Frank Gehry: The Latest Architecture and News

Music consumption has historically been closely connected to the environments in which it is enjoyed. Before the advent of music recordings, listening to music was a social activity tied to collective rituals in physical spaces, such as concerts or smaller communal gatherings. With the development of music records and now with the current availability of virtually any kind of music at our fingertips, experiencing music has become a more solitary and routine endeavor. However, returning to the roots of communal musical experiences may unlock numerous benefits much needed in our isolating digital age. These collective musical events have the potential to significantly enhance a community's social cohesion and improve their mental health through memorable shared experiences.

The physical aspect of these is not to be underestimated. It's where innovative design and architecture step in, transforming mere spaces into catalysts for curiosity, transcendence, and collective joy. By harnessing emerging technology and fostering interdisciplinary collaboration, designers and architects can create environments that elevate concerts and music rituals into transformative and grounding moments.

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It was, of course, Frank Lloyd Wright who set up the ground for modern architecture to happen in Los Angeles. Then came the Viennese, Rudolph Schindler in 1920 and Richard Neutra in 1925 at the invitation of Schindler. Both worked for Wright choosing to learn from him what they saw as essential—by focusing on spatial and formal clarity, transformability, restrained materiality, and the living environment to achieve a desirable quality of life within. Neutra and Schindler collaborated at first, and then each built a rich portfolio, mainly comprising houses and apartment blocks. Universal in principle, these abstract robust structures defined and led the development of a local building vernacular. These buildings, of which there are several hundred, are now strongly associated with the two architects’ adopted city.

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Michael Rotondi’s buildings—museums, civic centers, education facilities, monasteries, restaurants, and residences—evoke kinetic mechanisms that fold, hinge, twist, and split open. They express the architect’s feelings, thinking, and mood at the time they had been designed, and, on some occasions, during their assembly and construction. Rotondi was born in 1949 in Los Angeles.

He established his RoTo Architects, a research-based firm in his native city, in 1991 after co-heading Morphosis for 16 years with Thom Mayne. Parallel to his practicing career, the architect has been teaching and lecturing at SCI-Arc, Southern California Institute of Architecture, which he co-founded in 1972, led its graduate program from 1978-1987, and was the school’s second director for a decade from 1987 to 1997.

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Museums reveal local and shared heritage. As cultural institutions embedded in the fabric of modern life, each museum serves as a window into history and human exchange. Made to promote understanding and provoke new ideas, these monumental buildings are inspired by spatial exploration. With some of the most influential museum projects in the world, Germany is home to a range of diverse institutions showcasing unique approaches to curating, taxonomy and spatial organization.

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Scale is a term that has dominated the architectural profession for as long as built structures have existed. In the literal sense, scale defines the measurable standards that we have come to know and accept —the widths of door frames, a car turn radius, and of course, a means of producing measurable drawings. In a more abstract and figurative representation, scale describes a feeling of individual experiences when comparing themselves or a familiar object to something unfamiliar.

The Guggenheim Museum in Bilbao is celebrating its 25th anniversary this October 2022. Set on the edge of the Nervión River in the Basque Country, Spain, Frank Gehry's Guggenheim boosted the city's economy with its astounding success and changed the museum's role in city development. Twenty-five years on, the Bilbao Effect continues to challenge assumptions about urban transformations and inspires the construction of iconic pieces of architecture that uplift cities' status, calling investors and visitors.

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Domenig was one of Austria’s most radical architects and a major influence on many of architecture’s leading lights but remains widely unknown. A new exhibition aims to change that.

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The marquee-busting title says it all: Joseph Giovannini’s Architecture Unbound is an ambitious attempt to explore the wilder shores of design and explain how and why maverick architects have dared greatly. It’s also a wide-ranging introduction to artists who laid the groundwork for architectural innovation a century ago; to the philosophers and theorists who mapped new ways of thinking, and to the complexities of chaos theory, parametric and software programs that have shaped exceptional buildings over the past few decades.

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After nine years of design changes and updates, Frank Gehry's Ocean Avenue project has finally been given the approval by the Santa Monica City Council. Initially proposed in 2013, the mixed-use development was originally conceived as as 22-story hotel and residential tower, but was shortened to 12 stories in 2018 to meet restrictions imposed by the city’s Downtown Community Plan. Construction is expected to begin shortly after receiving the complete building permits, with an official opening date set within the next three years.

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Great Gulf Group, Dream, and Westdale Properties, have unveiled renders of Frank Gehry's newest architecture in Toronto, Canada. Set to leave a mark on the city's skyline, Forma, the architect’s first residential tower in Canada and his tallest building yet rises 73 storeys and features a thoughtfully-appointed Gehry-designed lobby along with a striking custom art installation that reflects his visionary approach, as well as interiors by international design studio Paolo Ferrari.

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