The flood does not arrive as a surprise. It returns, following the same swollen rivers and monsoon skies, loosening the ground and entering homes that were never meant to resist it. Walls are untied before they are lost, materials are gathered before they drift, and structures are rebuilt with a familiarity that suggests this is not destruction, but sequence. In landscapes where water returns each year, survival is defined by the ability to begin again.
Across the floodplains of Bangladesh, the Brahmaputra basin, and the Mekong Delta, inundation is a seasonal certainty. Reports by institutions such as the World Bank and the Intergovernmental Panel on Climate Change often frame floods through exposure and damage, measuring success through resistance and durability. Yet in territories that are submerged annually, such metrics only partially describe the problem. The ground itself oscillates between solid and liquid states. To build as if it were fixed is to design against the very condition that defines it.
In recent decades, cities across the world have seen an increase in the demolition of elevated concrete freeways. Taipei, Seoul, Portland, and Boston, for example, have all seen the rise and fall of these infrastructures to give way to parks and new urban regeneration ideas. In other cases, like Montreal in Canada, some people opposed the freeways even before they were built, effectively rerouting viaducts, preserving heritage, and freeing waterfront views. For San Francisco, in the United States, the story of the Embarcadero Freeway is one of those narratives that serves as a case study of the city's mid-century infrastructural ambition, people's reaction to the project, and its eventual reversal in favor of urban connectivity.
Small Scale Category Winner + Student Winner: Architecture as Resilient Machine. Image Courtesy of Buildner
Buildner has launched the Unbuilt Award 2026, the third edition of its annual competition, offering a €100,000 prize fund. At the same time, the results of the Unbuilt Award 2025 have been announced, marking the second competition in a series that celebrates architectural designs that have yet to be realized. The initiative provides a global platform for architects and designers to showcase their most compelling unbuilt projects—whether conceptual, published, unpublished, or fully developed.
Photographer Paul Clemence documented the Gateway Centre in West Kowloon, a mixed-use development by Zaha Hadid Architects in Hong Kong, as it approaches completion. The photo series captures the project at a stage where its overall massing, facade systems, and spatial organization are largely realized, while final works continue across public and interior areas. Clemence's close-range views highlight the vertical shading pleats, the curvature of the glazed envelope, and the transitions between structural and environmental elements, underscoring how the building's formal language is resolved through construction.