Landscape architecture has traditionally been associated with lush greenery, rooted in the historical development of gardens and parks as spaces that bring nature into urban areas. This connection to greenery is deeply ingrained in the origins of the field, where the creation of verdant retreats was seen as both aesthetically pleasing and beneficial to human well-being. However, in regions like the Middle East, where water scarcity and harsh climates are more prevalent, there is a growing trend toward using local materials such as sand, stone, minerals, and indigenous plants. This shift reflects a more sustainable approach, reimagining landscape architecture to align with the environmental and cultural contexts of the region.
Established in 2023 to protect nearly 13,000 hectares of the Vjosa River Region Park, the Vjosa National Park Europe’s first “wild river national park.” Danish architecture CEBRA has been selected to design a multifunctional visitor center and information center in the newly protected space. Located in Përmet, Tepelenë, and Vlorë in Southern Albania, the Vjosa Wild River National Park features a 190-kilometer-long free-flower river. CEBRA’s design supports conservation efforts and investigates how visitors can engage with their respective ecosystems.
New Skenderbeu Stadium / CEBRA. Image Courtesy of CEBRA
Danish architecture office CEBRA has won an international competition for the design of the new Skenderbeu Stadium in Korça, Albania. The winning proposal sets the 10,000-seat stadium in a lively neighborhood to create an engaging environment for fans, active citizens, businesses, and visitors of the Albanian city. The masterplan proposes buildings and alleys inspired by the Korça typologies to create a familiar cultural experience both in and around the stadium.
City night view of Abu Dhabi business district, United Arab Emirates. Image via Shutterstock | MDXB
Capital city of the United Arab Emirates, the city of Abu Dhabi is located on an island in the Persian Gulf, connected to the mainland by a short bridge. Home to the local and federal government offices, as well as to the President of the UAE, Abu Dhabi was formerly an undeveloped town with only local significance that transformed into a large metropolis, at a record speed of development and urbanization.
Japanese architect Katsuhiko Takahashi created the master plan of the city in 1967, with a target population of 40,000. Encouraged in the Abu Dhabi Plan 2030, tall skyscrapers symbolize nowadays its iconic architecture, as well as new developments of Al Maryah Island, and the Sheikh Zayed mosque initiated and constructed under the administration of the late President Sheikh Zayed, a pivotal figure in the development of the contemporary UAE.
Danish design studio CEBRA won the planning competition to develop the business district at Hannemanns Allé, in Ørestad Syd, Copenhagen, Denmark. With a project emphasizing urban quality, urban life, and area identity, the 150,000 square meters plan will define the framework for future design and completion of the area between the Royal Arena and the Øresund motorway. Expected for completion in 2024, the project is commissioned by Copenhagen Municipality and By&Havn, an organization tasked with developing Ørestad and the city's port.
Mount Tirana by CEBRA, Skanderbeg Square. Image Courtesy of CEBRA
Danish architecture office CEBRA won the competition to design a new landmark in the capital of Albania, Tirana. While located in the heart of the city, the project takes inspiration from the natural landscape surrounding the city, thus celebrating Albania's national identity and cultural heritage. The project proposes a 185-meters multifunctional tower containing housing, commercial facilities, a boutique hotel, a business area with offices and parking facilities, and all the necessary amenities like restaurants and cafes.
If today technologies are emerging for different forms of representation and interaction with drawing, understanding how architects communicate through hand-drawn strokes can be essential to delve into the topic of architectural visualization. Through the simplicity of gestures, small texts or a collage of references, it is possible to translate ideas in an innovative way, unlike the ways that a render can present. For this reason, we highlight here the work of great names such as Lina Bo Bardi, Renzo Piano, Pezo von Ellrichshausen and Mikkel Frost, who, using different techniques, reveal different ways of representing a project.
Talking to the Louisiana Channel, Danish architect Mikkel Frost, talks about how he visualises his ideas and represents his architectural concepts - through the mediums of pen, ink and watercolours. Frost views his use of drawing as different from other architects, who "think as they draw". Frost, on the other hand, "prints" the image he already has in his mind, saying "I'm many steps ahead of what I draw, basically printing the whiteboard in my mind."
ZAS Architects and Denmark-based CEBRA Architecture have unveiled a new student hub at the University of Toronto Scarborough Campus (UTSC). The new facility was made to be a learning landscape that promotes agile and asynchronous education through rooms and open public spaces spanning multiple floors. Artificial terrain flows from the outside in, creating a hybrid of social and study areas to support campus life.
Skateboarding is its own urban experience. As interactive public spaces and tactile surfaces, skate parks have slowly begun to shape the way we think about urban design. Beyond the boundary of parks themselves, skaters look at the architecture of the built environment outside of its intended purpose, and in turn, are rethinking how we gather, move around, and reimagine the future of urban life.
With the aim of generating an architecture that incubates the wellbeing, self-realization, and fulfillment of its inhabitants to become the best version of themselves, CEBRA has launched an ambitious Research and Development Program (R&D) called WISE (Work, Innovation, Space and Education).
As explained by its creators, the purpose of WISE is "to bridge the ongoing and rapid change in the sectors of workspace and education to inform the design of buildings that stimulate learning and innovation. We are connecting ideas of the foremost thinkers of education and entrepreneurship, research and studies in sensory stimuli, cognitive psychology, and behaviorism with architecture."
We spoke with Carsten Primdahl, founding partner of CEBRA, and Klaudio Muca, R&D Architect at CEBRA, to better understand the approach and expected results of the program.
Danish architect and CEBRA founding partner Mikkel Frost has given a TEDx Talk arguing for the relevance of hand drawing in an increasingly virtual world. Titled “Let your fingers do the talking,” the talk presents hand drawing “not as a render killer, but rather as a lively and more open supplement to the close-to-nature visualization.”
During the talk, Frost explains the inspiration behind is drawing style, partly from the cartoon universe where messages are communicated with humor, few words, and simple expressions. A central part of the design process for every CEBRA project, Frost describes hand drawing as a visual language that is easily understood, open, and less conclusive that hyper-realistic visualizations.
https://www.archdaily.com/910931/tedx-talk-by-cebra-founder-mikkel-frost-demonstrates-the-power-of-hand-drawingNiall Patrick Walsh
Walking in through the entrance of the Experimentarium by architecture firm CEBRA, visitors can immediately take notice of the radiating copper Helix staircase. The Helix staircase is 100 meters long, supported with 160 tons of steel and clad and 10 tons of 7mm thick copper.
In this animated clip from French film production studio 11h45, penguins have taken over ‘The Iceberg,’ winner of ArchDaily’s 2015 Building of the Year for Best Housing Project. Imagining the building as a literal iceberg, the filmmakers envisioned the designed by SeARCH + CEBRA + JDS + Louis Paillard Architects-designed complex as an antarctic wonderland where penguins could slip, slide and dive down the structure’s sharp rooflines.
https://www.archdaily.com/873510/watch-the-iceberg-in-aarhus-turn-into-a-penguin-paradise-in-this-fun-animationAD Editorial Team
With high hopes of contributing to the reformation of Russia’s secondary schooling system, construction has begun on Smart School, a planned 31,000 meters square educational complex in Irkutsk, Siberia, which combines multi-use educational facilities, outdoor learning spaces, and housing developments for adoptive families. Designed by Danish firm CEBRA, the project was the winning proposal for the school’sinternational competition back in 2015, beating 48 other firms, including MVRDV and Sou Fujimoto Architects.
“Based on the program and principles of Smart School, an architectural concept has been developed which integrates buildings, a plot of land and the surrounding urban community into a complete, diverse and activating learning environment, a ‘school park’, explain the architects. “There is school life not only in specialized premises but also in open areas inside and around buildings."
https://www.archdaily.com/868734/cebras-mixed-use-smart-school-proposes-a-rethink-of-russias-education-systemOsman Bari
9 years ago today, ArchDaily launched with a challenging mission: to provide inspiration,knowledge and tools to the architects tasked with designing for the 3 billion people that will move into cities in the next 40 years. Over these 9 years, as we have developed innovative approaches to help architects tackle the urban challenges facing our world, our work has brought us into contact with some of the most creative and respected architects in the world. To help us celebrate our 9th birthday, we asked 9 architects who are renowned for their creative and imaginative abilities to create drawings inspired by our logo, to show the world what ArchDaily means to them.
https://www.archdaily.com/866860/9-drawings-to-celebrate-our-9th-birthdayAD Editorial Team
It is often said that architecture only makes projects more expensive; that architects only add a series of arbitrary and capricious complexities that could be avoided to lower costs, suggesting that the project could function exactly the same without them. Is this true in all cases? Although they may be more profitable economically, human beings don't seem to be happy inhabiting cold concrete boxes without receiving sunlight or a breeze every now and then, or in an unsafe neighborhood where there's no possibility to meet your friends and family outdoors. Quality in architecture is a value that sooner or later will deliver something in return.
Balance is key, and a good design will never be complete if it's not economically efficient. How do we achieve this ideal? We reviewed the design process for 'The Iceberg' in Aarhus, Denmark, a project that managed to convince the authorities and investors by proposing a high-impact and tight-budget design, which seeks to respond to the objective of guaranteeing the quality of life of its users and their neighbors.
CEBRA Architects has won the competition to design the Skamlingsbanken Visitor Center near Sjølund in Southern Denmark. At 113 meters above sea level, Skamlingsbanken is the highest point in South Jutland and historically has been an important meeting place, serving as the backdrop for some of Denmark's key historical public speeches. The new visitor center is posited as a way to restore this historic importance, and once again make Skamlingsbanken a local meeting place.
