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MVRDV has started construction on the EU TUMO Convergence Center, a new educational and research facility in Yerevan, Armenia. Located in Tumanyan Park, the five-story building will expand TUMO's campus, providing spaces for free technology and creative education for teenagers and adults, alongside research and co-working areas for technology and design companies. Positioned on a hilly outcrop above the Hrazdan River Gorge, the project responds to the surrounding topography while establishing visual connections with the city, the gorge, and Mount Ararat. Construction officially commenced on 24 February, with local and international representatives in attendance.

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Battersea Power Station is a former coal-fired power station located on the south bank of the River Thames in London, originally designed by architects J. Theo Halliday and Giles Gilbert Scott. Notable for its appearance on the cover of Pink Floyd's 1977 studio album Animals and in Alfred Hitchcock's 1936 film Sabotage, the station is one of the world's largest brick buildings and is known for its Art Deco interior fittings and décor. Recognized today as part of modern industrial heritage, the site's transformation into a commercial development began in 2012, with the adaptive reuse guided by a masterplan designed by Rafael Viñoly. On February 16, Battersea Power Station announced the appointment of the strategic urban design practice Studio Egret West to evolve the original masterplan for the remaining 16 acres of the 42-acre riverside neighbourhood in the southwest London.

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As environmental accountability becomes embedded in design culture, the building envelope is being reconsidered not just as a protective skin, but as an active energy-producing surface. Treating solar technology as a material rather than an attachment reshapes how architecture is conceived and detailed. Color, texture, rhythm, and assembly become inseparable from performance. Building-Integrated Photovoltaics (BIPV) operate within this expanded definition of materiality. By integrating solar technology into façades and rainscreens from the earliest project stages, architects can reduce redundancy, align energy goals with design intent, and rethink how envelopes are composed. Yet translating this ambition into buildable systems requires technical precision and construction intelligence.

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The annual Winter Stations design competition returns to Toronto for its twelfth edition, once again transforming the lifeguard stations of Woodbine Beach into temporary works of public art. On view from February 16 to March 30, 2026, this year's exhibition is organized under the theme Mirage, inviting participants to examine perception, illusion, and the shifting boundaries between what is seen and what is constructed. Selected from more than 300 international submissions, three winning proposals from Canada, the United States, and a Germany–Ukraine collaboration are presented alongside two installations developed by university teams. Installed along the frozen shoreline of Lake Ontario, the projects reinterpret seasonal infrastructure as platforms for spatial experimentation during the winter months.

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