Following an international competition, Caruso St John Architects has been appointed to renovate the iconic Kunsthalle Bielefeld in Northwest Germany. Designed by Philip Johnson and completed in 1968, the structure is Johnson’s only museum in Europe. Despite past maintenance efforts, the building remains largely unchanged from its original state. The renovation aims to modernize the museum’s services, exterior, and interior spaces.
London’s architectural history is a rich tapestry that weaves together styles of various periods and influences. In the post-war era, the city experienced a surge in modern architecture, becoming a canvas for experimentation. New stylistic movements saw their expression crystalized through buildings such as Richard Rogers’ Lloyd’s Building, one of the most representative examples of High-Tech architecture, or the Barbican Estate, a large-scale housing estate that became the iconic structure for Brutalist architecture.
London’s contemporary architectural landscape continues to evolve, in part through the works of internationally-recognized architects such as Norman Foster, Zaha Hadid, and Thomas Heatherwick. This varied blend of styles, and ways of expression reflects the city’s ability to embrace architectural movements of global significance. As a center for innovation, London continues to attract established and emerging architects who shape its skyline and contribute to its international architectural discourse, with each new building offering a glimpse into the ever-changing nature of London’s urban fabric.
French architect Renée Gailhoustet has been awarded the 2022 Royal Academy Architecture Award for her pioneering work designing public housing and neighborhoods in and around Paris. The award is given annually by London's Royal Academy to individuals or practices whose idea or body of work has positively contributed to the public.
The 60,000-square-meter scheme will be located in the Lohsepark area of the city, where it will form part of the HafenCity ensemble of office, commercial, and residential buildings.
https://www.archdaily.com/903088/caruso-st-johns-ceramic-proposal-wins-hamburg-publishing-headquarters-competitionNiall Patrick Walsh
A joint venture from Caruso St John Architects and artist Marcus Taylor, "Island" creates an elevated public space, offering views of Venice and a unique place for both meeting and reflecting.
The British Council have revealed Island as the theme of the British Pavilion at the 2018 Venice Architecture Biennale. In the exhibition, Adam Caruso, Peter St. John (Caruso St. John), and Marcus Taylor will engage "with current political themes," and was submitted by means of an open call with reference to Shakespeare’s The Tempest:
Be not afeard; the isle is full of noises; Sounds and sweet airs, that give delight and hurt not.
https://www.archdaily.com/880660/caruso-st-john-marcus-taylor-to-transform-the-british-pavilion-into-a-politically-charged-meeting-space-at-2018-venice-biennaleAD Editorial Team
The Urban Development Corporation (SAU-MSI) has announced the seven shortlisted teams competing for the design of the latest Centre Pompidou outpost in Brussels, Belgium. The finalist teams were selected from 92 entries to the competition, which sought proposals to transform the existing Art Deco Citroën Yser garage in the heart of the city into a mixed-use museum complex focusing on contemporary art and architecture.
To be known as the Citroën Cultural Centre, the $135 Million project will consist of 375,000 square feet (35,000 square meters) of public cultural, education and recreation space, including 160,000 square feet (15,000 square meters) designated for the new Centre PompidouBrussels. An additional 108,000 square feet (10,000 square meters) will host a museum run by Brussels’ International Centre for Urbanism, Architecture & Landscape.
The Royal Institute of British Architects (RIBA) has announced 7 projects as winners of the 2017 RIBA North West Regional Awards, with top prize of North West Building of the Year going to Foster + Partners’ Maggie’s at the Robert Parfett Building. These seven buildings will now continue on to compete in the RIBA National Awards, whose winners will make up the shortlist for the prestigious Stirling Prize.
“This year’s awards represent two parallel but linked trends. One is characterised by a dominant interest in the value of re-used existing buildings that benefit from regeneration. The other is the regenerative effect of new buildings themselves,” commented Graham Morrison, North West Regional Jury Chair.
“Though ‘ordinary’ buildings such as housing or offices are coming close to an award-winning level, they are, in their nature, ‘pathfinders’ and there is an understandable caution in their level of investment. This risk pattern favours the existing buildings that more obviously benefit from previous investment but when this caution is eclipsed by confidence, the truly exceptional emerges and this is evidenced by this year’s overall winner.”
The tragedy of architecture is how stupid architects are... we spend too much time trying to convince people to do things they don’t want to do. That really lowers the level of the discussion, I think.
In this video from the Louisiana Channel, Canadian architect Adam Caruso, founding partner of London-based Caruso St John, provides his take on the current climate of the architectural profession and the influences driving his own personal architectural philosophy. With his firm, Caruso has led the design of numerous art institutions, including the 2016 RIBA Stirling Prize winning Newport Street Gallery in London, that respond to “a deeper idea of place, of the history and culture of the place and how you read it today.
The Government of the United Kingdom and competition organizer Malcolm Reading Consultants have announced the ten architect teams selected to envision designs for the new National Memorial to the Holocaust, to be located next to the UK Parliament. Designs will encompass a “striking” new National Memorial in Victoria Gardens, as well as a possible below ground Learning Center.
The 10 shortlisted teams were selected from nearly 100 entries from teams across the globe by a jury made up of notable figures in British culture, religion and architecture, including Director of Stanton Williams Architects, Paul Williams; former Serpentine Galleries Director Dame Julia Peyton-Jones; and National September 11 Memorial and Museum Director, Alice M Greenwald.
Homerton College, a constituent college of the University of Cambridge, announced today the five firms shortlisted in the competition to design a emblematic £7 million ($8.5 million USD) centrepiece building to house a 300-person dining hall for the school. The finalists were selected from an original pool of 155 architects, from which 24 were selected for the longlist.
The competition, organized by Malcolm Reading Consultants, is a part of the College’s wider plan to improve and expand school facilities. Homerton boasts one of the largest student communities at Cambridge, and is one of a few of the University’s colleges capable of housing all undergraduate students in on-site facilities for all four years. To be located on an attractive wooded site, the commission has the potential to determine the character of the school for years to come.
Designed as a free public gallery to house artist Damien Hirst’s private art collection, Caruso St John’s scheme sandwiches three restored Victorian-era industrial buildings between two new structures, one of which features a distinct saw-tooth roof.
"This highly accomplished and expertly detailed art gallery is a bold and confident contribution to the best of UK architecture. Caruso St John’s approach to conservation is irreverent yet sensitive and achieves a clever solution that expresses a poetic juxtaposition of old and new," said the jury in their citation.
As the winner of the 2016 RIBA Stirling Prize is set to be announced later today, Architects’ Journal has released a documentary looking at the award’s 21-year history and its impact on the buildings and architects that have been named to the prestigious list.
The design proposals of seven shortlisted finalists for the Latvian Museum of Contemporary Art Design Competition have been released by the competition’s organizer, Malcolm Reading Consultants. Located in the capital city of Riga, the funding for the €30 million project is a public private partnership with support from from the ABLV Charitable Foundation and the Boris and Ināra Teterev Foundation, which co-founded the Latvian Museum of Contemporary Art Foundation. The Ministry of Culture of the Republic of Latvia and the Museum’s Foundation signed a memorandum of intent regarding the museum and building on 30 October 2014. The competition, organized in 2015 with 25 first-stage participants, will announce a jury-selected winner in mid-June.