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Frank Lloyd Wright's architectural legacy is vast, but among his most enigmatic and atmospheric works are his Mayan Revival houses in Los Angeles, California. Residences such as the Hollyhock House redefine the interplay of light, materiality, constructive innovation, and spatial perception. By using modular concrete blocks in an ornamental and structural way, Wright developed a unique aesthetic deeply rooted in both the past and the future.
For centuries, models have been central to architectural design, providing architects with a tangible way to explore ideas, test concepts, and communicate their vision. From the Renaissance to Modernism, models have been instrumental in the construction and reflection processes, offering insights into form, proportion, and spatial relationships. However, in today's digital age, where 3D models and Virtual Reality (VR) have become powerful and efficient tools, the question arises: Are physical models still relevant in contemporary architecture?
The Price Tower, Frank Lloyd Wright’s only realized high-rise building, and a beloved landmark in Bartlesville, Oklahoma, has been going through a financial controversy, with recent developments announcing an October auction, as revealed by the Bartlesville Examiner-Enterprise. Designed in 1952, the tower was commissioned by Harold C. Price, Sr., as a multipurpose tower for commercial and residential use.
This article was originally published on Common Edge.
What makes something sacred? When does a building mean more to us than nearly all other places, spaces, objects, or activities in our lives? Architects strive to achieve the sacred in buildings, but it’s the rest of us who either sense it or not, whatever the aesthetics may be. I think the meaning of what is sacred to us can be most profoundly seen and felt when things change.
The Wayfarers Chapel, known locally as "The Glass Church," was designed by Lloyd Wright, the eldest son of architect Frank Lloyd Wright, and completed in 1951. Located in the Palos Verdes peninsula in Los Angeles, its design aimed to blend the lines between architecture and nature, with large-span glass panels opening up to space toward the redwood canopies. Last year, the structure was designated a national historic landmark. Now, due to “accelerated land movement” in the area, the structure, which has been closed off to the public since February, was announced to be disassembled to protect it from further damage.
Imagine a world thousands of years into the future, one where humanity has conquered planets from galaxies away, only to default to a neofeudalistic social order in a constant power struggle, all built upon an intricate tapestry of cultures and religions and set in a harsh yet vivid landscape that becomes a character in and of itself. This was the challenge faced by director Denis Villeneuve and production designer Patrice Vermette in creating the cinematic adaptation of Frank Herbert's 1965 novel. The two Dune movies, released in 2021 and 2024, were conceived as a whole and therefore share a coherent style and cinematic expression. Beyond aesthetics, the environment and architecture of Dune present a lived-in, believable world, one that anchors the action and characters, silently offering invaluable insights into the values and mythology of each civilization.
The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects David Lee and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.
A variety of subjects are covered with honesty and humor: some episodes are interviews, while others are tips for fellow designers, reviews of buildings and other projects, or casual explorations of everyday life and design. The Second Studio is also available on iTunes, Spotify, and YouTube.
This week David and Marina of FAME Architecture & Design discuss the local architecture, adobe buildings, and natural landscapes of the southwest region of the United States. The two cover the role nature has in cities, designing experiences, how architecture can co-exist with the natural landscape, craftsmanship, and more. Destinations included the Taos Pueblo in New Mexico, Monument Valley, Antelope Canyon, Frank Lloyd Wright’s Taliesin West, and Paolo Soleri’s Arcosanti.
AD Classics presents you with some of the greatest buildings of the past that have influenced and shaped architecture today. Throughout ArchDaily's 13 years, more than 200 classics were published, and for this edition, we have rounded up the top 20 most visited Architecture Classics to date.
The Museum of Modern Art New York has announced the opening of an exhibition focused on the first realized and unrealized projects that address ecological and environmental concerns. Featuring works by architects who practiced mainly in the United States from the 1930s through the 1990s, the exhibition titled “Emerging Ecologies: Architecture and the Rise of Environmentalism” is on view from September 17, 2023, through January 20, 2024. The over 150 works showcased reveal the rise of the environmental movement through the lens of architectural practice and thought.
This article was originally published on Common Edge.
If you’ve been in the profession of architecture long enough, you come to know a certain rarified subset of fellow professionals: Those who call themselves “architects,” who have a degree, and who may even be licensed and members of the AIA, but who do not practice architecture. They simply like being an “architect.”
It was, of course, Frank Lloyd Wright who set up the ground for modern architecture to happen in Los Angeles. Then came the Viennese, Rudolph Schindler in 1920 and Richard Neutra in 1925 at the invitation of Schindler. Both worked for Wright choosing to learn from him what they saw as essential—by focusing on spatial and formal clarity, transformability, restrained materiality, and the living environment to achieve a desirable quality of life within. Neutra and Schindler collaborated at first, and then each built a rich portfolio, mainly comprising houses and apartment blocks. Universal in principle, these abstract robust structures defined and led the development of a local building vernacular. These buildings, of which there are several hundred, are now strongly associated with the two architects’ adopted city.
This article was originally published on Common Edge.
It has been about 200 years since the École des Beaux-Arts in Paris created an academic discipline—and thus the profession—of architecture. The central role of the architect as the defining agent of creation transcended the Master Builder, a role that defined those who designed buildings not as experts or celebrities but as stewards of building traditions.
Michael Rotondi’s buildings—museums, civic centers, education facilities, monasteries, restaurants, and residences—evoke kinetic mechanisms that fold, hinge, twist, and split open. They express the architect’s feelings, thinking, and mood at the time they had been designed, and, on some occasions, during their assembly and construction. Rotondi was born in 1949 in Los Angeles.
He established his RoTo Architects, a research-based firm in his native city, in 1991 after co-heading Morphosis for 16 years with Thom Mayne. Parallel to his practicing career, the architect has been teaching and lecturing at SCI-Arc, Southern California Institute of Architecture, which he co-founded in 1972, led its graduate program from 1978-1987, and was the school’s second director for a decade from 1987 to 1997.
Architecture and fashion share an interesting interplay in the formation of cultural expressions and identities. Both disciplines can become vehicles for creativity at different levels. Architecture is often described as the “third skin” of humans, while clothes represent the second skin, highlighting somewhat similar functionality of protecting the body while also allowing for self-expression and individuality.
The relationship between architecture and fashion can also be seen in the shared design principles, such as form, proportion, human scale, and materiality. More than a simple background for runway shows, architecture can contribute to setting the atmosphere, becoming a source of inspiration, and orienting the movement through space. Collaborations between architects and fashion houses, such as the renowned partnership between OMA/AMO and Prada, further blur the boundaries between the two disciplines, demonstrating the myriad of interconnections between the two creative fields.
Diller Scofidio + Renfro, in collaboration with Dallas Theater Center, unveiled the design proposal for the Kalita Humphreys Theater master plan, centered around one of Frank Lloyd Wright’s lesser-known buildings. Over the years, neglect and additions have compromised the building’s integrity. The project aims to restore the mid-century theater to its original state by applying a multifaceted approach. According to the architects, this includes surgical extraction, selective reconstruction, preservation, and a faithful reinterpretation of Wright’s design intent. The master plan also aims to transform the surrounding public green space into an active and attractive park connected to Turtle Creek and Katy Trail, some of the most visited destinations in Dallas.
As the largest city in the United States, New York City is one of the most diverse and vibrant cities in the world, recognized by many as the center for global media, culture, fashion art, and finance. The city was founded in 1624 by settlers from the Dutch Republic and has since grown into “the city that never sleeps”.
While almost every style of architecture exists in New York City, the metropolis is most well known for its skyscrapers, both in historical styles such as Neoclassical and Art Deco and in their varied contemporary expressions. The first building to bring the world's tallest title to New York was the New York World Building, in 1890. Later, New York City was home to the world's tallest building for 75 continuous years, starting with the Park Row Building in 1899.
Predominantly associated with places of worship, stained glass has been used by artisans across the globe for thousands of years in an array of art ventures and installations. Intensifying architecture with vivid color, the process of stained glass refers to a particular action in which glass has been colored via metallic oxides during its manufacture, using different additives in order to create a range of hues and tones.
In terms of architectural enhancement, stained glass is often pieced together in order to produce depictions of decorative art, allowing light to filter and penetrate a particular structure or building. As a component it is both decorative and a variety of window, allowing a substantial and sufficient amount of light into a space, for atmospheric and beneficial effect.
The School of Architecture, founded by Frank Lloyd Wright as the Taliesin Fellowship in 1932, is undergoing significant transformations. Two years after separating from the Frank Lloyd Wright Foundation, TSOA landed at Arcosanti, an experimental desert community in Arizona owned and operated by The Cosanti Foundation. In line with the school’s values, the program at Arcosanti seeks to provide students with a contemporary design education based on immersive, experimental, and experiential learning. The curriculum offers 2 and 3+ year NAAB-accredited Master of Architecture degrees and a 1.5-year Master of Science in Design-Build.
.jpg?1570002957 "La Muralla Roja / Ricardo Bofill. Image Courtesy of Ricardo Bofill")
