Not all people share the same routines, habits, or customs, yet we all have the same fundamental needs, regardless of age, social class, gender, culture, or religion. Designing bathroom spaces involves considering parameters of accessibility, technology, cleanliness, comfort, and durability, while offering efficient and sustainable solutions that ensure optimal performance. But what does functionality in architecture really mean? How do usage patterns evolve over time? Geberit products showcase various design proposals through their Mix and Match approach that blend furniture, sinks, and other bathroom accessories, all conceived to meet the diverse requirements of their users.
Designing for children is certainly not child's play. While adults lead the design process, the end-users are often children, as seen in kindergartens, schools, and parks. Architects have the responsibility to create built environments that provide children with opportunities to play, explore, and learn, even in today's digital age.
Italy's influence on contemporary design has been profound and captivating, with Italian architecture consistently bridging cultural heritage and innovation, from advancements in construction techniques to the evolution of the neoclassical style. A prime example of this integration is the Italian villa typology, which reached its zenith during the Renaissance with groundbreaking innovations. Villa Almerico —designed by Andrea Palladio and inspired by Alberti's treatise De re aedificatoria— exemplifies this evolution. Renowned for its centralized and symmetrical plan, its construction marked a turning point with classical proportions and the incorporation of courtyards and gardens as extensions of the living space, highlighting a remarkable contextual relationship.
Although Palladio's influence was so profound that his style defined much of European and American architecture in subsequent centuries, the concept of the Italian villa has endured and evolved. Its ability to combine functionality, aesthetics, and respect for the environment has allowed its fundamental principles to remain in force, now merging with new currents of contemporary design. A clear example is Villa Apua, a project by PAN Architetti inspired by the Versilian concept of buen ritiro. The house's meticulous design addresses the needs of its inhabitants while fostering an intimate, thoughtful connection with the landscape and the memory of Forte dei Marmi, a town nestled between the Mediterranean coast and the Apuan Alps. This harmony is further enhanced by the great flexibility of the antoniolupi collections, whose rich finishes and materials seamlessly integrate the living space with its furnishings and the surrounding environment.
https://www.archdaily.com/1021313/where-italian-style-meets-wellness-and-serenity-the-case-of-villa-apuaEnrique Tovar
In Beirut, a city marked by transformation, the Interdesign Building echoes the vision of an architect steadfast in his conviction. Designed by Lebanese architect Khalil Khouri in 1973 during a period of economic growth, the building took 23 years to build, a process halted by the onset of the Lebanese Civil War. By the time it was completed in 1996, the urban landscape that surrounded it had changed. The structure has stood largely unused since, as a relic of hopeful modernity. While its design is singular in its narrative and expression, this structure illustrates the tension between aspiration and struggle throughout its complex history.
What is the link between architecture and pastry? What design strategies are applied in the contemporary interiors of bakeries and pastry shops? While architecture can serve as inspiration for the design of forms and configurations of edible elements, it also contributes the techniques of descriptive drawing, architectural composition, and staged planning to the culinary language. Focusing their thinking on people and their needs, both disciplines strive for precision, with interior design being a broad field where the use of figures, colors, materials, and various equipment can be explored to enhance user experiences.
Bauhaus's designs have influenced our contemporary society in obvious and subtle ways. Iconic examples include Marcel Breuer’s Wassily Chair, the B55 Chair, the Bauhaus typeface, and the graphic design principles emphasizing clean lines, primary colors, and geometric shapes. However, the architectural construction details of the Bauhaus movement are much less discussed. While most can readily identify modern or Bauhaus buildings by their geometric forms, functionality, and industrial materials, their architectural details are often overlooked. They not only echo the design language of Breuer’s renowned furniture pieces but also have influenced the much-celebrated architectural glass details of Mies van der Rohe. How were Bauhaus's details executed, and how might they be translated into contemporary details today?
Living in densely populated cities is a reality for many. While the benefits of urban living—such as proximity to amenities, infrastructure, job opportunities, and lifestyle—remain highly valued, homes have seen a significant reduction in square footage. The trend toward smaller apartments has become increasingly common, with interior design playing a fundamental role. Reducing square meters demands efficient use of space and smart floor plan layouts. However, far from generating dull spaces, creativity in design has led to interesting architectural solutions that condense high-quality living into what is often called a micro apartment or studio, studios of 40m2 or under.
Furniture made from natural materials is widely valued for its beauty and texture, especially when it comes to wood, bamboo, reed, and rattan. However, they often face challenges such as weather damage, pest infestations, and high maintenance requirements like regular cleaning and treatments to prevent fading and structural weakening. Additionally, their lack of uniformity and strength can compromise consistent quality, while harvesting the raw materials can have negative environmental impacts. These issues, combined with inconsistent availability and higher costs, have driven innovations in synthetic materials that aim to replicate the aesthetics of natural products, often using recycled materials to promote sustainability.
The act of play creates a welcome escape from the demands of daily life, encouraging joy, creativity and collaboration, with tangible benefits from stress relief to improved cognitive function. So when it comes to the interiors of spaces for play—for leisure and socializing for example—how can design enhance these effects? Specifying adaptable modular furniture that can blend the boundaries between indoor and out is one method to improving the freedom and spontaneity of space, bringing agency to moments of joy, possibilities for fresh configurations and equipping interiors for shifting future dynamics.
For Italian designer Matteo Nunziati’s latest collection of outdoor furniture for Unopiù, the Davos collection, he was inspired by the geometric simplicity of children’s games as functional devices for enlightenment and to reconnect spaces to movement and expression. The generous yet lightweight modular seating system, which includes sofas, chaise longues, armchairs and coffee tables, is easy to assemble and offers infinitely adaptable scenarios to encourage play in daily life. To unlock these qualities, Nunziati was drawn in particular to the logical beauty of the abacus, with its magnetic balls connected on linear elements.
Vibrant colors, ping-pong tables, video games, free food and extravagant decorations. Photographs of the Silicon Valley offices of the early 2000s became the model for ideal, disruptive work environments, meticulously designed to attract and retain new talent in a highly competitive job market. Most importantly, they were the extreme opposite of the famous cubicles of previous decades. Over time, these same companies have invested in creating healthier and more dynamic working environments, giving special consideration to providing contact with nature and better ergonomics for employees. Among the innovations of the past years, the so-called “standing desks” have been gaining popularity, as they offer flexibility and promote a culture of health and well-being. Having the flexibility to work either standing up or sitting down encourages more movement throughout the day and has been proven to improve health and stretching, burn more calories and even increase concentration.
According to Norman Foster, "as an architect you design for the present, with an awareness of the past." In this sense, present-day architecture, interiors, and furniture have undergone a radical evolution in recent years, driven by a paradigm shift in the conception of space and our interaction with it. This contemporary approach has steered us towards less constrained, more collaborative, and multi-purpose spaces, which can also provide privacy and functionality. In addition, they must serve as temporary workspaces in specific contexts, adapting to the dynamism of contemporary needs and activities.
From this new approach, architects and designers are reshaping interior environments to accommodate new behaviors, facilitating the discovery of renewed ergonomics in human activities. Today, architectural thinking is merging to create spaces that enable conducting our lives in motion, a trend particularly evident in dynamic environments such as airports, encompassing intimate and social moments with people on the move. Consequently, a new kind of furniture has re-emerged, becoming commonplace in airport settings and other shared spaces: the booth.
https://www.archdaily.com/1016389/a-new-level-of-functional-privacy-in-airports-the-rise-of-lounges-and-work-cabinsEnrique Tovar
Humans are social beings.The interaction between individuals is an essential part of the human experience and helps improve society as a whole. While architecture plays an important role in promoting spaces for people to meet, exchange and socialize, furniture can be a strategic tool for achieving this goal.
Browsing through our project library, one can find a number of examples of cafes and public spaces where communal tables become a central element in providing a place to meet. In many of these projects, the sinuous design of the tables, with protrusions and recesses, provides not only the possibility of various configurations of chairs for different group sizes but also different uses for the tables themselves, at times as planters, at others as slides or extensions of a workbench.
This year's Milan Design Week brought together designers, architects, producers, and key figures from the design world. The events were divided between the Salone del Mobile at Rho Fiera, a trade fair with over 1950 exhibitors, and Fourisalone, featuring various events across Milan. With numerous installations throughout the city and a wide range of events, conferences, and debates, Milan Design Week stands as one of the most significant design-focused events worldwide. For architects, this represents an opportunity to not only exchange ideas but also to actively contribute through collaborations and explorations across disciplines.
This year, many internationally recognized architects have entered collaborations with furniture and light design companies, exploring the intersection of design and architecture. Despite the change in scale, many of these products reflect the recognizable architectural language of their designers, offering an insight into the principles that guide their practice. In addition to aesthetic explorations, many of the products selected are tackling important themes of interest, from the need to develop more sustainable materials with a reduced carbon footprint, to the potential impact of new technologies such as artificial intelligence.
For decades, our society and the development of our built environment have been strongly associated with intensive extractive processes. While these methods were fundamental to the growth of urban areas, they also laid the groundwork for significant challenges that contemporary generations face today. Nowadays, construction debris accumulates on the peripheries of our cities, and plastic waste floats in the oceans.
In this context, and similarly to the idea expressed by Alvar Aalto, who stated that "modern architecture does not imply the use of new materials, but rather employing existing materials more humanely," it is crucial to reconsider how we manage our resources and waste. This shift in direction provides us with new opportunities to address the challenges that the ongoing climate crisis has brought. In response, various actions are now being taken, using materials such as food waste, recycled wood, and plastic debris, among others, exploring innovations in a context where raw materials are becoming increasingly scarce.
https://www.archdaily.com/1013787/casting-furniture-with-upcycled-plastics-and-urban-debris-los-colados-projectEnrique Tovar
Often associated with an industrial aesthetic, metal has become more prevalent in residential and commercial architecture. Its reflective quality has broadened the scope of texture and color combinations, giving rise to a fresh aesthetic for interior design. Consequently, architects and designers increasingly incorporate metallic surfaces to define floors, benches, and other furniture elements, thereby defining spatial layouts and infusing them with a contemporary vibe. To inspire this trend, we explore various methods for incorporating aluminum or similar materials into your space.
Jonas Salk Institute for Biological Sciences (1959-65). Image Courtesy of Form Portfolios
In the history of modern architecture, Louis I. Kahn is regarded as the undisputed master of monumentality in the United States. At the height of his career, Kahn managed to create a unique type of architecture, often awe-inspiring, but avoiding overdone grandiosity, expressing its constructive system, yet avoiding structural exhibitionism, steeped in history but developed with a new language and system of forms. His interest in light as a functional element and the specific qualities of materials extended beyond his buildings, in all the objects he created to populate them following their intrinsic spirit. To celebrate this legacy, Form Portfolios has now launched “Monumental Modernism,” the first collection of lighting, objects, and furniture modeled after those discovered in Louis I. Kahn’s buildings.
A vital aspect of a circular economy lies in shifting our view of waste. Labeling an item "waste" implies voiding its value and ending its useful role in a traditionally linear economy. While the item might be out of sight and out of mind, its life continues in the landfill. This shift in perspective regarding waste means opening our minds to the opportunity that the abundance of junk presents. These designers and architects have managed to not only effectively reclaim discarded objects but also to make them look precious, imbuing them with new meaning and value through their careful curation.
