More than 50 participating groups, from the Guggenheim to the Museum of Modern Art have curated more than 150 programs, including exhibits, movies, talks, and walking tours. As Rick Bell, Executive Director of the AIA New York said today during the press preview: "There is something for everyone".
More information, including some highlights for the festival after the break.
Maria Alessandra Segantini, principal of C+S Architects will be giving a lecture on Thursday, September 19, 1:00pm at Columbia GSAPP, New York. The lecture, called -Scape Adaptors, will be introduced by Kenneth Frampton.
After fifty years of neglect the Empire Stores, located next to the Brooklyn Bridge, are now the most coveted waterfront property in New York. Midtown Equity has partnered with Studio V Architecture to adaptively reuse the 19th-century coffee warehouse into 380,000 square-feet of office, restaurant and commercial space, highlighted by a Brooklyn-centric cultural museum. "After the Brooklyn Bridge," says Joe Cayre, Chairman of Midtown Equities, "the Civil War era Empire Stores are the most iconic structures on the Brooklyn waterfront. As a Brooklyn native who raised my family in the borough, it is an honor for my firm to be chosen for the redevelopment of the Empire Stores."
Learn more after the break...
https://www.archdaily.com/427667/reviving-brooklyn-s-waterfront-19th-century-warehouses-evolve-into-21st-century-hubsJose Luis Gabriel Cruz
On the twelfth anniversary of September 11th, we would like to share with you this incredible time-lapse capturing the progress of the One World Trade Center between 2004 and 2013. The 1,776 foot tall skyscraper, which is expected to be the tallest in Western Hemisphere, topped out earlier this year and is slated for completion in 2014.
On the twelfth anniversary of September 11th, we would like to share with you this incredible time-lapse capturing the progress of the One World Trade Center between October 2004 and September 2013. The 1,776 foot tall skyscraper, which is expected to be the tallest in Western Hemisphere, topped out earlier this year and is slated for completion in 2014.
In 1913, an art exhibition opened in New York City that shocked the country, shattered perceptions of beauty, and shifted the American cultural landscape forever. “The International Exhibition of Modern Art” became known simply and infamously as “The Armory Show,” after its venue, the 69th Regiment Armory on Lexington Avenue. It was a show of clashing and competing “–isms:” Cubism, Modernism, Realism, Futurism, Fauvism…
André Balazs, CEO of André Balazs Properties, has been tapped by Port Authority officials to redevelop the historic, Eero Saarinen-designed TWA terminal at John F. Kennedy International Airport in New York. Balazs will transform the terminal into the “Standard, Flight Center” hotel and conference center, equipped with food and beverage space, retail, a spa and fitness center, meeting facilities and a flight museum.
Taking place at the Center for Architecture September 3-23, AIA New York's 'Coverage: Seventy-Five Years of Oculus' Exhibition celebrates 75 years of Oculusand the 10 years since the 2003 re-launch. The exhibition will include original issues of Oculusfrom the AIA New York Chapter's archives dating back to 1938, and will trace the publication's history from an AIANY newsletter to the quarterly architectural journal it is today. The opening reception takes place 6:00-8:00pm EST. For more information, please visit here,
New York Governor Andrew Cuomo has announced that the Richardson Olsmted Complex, a National Historic Landmark that is widely considered to be one of Buffalo's most important and beautiful buildings, will be rehabilitated and reused as a hospitality venue and cultural amenity for the city. The design team, including New York-based Deborah Berke of Deborah Berke Partners and Buffalo-based Peter Flynn of Flynn Battaglia Architects, have high hopes of transforming the unused building into a "thoroughly modern travel and cultural experience" while maintaining a deep respect for its long history.
"Working on the rehabilitation of the Richardson Olmsted Complex is an extraordinary design opportunity," said Deborah Berke. "We are designing a 21st-century architectural addition to H. H. Richardson's spectacular 19th-century buildings that is both rooted in history and forward thinking."
The Herzog & de Meuron designed Parrish Art Museum in Long Island, NY is captured here by brazilian photographer Paul Clemencefrom Facebook.com/Archi-Photo. This photo gallery very elegantly emphasizes the building's delicate placement on the landscape as well as its natural surrounding beauty of which the architects took their inspiration. Clemence also captures the project's moment of outdoor shelter that surrounds the building to emphasize the importance of the site and its interaction with the art within.The full photo gallery can be viewed after the break.
Taking place at the Daltile Design Gallery September 18th from 6:30pm-8:30pm EST, nycobaNOMA(New York Coalition of Black Architects & New York Chapter of the National Organization of Minority Architects) will present Networking/Happy Hour which includes a Design Talk with Mark Gardner, principal of Jaklitsch / Gardner Architects (J/GA). The award-winning New York City-based studio is know for their expertise in designing high-end commercial and residential buildings and interiors, furnishing and objects. Gardner will speak about the office’s current works, endeavors, and project installations. For more information, please visit here.
One of the United States’ most polluted bodies of water is about to receive a much needed make-over: In early 2014, construction will begin on a pollution-preventing greenscape that will run alongside Brooklyn’s Gowanus Canal. The proposal, dubbed Sponge Park, was envisioned more than five years ago by Susannah Drake of dlandstudioand has just now “soaked up” enough funds to move forward.
Courtesy of AIANY Emerging New York Architects (ENYA) Committee
Launching August 22 at 6:30pm at the Center for Architecture, the QueensWay Connection: Elevating the Public Realm Competition supports Friends of the Queensway and The Trust for Public Land in their efforts to transform an abandoned rail right-of-way into a greenway serving diverse neighborhoods in central and southern Queens. Presented by The Emerging New York Architects (ENYA) committee of the AIA New York Chapter, this sixth biennial competition seeks to supplement the ongoing feasibility study for the railway’s transformation by proposing ways the future park can be activated in addition to recreation and leisure. With emphasis on the park’s access points the competition brief provides an opportunity to speculate about programming and design to extend street activity onto the railway. Submissions are due in January. For more information, please visit here.
Despite its drastic evolution in the past 50 years, New York's historic Garment District remains one of the most authentic neighborhoods in the city. From August 5 through October 31, The Skyscraper Museum is presenting a free exhibition on its architecture and urban history in a pop-up space at 1411 Broadway. The installation reprises the exhibition The Skyscraper Museum originated last year in its lower Manhattan gallery. This exhibition is a great opportunity to explore a place that was once known as having the largest concentration of skyscraper factories in the world with more than 100,000 manufacturing jobs. For more information, please visit here.
Beginning with Charles McKim, William Mead, and Stamford White and concluding with Michael Arad, Makers of Modern Architecture, Volume II examines the people behind the work at the forefront of 20th and early 21st century architecture. Critic Martin Filler masterfully integrates each person’s unique biography and distinctive character into the architectural discussion. Here is his revealing profile of Michael Arad, the young architect whose design for the National September 11 Memorial at Ground Zero brought him into the national spotlight. It was originally published on Metropolis Mag's Point of View Blog.
I wept but about what precisely I cannot say. When I first visited Michael Arad’s newly completed National September 11 Memorial of 2003–2011 at Ground Zero, which was dedicated on the tenth anniversary of the disaster—the ubiquitous maudlin press coverage of which I had done everything possible to ignore—it impressed me at once as a sobering, disturbing, heartbreaking, and overwhelming masterpiece. Arad’s inexorably powerful, enigmatically abstract pair of abyss-like pools, which demarcate the foundations of the lost Twin Towers, came as an immense surprise to those of us who doubted that the chaotic and desultory reconstruction of the World Trade Center site could yield anything of lasting value.
Yet against all odds and despite tremendous opposition from all quarters, the design by the Israeli-American Arad—an obscure thirty-four-year-old architect working for a New York City municipal agency when his starkly Minimalist proposal, Reflecting Absence, was chosen as the winner from among the 5,201 entries to the Ground Zero competition—became the most powerful example of commemorative architecture since Maya Lin’s Vietnam Veterans Memorial of 1981–1982 in Washington, D.C.
