalating land values in urban centers, there has been a growing trend to float public spaces from ground level to elevated locations, such as rooftops or podiums between buildings. From a development perspective, maximizing floor area has become crucial as urban environments expand. Ground-level spaces are highly sought after for retail use due to their strategic location, which attracts foot traffic and potential customers and drives city development and economics.

This financial consideration, which often guides building activities and directions in urban centers, contradicts design principles advocated during the modernist era for the benefits of better outdoor space for the public, such as the concept of 'Freeing the Ground'. Architects like Le Corbusier championed this concept through projects like Villa Savoye and Unite d' Habitation. These modernist designs envisioned a future where buildings were elevated to restore open, accessible outdoor ground-level spaces for its users. However, for the reasons above, many contemporary projects instead seek to replicate the function of public grounds within the building's structure.

+ 10

This article was originally published on Common Edge.

"O beautiful, for spacious skies, for amber waves of grain, has there ever been another place on earth where so many people of wealth and power have paid for and put up with so much architecture they detested as within thy blessed borders today?"

Tom Wolfe wrote this in his 1981 book From Bauhaus to Our House. The conflict between modern and traditional design has barely abated since, as is evident in this recent article. In the U.S., modern buildings are often met with community aversion, for familiar reasons: their perceived coldness and lack of contextual sensitivity, the impact on local character, and the loss of historical continuity. But on another level, the critique against modern design finds even more purchase on the larger scale: the city. Modern U.S. cities reek of traffic congestion and pollution, social inequality and gentrification, a loss of community and cultural spaces, and a lack of usable open space.

The Victoria & Albert Museum is set to present an expansive exhibition focused on Tropical Modernism, an architectural movement that emerged in the late 1940s. British architects Jane Drew and Maxwell Fry were instrumental in developing this approach, combining modernism’s functional goals with local climate adaptations in warm and humid weather. This movement, which embodies Britain's unique contribution to international modernism, evolved against a backdrop of anti-colonial resistance, blending colonial architectural principles with local needs.

+ 17

In 1945, the declaration of the end of World War II brought a wave of euphoria to the streets, and optimism permeated the atmosphere with the promise of brighter days. Inspired by this newfound hope, the United Nations Organization (UN) was established in the same year. The vibrant city of New York was chosen as the headquarters location, and an international team of carefully selected and invited architects was tasked with conceiving the project.

For this ambitious and truly international project, eleven renowned architects were brought together from various corners of the world. These architects, often known for their inflated egos, a common trait in their profession, were accustomed to exercising full control over their architectural designs and even their respective countries. They had to coexist in the same space and collaborate on a single project. The successful collaboration on this project would be a compelling demonstration of the possibility of achieving world peace.

In the aftermath of the Second World War, a drastic housing shortage spread across Europe, and Milan was no exception. Various plans and solutions were conceived to address this crisis, outlining satellite communities for the city to accommodate between 50,000 and 130,000 residents each. The first of these communities began construction in 1946, just one year after the war's end: the Gallaratese project.

In late 1967, as the plan allowed for the private development of Gallaratese 2, the esteemed Studio Ayde, led by partner Carlo Aymonino, was assigned the project. Aymonino invited Aldo Rossi to contribute his architectural skill to the complex, leading to the realization of their distinct visions for an ideal microcosmic community. Together, these two Italian architects began a journey to shape a groundbreaking and historically significant housing icon for Milan. Captured through the lens of Kane Hulse, the building and it’s significance is revisited through this photo series.

+ 3

This article was originally published on Common Edge.

It has been about 200 years since the École des Beaux-Arts in Paris created an academic discipline—and thus the profession—of architecture. The central role of the architect as the defining agent of creation transcended the Master Builder, a role that defined those who designed buildings not as experts or celebrities but as stewards of building traditions.

In increasingly denser urban environments, there is a new-found interest in underused spaces as opportunities for further development. Representing up to 25% of cities' land area, rooftops are among the most exciting spatial resources. From sustainable infrastructure and urban farming to social spaces and cultural venues, the article looks into the potential of creating a multi-layered city through the activation of urban rooftops.

+ 5

The infamous Unite d' Habitation, the first in Le Corbusier's new line of housing projects that emphasized community living for all the residents, was completed in 1952. For its 70^th anniversary, world-renowned photo artist Paul Clemence reveals a unique photo series of the building as it stands today. The photographs honor the construction that initiated the brutalist movement and showcase the infamous project's current condition.

+ 43