Denise Scott Brown: The Latest Architecture and News

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The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects David Lee and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.

A variety of subjects are covered with honesty and humor: some episodes are interviews, while others are tips for fellow designers, reviews of buildings and other projects, or casual explorations of everyday life and design. The Second Studio is also available on iTunes, Spotify, and YouTube.

This week David and Marina of FAME Architecture & Design are joined by Denise Scott Brown, architect, planner and urban designer, and a theorist, writer and educator to discuss her background and upbringing in South Africa; her beginnings in architecture; traveling the world; how teaching impacted her life and career; the National Gallery and other of her projects being remodeled; and much more!

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Las Vegas, sometimes known as Sin City, is perhaps the most famous desert metropolis where people gamble, and indulge in entertainment, and other vices. Each year, the city is visited by hundreds of millions of tourists who come to see its flashing lights and round-the-clock nightlife. Las Vegas has garnered so much attention that even Robert Venturi and Denise Scott Brown sought to study its urbanism, concluding with their theories on duck and decorated shed buildings in the early 1970s. But 50 years later, Vegas is still a city that constantly reinvents its architectural identity.

The Westminister City Council adopted a resolution to grant planning permission to the National Gallery for a series of adaptations, including Selldorf Architects’ restoration proposal for the Sainsbury Wing, originally designed by Robert Venturi and Denise Scott Brown. The plans to remodel were revealed earlier this year as part of the NG200 Project to celebrate the National Gallery’s bicentennial in 2024. The first intervention proposal for the Sainsbury Wing was met with widespread criticism, which led to a revision of the plans, released in October this year.

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Selldorf Architects have released a revised version of the plans to remodel the National Gallery and the Sainsbury Wing, both classified as Grade-I-listed monuments. Sainsbury Wing is also the recipient of the 2019 AIA Twenty-five Year Award. The plans for the Sainsbury Wing, designed by Robert Venturi and Denise Scott Brown and opened in 1991, have faced intense criticism, with former RIBA Journal editor Hugh Pearman calling the remodeling plans “unnecessarily destructive”. The plans to remodel were first revealed earlier this year as part of the NG200 Project to celebrate the National Gallery’s bicentennial in 2024. The project proposes the remodeling of the Sainsbury Wing’s front gates, ground-floor entrance sequence, lobby, and first-floor spaces.

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While women in architecture already face more obstacles than men in their careers, as proven by studies and research from across the globe, the disparities become even more obvious when it comes to partnerships involving both genders. In the history of the profession, there are many examples of office partnerships or collaborations that reveal the discrepancies in terms of recognition achieved by the work, reflected in awards, honors, citations, and salaries.

Many of these collaborations are between intimate couples who, as in any business partnership, design and make work decisions together. But in the particular case of architects in a heterosexual relationship, the role of the "wife" seems to have prevailed over that of collaborator, architect, or equal partner on many occasions.

Just over two months after the start of the 2019 edition of "The Poetics of Reason", the Lisbon Architecture Triennale and the Millennium BCP Foundation are pleased to announce the winner of the 5th edition of the Lisbon Triennial Millennium BCP Award.
 

Through their pioneering theory and provocative built work, husband and wife duo Robert Venturi (born June 25, 1925) and Denise Scott Brown (born October 3, 1931) were at the forefront of the postmodern movement, leading the charge in one of the most significant shifts in architecture of the 20th century by publishing seminal books such as Complexity and Contradiction in Architecture (authored by Robert Venturi alone) and Learning from Las Vegas (co-authored by Venturi, Scott Brown and Steven Izenour).

The American Institute of Architects (AIA) has selected Venturi Scott Brown's Sainsbury Wing at the National Gallery of London as the recipient of the 2019 AIA Twenty-five Year Award. Designed by Robert Venturi and Denise Scott Brown in an international competition, AIA commended the project for its ability to “...make its context better than it found it” - a citation borrowed from Venturi himself.

The award is presented annually to a project that has "stood the test of time by embodying architectural excellence for 25 to 35 years."

An exhibition has opened at New York’s Carriage Trade Gallery celebrating the photography of Denise Scott Brown, highlighting the significance of pop art in the American vernacular. The project was initiated by Scott Brown, and first exhibited in Venice in 2016, with the latest events in London and New York initiated by PLANE-SITE.

The exhibition, titled “Photographs 1956-1966” is co-curated by Andres Ramirez, with 10 photographs selected, curated, and featured for limited sale. As well as being on display at the Carriage Trade Gallery, a concurrent exhibition is taking place in the Window Galleries at Central Saint Martins, University of the Arts, London.

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Venturi Scott-Brown’s National Gallery Sainsbury Wing extension (1991) was born into a precarious no-man’s land between the warring camps of neo-Modernists and traditionalists who had been tussling over the direction of Britain’s cities for much of the prior decade. The site of the extension had come to be one of the most symbolic battlefields in British architecture since a campaign to halt its redevelopment with a Hi-Tech scheme by Ahrends Burton Koralek had led to that project’s refusal at planning in 1984.

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