Kengo Kuma: The Latest Architecture and News

In the autumn of 2024, the Kistefos Museum Foundation invited 28 architectural firms to participate in a prequalification process to design a new site-specific standalone gallery. Scheduled to open in 2031, the new museum building will house the art collection of the museum's founder, Christen Sveaas. The gallery will join Kistefos' sculpture park, which features 55 works by international artists such as Yayoi Kusama, Olafur Eliasson, Fernando Botero, and Anish Kapoor, as well as an industrial museum and BIG's award-winning art gallery, The Twist. Additionally, a new visitor center, designed by the Oslo-based architectural firm Lund Hagem, is set to open in 2026.

In my 2008 interview with Kengo Kuma in Manhattan—the Tokyo-based architect was in town for a lecture at Cooper Union and to oversee the construction of a house renovation in nearby Connecticut— he summarized the intention of his work for me, "The closest image to the kind of architecture I try to achieve is a rainbow." The architect designs his buildings as a chef would prepare a salad or a florist arrange a bouquet of flowers—by carefully selecting ingredients according to their size, shape, and texture. He then tests whether they should touch, overlap, or keep a distance to let the airflow pass through. The process is closer to a trial-and-error scientific experiment rather than an artistic exercise in projecting visionary forms and images. Although his buildings surely look strikingly artistic and utterly breathtaking. They are both precise and loose, primitive and refined, material and transient. The architect's fascination with materiality is startling, and despite having completed many dozens of buildings all over the world over the course of his distinctive career, in our conversation last month over Zoom, Kuma told me, "I stand at the beginning of a long process of material exploration."

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The Portugal Pavilion at Expo 2025 in Osaka embraces the theme "Ocean, The Blue Dialogue", offering visitors an immersive exploration of the ocean as a life-giving resource and a cornerstone of sustainability. Designed by Japanese architect Kengo Kuma, the Pavilion aims to reflect Portugal's deep historical, cultural, and economic connections to the sea, creating an architectural and narrative journey that bridges past, present, and future.

In a surprising development, internationally renowned architect Kengo Kuma has been named the new lead designer for the highly anticipated Global War on Terrorism Memorial on the National Mall in Washington, D.C. The announcement follows the departure of previous designer Marlon Blackwell, who was originally selected in July 2023.

The State of Qatar has unveiled the design of its national pavilion to take shape at Expo Osaka 2025. Designed by Kengo Kuma & Associates in collaboration with Qatar Museums, the pavilion blends traditional craftsmanship from Qatar and Japan while highlighting the two countries' connection to the sea, which is understood as a hub of resources and a medium for trade and knowledge exchange. The prepared exhibition, on view between April 13 and October 13, 2025, aims to showcase Qatar's innovations across diverse fields.

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As Milan Design Week begins, the Italian city is transformed into the grounds of one of the most expansive celebrations of global design, with its streets and venues brimming with cultural events, exhibitions, large-scale installations, talks and conferences. At Rho Fiera, the 62nd edition of the Salone del Mobile.Milano brings together designers, architects, producers and leading figures of the design world, featuring over 1950 exhibitors which will remain open for the next 6 days. Additionally, across the city Fuorisalone opens up locations across the city with an engaging and varied cultural program.

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This article was originally published on Common Edge.

Chinese temples have stood for centuries, battered by wind and earthquakes, without a crack or timber out of place. They employ an ancient technique called “bracket set construction” that requires no nails or metal parts to connect wooden structural elements. Scandinavian stave churches are nearly as durable. Unsurprisingly, there are plenty of trees in Sweden and all over China.

So what is with the hype about innovation in “mass timber” construction over the past few years? As Boyce Thompson argues in his thoughtful new book, Innovations in Mass Timber: Sequestering Carbon with Style in Commercial Buildings (Schiffer Publishing), this will be the next big thing in “green” tech for architects feeling guilty about their costly titanium skins and outsized carbon footprints. The color photos show some impressive buildings in places where the wood industry has always been healthy, such as the Pacific Northwest and Scandinavia. The Japanese build log cabins with imported material that might as well be gold.

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In a city, celebrating the act of walking has become a form of non-traditional planning. In the age of cars, challenging the dominance of vehicular transportation by championing the pedestrian experience is not very common. For this reason, pedestrian bridges worldwide stand as symbols of connectivity and architectural ingenuity. These soaring structures embody the urban experience for its core user: the pedestrian. Although the structures began as practical solutions to traffic management, they have evolved into iconic landmarks and pivotal components of city planning.

The significance of these projects represents a shift towards human-centric design in urban landscapes. The Kusugibashi Bridge in Japan, rebuilt by Kengo Kuma & Associates symbolizes resilience, while the Hangzhou Riverfront Public Space’s Silk Bridge showcases urban connectivity through revitalizing the waterfront. The Donnguan Central Area Slow-Traffic Bridge addresses connectivity and greenery, and SBE NV’s Vlasburg Bridge dedicates itself to enhanced water routes for the community. Collectively, these bridges drive urban revitalization into the future, emphasizing sustainability and integrating with community needs.

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Kengo Kuma and Associates has just unveiled the designs of a new mixed-use project in Miami, Florida. Standing as the first mixed-use initiative by the architect in the United States, the scheme is set to become a popular attraction in the city. “MIRAI Design District” is comprised of retail spaces, office spaces, and commercial units.

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