Architecture and its atmospheric qualities have long been a subject of discussion, yet reaching a consensus on the matter remains elusive. This is largely because spatial experience is deeply personal—rooted in emotions, sensory perceptions, and individual preferences that are difficult to articulate in words alone. The way one perceives, feels, and interacts with a space adds another layer of complexity, making it challenging to define and agree upon its atmospheric impact. Nevertheless, architects and designers continuously strive to shape environments that are not only functional and comfortable but also capable of evoking emotions and leaving a lasting impression on their occupants.
Wars, decolonization, economic crises, civil movements, and industrial-technological revolutions: the 20th century was a period of radical and far-reaching transformations. These upheavals reshaped societies and redefined how people expressed their evolving aspirations, with architecture leading the way. Machines and industrialization promised technological progress and modernization, advocating for a clean break from the ornamented, historically rooted styles of the past while embracing a vision focused on functionality, efficiency, and innovation. This shift, embodied by modernism, introduced new concepts, methods, and material uses—all shaped through experimentation.
https://www.archdaily.com/1026242/formal-and-material-experimentation-key-lessons-from-modernist-architecture-pioneersEnrique Tovar
The design incorporates a specific type of low-carbon concrete, which aims to emit 30% less CO₂ than standard concrete. The prototype will be featured in the Time Space Existence exhibition, organized by the European Cultural Centre.The goal of the project is to test the sustainability of a housing prototype in response to the ongoing climate and humanitarian crises.
On the shores of serene lakes, where water reflects the harmony between architecture and nature, homes emerge as true retreats. Designed to offer comfort and a deep connection with the surroundings, these residences stand out worldwide for their diverse materials and scales, adapting to different landscapes and lifestyles. From remote woodencabins to sophisticated concrete and glass mansions in urban areas, each project takes advantage of natural resources and the unique characteristics of its setting.
Swiss architect Valerio Olgiati has unveiled plans for Rruga Adem Jashari, a mixed-use development in Tirana, Albania, that seeks to blend urban living with the surrounding natural landscape. Positioned at the boundary between the city grid and an adjacent park, the project features three distinctive red concrete towers and a central white ziggurat. Combining residential, hospitality, and retail spaces, the development aims to create a seamless connection between the built environment and nature.
In the heart of Cairo, amid its historic landmarks and evolving urban fabric, a distinct modernist architectural movement took shape in the 1950s and 60s. It reflected the city's response to rapid political, economic, and social changes. When it arrived, modernism in Cairo was not just an imported style but a "pragmatic response to the needs of a growing city." Architects focused on functionality, efficiency, and adapting designs to the local climate and cultural context. Following the 1952 revolution, Egypt underwent significant transformations under President Gamal Abdel Nasser's leadership. In fact, the government sought to build a new national identity that reflected progress and the nation's self-sufficiency. Architecture played a crucial role in this effort, with a strong focus on modernization and development. The state invested in large-scale projects to accommodate the needs of a rapidly growing population and expanding industries. This period marked a shift from colonial-era influences toward a search for a distinct architectural identity that aligned with the political and social aspirations of the time.
Selected as one of ArchDaily's Best New Practices 2024, Estudio Rare defines itself as an interdisciplinary experimental space. Based in Córdoba, Argentina, its three founding partners, Agustín Willnecker, Iván Ferrero, and Mateo Unamuno, met while studying at the Faculty of Architecture of the National University of Córdoba. With a young but notable trajectory, the Rare team offers a free and dynamic perspective on design, architecture, and construction. Their works, regardless of scale or commission, demonstrate a close relationship with art, reflecting the diverse interests and personal backgrounds of each team member and their collaborators.
As 2024 comes to an end, a dynamic year that questioned knowledge, tradition, and innovation, we take a look at how global events and trends influenced the design of interior spaces. Last year, architecture practices sparked worldwide discussions, challenging norms and tradition, and embracing overlooked regions. Interior design, on the other hand, took a more reserved, modest approach, favoring simplicity and individuality. Fast forward a year later, the overall architecture and design themes of 2023 remain the same - reinforced if anything - but have embraced "crafted experimentations" through subtle, acupuncture-like interventions.
What makes a building architecture? The eternal debate over what distinguishes architecture from mere utilitarian construction has often included affordable and social housing as an influential topic, sparking different points of view. This question is particularly significant in the Latin American context, where unique conditions go beyond cost concerns, whether imposed or unavoidable. Limited access to financing, the prevalence of self-construction, and the spread of informal settlements are interconnected factors shaping the built environment. These dynamics foster an aesthetic that, for some, challenges notions of good architecture, manifesting in urban landscapes where exposed materials become a defining feature.
https://www.archdaily.com/1024259/unpolished-narratives-exposed-materials-in-latin-american-affordable-housingEnrique Tovar & José Tomás Franco
Oppenheim Architecture has unveiled the design for the College of Europe's new campus in Tirana, Albania. This project introduces the first "purpose-built" campus for the College, following its established campuses in Bruges, Belgium, and Natolin, Poland. The College of Europe, created under the initiative of the Hague Congress, is dedicated to promoting European ideals of unity, cooperation, and integration. This expansion to Tirana aims to reflect both a continuation of this mission and an opportunity for the College to establish a presence in a historically significant city.
Architecture firm SO – IL has revealed plans for a new residential condominium project planned for Brooklyn's Fort Greene neighborhood. Named 144 Vanderbilt, the development offers 26 condominiums and amenities spanning almost 90,000 square feet. According to SO – IL, the architecture takes cues from Brooklyn's historical heritage, while incorporating a modern twist, as the staggered building prioritizes community interactions and comfortable urban living.
As a landmark of contemporary religious architecture in Portugal, the Church of the Sacred Heart of Jesus stands in contrast to traditional models, representing a work free from historicist stigmas. Resulting from a design competition organized in 1960, the church is notable for its civic dimension, urban role, and its anti-monumental and social significance. Integrated into the regular grid of the Avenidas Novas neighborhood, this example of the Movement for the Renewal of Sacred Art is part of a larger parish complex that often goes unnoticed by passersby. Its external street creates an unexpected public space, inviting people to enter and engage in a courtyard where architecture and the city merge. Finely crafted in terms of spatiality, detail, and light, the church holds many surprises for those who venture inside.
In Beirut, a city marked by transformation, the Interdesign Building echoes the vision of an architect steadfast in his conviction. Designed by Lebanese architect Khalil Khouri in 1973 during a period of economic growth, the building took 23 years to build, a process halted by the onset of the Lebanese Civil War. By the time it was completed in 1996, the urban landscape that surrounded it had changed. The structure has stood largely unused since, as a relic of hopeful modernity. While its design is singular in its narrative and expression, this structure illustrates the tension between aspiration and struggle throughout its complex history.
The Massachusetts administration, under Governor Maura Healey, has unveiled a new housing-centric proposal for the controversial Boston Government Service Center designed by Paul Rudolph and opened in 1971. Previously proposed to be redeveloped by the architecture office NBBJ with offices and commercial spaces, the updated vision aims to transform the Erich Lindemann and Charles F. Hurley buildings into housing facilities as part of the state’s goal to address the housing crisis while allowing for the historic preservation of the Brutalist structure.
Refurbishment is an increasingly common and fundamental practice in contemporary architecture. More than a trend, it represents a crucial strategy for reducing resource consumption and minimizing waste generation, providing clear advantages over brand-new constructions. In the Latin American context, this philosophy stands out for its unique characteristics. It intricately weaves circularity and climate action with local materials, addressing economic challenges while harmonizing Indigenous, colonial, and contemporary influences.
Housing plays a crucial role in this context, where traditional materials and construction techniques define each project's distinctiveness and integrate it into the community's social fabric. Throughout Latin America, regional identities are deeply embedded in refurbishment efforts, ranging from restoring facades and repurposing wood to reimagining the use of demolition waste. The adaptation of spaces in these projects is influenced by their unique identities and geographic conditions, rooted in social and cultural expressions.
https://www.archdaily.com/1019030/housing-refurbishment-in-latin-america-10-projects-that-excel-in-the-use-of-materialsEnrique Tovar
Around 1949, the city of Buenos Aires led the construction of the Sixth Pantheon in the Chacarita neighborhood. Monumental in character and brutalist in style, this underground necropolis turned out to be the first and largest experiment in modern architecture in the funerary field. Designed by Ítala Fulvia Villa, one of the first Argentine women architects and urban planners, and a pioneer of South American modernism, along with her team comprised of Leila Cornell, Raquel S. de Días, Gunter Ernest, Carlos A. Gabutti, Ludovico Koppman, and Clorindo Testa, this work was discovered by Léa Namer, who conducted an in-depth investigation reflecting on the legacy of a modern utopia and a feminist rereading of history.
