As we explore social practices that challenge the dominant model in architecture, we have come to recognize the significance of addressing issues related to identity, gender, race, and sexual orientation within the realm of spatial design. By considering these dimensions, we aim to highlight how the built environment can foster new ways of envisioning society and shaping our relationship with the world around us. To provide valuable insights, we have curated a bibliography that showcases the perspectives and experiences of individuals who defy the norms dictated by a universalizing approach. This collection of 20 books offers diverse narratives that invite us to perceive, imagine, and experience space through an LGBTQIA+ lens.
Joel Sanders Architect: The Latest Architecture and News
Expanding Architectural Horizons: LGBTQIA+ Perspectives in Space and Design Presented in 20 Books
The Restroom Pavilion at the 2021 Venice Biennale Displays how Restrooms are Political Battlegrounds
"When we enter the restroom, we are never alone. Instead, we are entangled in a network of bodies, infrastructures, ecosystems, cultural norms, and regulations". Although restrooms are often overlooked facilities that cater to the needs of individuals, they are, however, spaces where gender, religion, race, hygiene, health, and the economy are defined and expressed. For the 17th International Architecture Exhibition at La Biennale di Venezia, Matilde Cassani, Ignacio G. Galán, Iván L. Munuera, and Joel Sanders designed two pavilions that exhibit how restrooms are political architectures, serving as battlegrounds for the world's disputes.
American Architects Win International Competition for "Cultural Mall" in China
A looping mixture of culture and commerce has won Joel Sanders Architect and FreelandBuck first prize in the international competition hosted by the largest media and publishing company in China, Phoenix Publishing and Media Group (PPMG).
Their 80,000 square meter winning proposal for the new Kunshan Phoenix Cultural Mall divides a large urban block into four 'cultural cores,' each five stories high and respectively housing a theater, fitness club, education center, and exhibition halls. The podium, which sits upon the glass-clad cores, spirals the length of the perimeter (comprised of stores, restaurants and cafes) and ultimately plateaus at an open park where the public and Phoenix employees would share a common space.